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Only .99 cents on Kindle!

“A Modell of Christian Charity”

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“We must entertain each other in brotherly affection. We must be willing to abridge ourselves of our superfluities, for the supply of others necessities. We must uphold a familiar  commerce together in all meekness, gentleness, patience, and liberality. We must delight in each other; make others conditions our own; rejoice together, mourn together, labor and suffer together, always having before our eyes our commission and community in the work of the same body.  So shall we keep the unity of the spirit in the bond of peace.”

Governor John Winthrop, Massachusetts Bay Colony 1630

Happy Thanksgiving.

Gail Chumbley is the author of River of January available on Kindle and at River of January

“It’s A Beautiful Cover”

So it’s only four minutes of fame. I’ll take it.

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Darling, I love you, Gee

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Peppered through the vast family archive used in the writing of River of January, exist three special sets of letters. Though largely filled with conventional chatter and sentimental superlatives, these documents also provide a fascinating peek into another time and place–of a nation suffering through economic free fall, and perched on the threshold of war.

The letters frequently mention the turbulent state of international affairs, from fascist Italy, to the Spanish Civil War; episodes that eventually and inevitably led to the Second World War. Even more ink is expended discussing the difficult economic situation stemming from the fallout of the Stock Market Crash–securing theater bookings, closing business contracts, and aviation training in a downsized Navy. Still, aside from the monumental, most of the content reported simple day to day life, shared with humor and concise observations. From their correspondence these men clearly promoted themselves, vibrantly rising from the faded and yellowing paper.

The first are a series of letters mailed from a Hollywood address, composed by comedy writer, Grant Garrett. (See above). The second collection, posted almost exclusively from Europe, came from the hand of a 28-year-old Belgian entrepreneur, Elie Gelaki. Serious and painfully formal, Elie’s letter reveal a methodical mind, clearly continental in manner with a determined nature. Finally, the last, and largest collection came from Mont Chumbley, Virginia farm boy turned aviator, who looms largest in the memoir. His writing reveals a practical, warm, and straightforward young man who expressed himself in plain language.

Despite definite differences in style, these three writers did share many qualities. All were deeply ambitious, establishing successful careers in the particularly difficult years of the Great Depression. They were clearly literate and educated, in a time when many (at least in America) did not regularly attend nor graduate from secondary school. These letters rise from the ordinary, written with distinctive originality, candor, and technical accuracy.

The link that tied this portion of the archive together was the beautiful New York dancer who received each letter, and preserved them all, Helen Thompson.

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Grant Garrett became Helen’s first heartthrob. A native of Los Angeles, Garrett was a regular script contributor to radio shows and vaudeville acts. A talented singer and dancer in his own right, he interviewed Helen to partner with him for an upcoming tour across the country in 1931. After their junket ended, she returned to New York, and he returned to Hollywood. Now in love, the couple exchanged a series of clandestine letters, (her mother forbade Helen to see him again) with only Grant’s compositions still surviving today.

For a nineteen-year-old girl, Grant was hard to resist. Moody, smart, and funny . . . he was the essence of the tortured poet, a perfect combination of beauty, pain and passion. Of her suitors, Grant was the only one who shared her profession, and their time together forged a strong, and influential bond. Helen’s association with Grant provided something of a professional finishing school for her. From Grant she learned to laugh through tough times, and push through adversity because “the show must go on.”

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Grant’s whimsical map of a planned Garrett & Thompson reunion tour.

Next time, Belgian, Elie Gelaki.

Read more about Grant Garrett, Elie, and Mont Chumbley in River of January, available in hard copy and on Kindle.

West Palm Beach, 1934

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Howard Hughes

“Night is a great time to fly—very peaceful. And things here are pretty quiet. Yeah, you got yourself a pilot.”
Refueling in Raleigh and again in Savannah, the young man managed to land the new model at the West Palm airstrip on time, taxiing to the numbered hangar about 7:30 AM the next morning.
“Who are you?” asked the tall, thin, dark-haired client. “Where’d that plane come from? You couldn’t be here all the way from New York?!”
Too groggy to argue Chum replied, “Howard Ailor sent me down with your plane. Flew here overnight.”
“Not possible” the client insisted. “That’s not the plane I ordered. This one has to be used.”
“Sir, I was asked to fly this Waco down from Roosevelt Field. It’s new, not used, and it’s yours.”
“I’m calling my head mechanic over—he’ll know if it’s new or not,” the tall man challenged. “What’s your name young man?”
“Chumbley, sir. Mont Chumbley.”
“You must be one hell of a pilot, Chumbley, if you’re not trying to put one over on me. I’ve never known any flyer that could have made that trip from New York. My name’s Hughes. Howard Hughes, but I guess you knew that. I just don’t believe you got here overnight. What time did you leave last night?”
“About ten, sir. Only stopped to refuel and eat. Can I get a lift to the train station? I need to get back to New York,” the sleepy pilot requested.
As though he wasn’t listening Hughes replied, “I don’t believe this. Ailor is pulling something here. It’s impossible that you flew here that fast.”
“Sir—Mr. Hughes, I don’t mean to be rude, but I have a business to run at Roosevelt Field. I need to get home. I’m not making any money here. Your issue is with Mr. Ailor. I delivered the plane, and now I need a lift to the train station.”
Hughes began walking toward his hangar as if Chum hadn’t spoken. He heard Hughes shout, “Get Rusty out here to look this Waco over, and get Ailor on the phone in New York.”
For the next two days Hughes and Ailor wrangled back and forth, via telephone, between Florida and New York. Chum impatiently hung around the hangar waiting for some kind of resolution.
“This engine’s used. I won’t buy the plane,” Hughes finally informed the young pilot. “But Chumbley, you sure know your way around a propeller. I’m going to keep you instead.”

Gail Chumbley is the author of River of January

Excerpt Saturday: A Cultured Gentleman

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Europe
1932

After Brussels, Elie visited nearly every town Helen played, frequently heralding his arrival with a spray of flowers waiting for her at each hotel.
“Please, please invite your friends to join us on our outing,” Elie cheerfully encouraged Helen.
In Paris, where Voila was performing, Elie motored a carload of Beauties to the countryside, stopping at the Bourbon Palace of Versailles. The American girls strolled amid the recovering gardens, the graceful flowing fountains, and grand buildings that had been severely neglected during the Great War, not so long before.
“Elie, this place is magical!” Helen exclaimed. “Have you been here before?”
“Only once,” the young man replied. “We—my mother, two sisters and I, traveled to Paris after the funeral of my father in northwest France. Perhaps I will take you up there another time.”
They toured the ornate grand salons including Marie Antoinette’s Petit Trianon, the queen’s palace. Helen lost herself, dazzled with the elaborate ivory and gold friezes along the walls and ceilings, and the gold-framed paintings hung in arched cornices.
Later, standing before a vast mirror in the Hall of Mirrors, the couple caught their reflection together—Elie smiling tenderly while Helen felt an inexplicable pang of regret.
In Strasbourg, on another day trip, the pair enjoyed a 12:00 tour of the town’s beautiful Gothic cathedral.
“Oh!” Helen exclaimed, captivated by the cathedral’s ornate astronomical clock inside the transept.
Elie whispered, “Wait my dear, it gets better.”
After only a few moments, small figurines emerged from above the blue and gold clock, within a square opening of the sandstone wall. The carvings represented the phases of life, holy saints, and culminated with statuettes of Jesus and his twelve apostles. While absorbed in the intricacy of the synchronized whirring, Helen felt a touch on her hand, as Elie took her arm. Together, the two silently contemplated this majestic tribute to the Almighty’s dominion over time.
On another stop Elie caught up with Helen by driving to Geneva. In the morning, before rehearsals, the Belgian escorted the dancer on a visit to the League of Nations.
“How did you manage passes, Elie? Charlotte and Grace were told they needed a sponsor to attend,” Helen whispered in the vast paneled halls, watching Elie retrieve the official cards from his pocket.
“I have a business contact here in the city who agreed to endorse us,” Elie quietly responded.
Finding their seats in the public gallery, Helen listened as one prominent gentleman after another eloquently spoke of a peaceful world. Moved by the solemn atmosphere in the chamber, the dignified proceedings, and the sincerity of all the delegates’ remarks, she whispered to her new friend, “These men sound determined to spare the world from another war.”
“My dearest girl, I truly hope they are successful,” Elie answered emotionally, gazing at the proceedings with brimming eyes.

*

Elie was in London on business, unable to attend Helen’s ballet performance in Erba, a town in northern Italy which was a holdover obligation from the Gambarelli contract. Mistinguett permitted the rest of the cast time off while the girls rehearsed for the somber ballet—Goethe’s Faust. This dark saga, a morality tale of the man who sold his soul to the devil for worldly power, puzzled the ballerinas.
“Ballet is a serious dance form, it’s true,” complained Una, “but this performance is so grim, I’ll bet there’s no belly laughs, or knee slappers in the aisles tonight.”
A murmur of assent echoed in the dressing room.

*

The cast party after the program proved to be anything but grim or serious. Accompanied by two Italian boys, Eddie and Nikko—young men the dancers had met earlier—the crowd left the theater in a cacophony of chatter and laughter.
Parading to a nearby café, the American girls swarmed around small tables on the stone terrace. Under a garland of dim light bulbs strung around the courtyard, clouds of rising blue cigarette smoke, laughter, and chinking glasses animated the softly lit oasis, the celebration flowing easily against the night.
“Have you tasted cognac, Miss Helene?” Nikko asked, in an innocent tone.
“No, Nikko. It’s bourbon for this girl.”
“My dear, cognac is the nectar of the heavens. You must try a sip.”
Helen reluctantly stared at the cognac the Italian pushed in front of her. She cautiously raised the snifter, appraised the aroma warily, and sipped. Choking a bit, she concluded, “This isn’t bad.”
Nikko, grinning, ordered another. The more cognac she consumed, the more earnestly the dancer explained how she was properly instructed to perform Ballet spotters back in New York.
Eddie sat, enchanted, listening to the pretty American girl. He suddenly asked, “Lovely Helene, would you permit me the privilege of observing your spotters?”
Nikko winked at his friend, and then added, “I have never seen a New York spotter.”
“Go on, Helen, show us how your Mr. Evans says it should be done,” egged on Grace, weaving unsteadily around the table to watch.
“New York spotters!” demanded several voices. Looking blearily around at her audience, Helen wobbled to her feet. The little crowd applauded.
“Hop up on the table, Helen. We can’t see your footwork from here,” shouted Carmen. Helen warily looked at the tabletop. She carefully placed her knee onto the edge, testing its strength, and satisfied it wouldn’t tip or collapse, awkwardly clambered up.
She clumsily rose to her toes. Lightheaded from the alcohol, the dancer tried to focus on a fixed spot, but just couldn’t pinpoint one. One rotation she turned, then another, and Helen began to gather speed. Inevitably, and all too soon, the girl tottered, losing her footing and equilibrium. Luckily for her, spectators surrounded the table and as she listed at a dangerous angle, the boys caught her before she hit the unforgiving flagstones.
Sick and sore the next morning, the no-longer-graceful ballerina retching in the bathroom, gasped, “Nectar for the gods? Tasted more like lighter fluid. I—hate—everyone.”

*

Elie caught up with the Mistinguett Company when Helen and her friends returned to Paris. Pleased to be reunited with the lovely American girl, he offered the group another afternoon tour in his Packard.
“I have my automobile, and you can decide our destination,” he invited.
“We’ve been to The Louvre.” Carmen mentioned.
“I loved the Mona Lisa, remember, Helen?” added Charlotte.
“The Winged Victory was wonderful, too. Plus we have visited the Arch de Triomphe and the Eiffel Tower,” Helen finished. “I think that today it’s your choice, Elie.”
The Belgian looked the girls over, gazing mostly at Helen. “I believe I have an idea. Climb in. We will motor north.”
The party journeyed under a cloudless blue sky to the northeast. Eventually, after passing through some small villages, Elie veered onto a narrow road, parking his Packard in a field.
“This is the battle area known as the Marne,” he announced soberly.
The girls quietly climbed out of his vehicle almost reverently at the familiar name of the legendary site. The young man guided the group over the ribbons of scarred landscape left by the many futile attacks that made up the Marne Campaign in the Great War.
“Was your father killed here, Elie?” Helen whispered.
“No, Helen, he died later, further northwest near the Somme River. That is where he is buried.”
It wasn’t a topic she gushed over in her letters to New York. That afternoon excursion made the wreckage of war too real for a dancer from faraway America.

*

Back in Paris Helen was astonished to find a letter postmarked from Los Angeles, California. Grant’s letter seemed from another world, another lifetime. Helen slowly opened the envelope and read,

My Dearest Little Nell
As you can see I am still residing in the City of Angels. Your silence took the starch out of a booking to South America and I took a pass. I am waiting patiently for my partner to return from her world travels. Shall play nary a date till you arrive… will continue to play my hunches instead… and never doubt me even when I am not with you.

Below his note, Grant had sketched a whimsical map of the routes he planned to book for her return.
He cleverly illustrated the stops with leaning snowy mountains in Denver, oversized, smiling cactus in Phoenix, and swaying skyscrapers back in New York.
“Oh Grant Garrett, you are a charmer, and I do miss you,” she murmured, feeling a little sentimental.
“Helen, did you say something?” Grace asked, glancing up from her bed.
“Oh—no. Sorry, Grace. I didn’t mean to wake you,” the girl murmered.
Lying back on her pillow she mused, I can hardly believe it, but Grant hasn’t crossed my mind since I sailed in April. The tour has been so fast and so thrilling. For now, she yawned, I’m just glad to be here. I’m far enough away from those who spend all of their time planning my life.

Gail Chumbley is the author of River of January

Night Flight

Night Flight

 “Night Flight,” an MGM drama premiered October 6, 1933 at New York’s Capitol Theater.

Star Helen Hayes presented Chum his hard-won first place trophy as a part of the evening’s program.

Read River of January.

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Buy River of January by Gail Chumbley, also available on Amazon.