We all closed our eyes and directed to imagine a stage play. The lights dim to darkness and the curtains open revealing a maid busy at a fireplace feather dusting the mantel.
I dutifully shut my eyes envisioning white marble and busts of philosophers as the servant did her thing.The instructor asked us to further imagine the play’s star dramatically entering from the wings. She asked what would we do as an audience? Clap of course, because the story is about to begin.
And that dear reader is the model history educators have employed for eons. America was just waiting for white folks to appear, so the story could begin. The implication is that nothing of significance had yet happened. Just the maid dusting the mantel.
To accept that John Wayne or James Arness won the west is but a myth for films and television. American history in noway resembles an episode of The Waltons. The reality of the narrative, stripping away the fiction is much richer when including the whole story.
Mining and ranching customs in America are largely of Spanish origin. Standard size horses spread northward from Mexico as escapees from Hernan Cortes and other conquistadors. The rendezvous system came to be under the French, and their Huron fur-trading partners. From totems, to kivas, to longhouses indigenous people developed distinct cultures. New World foods like corn and potatoes conquered Europe, and African exploitation introduced American traditions in music, food and language.
In short, the story of America didn’t start with Plymouth Rock, nor Jamestown. It isn’t sunbonnet madonnas, bravely trudging west, or white hatted heroes saving the day.
No clear lines separate villains from heroes. If the myth makes you feel good, watch “Lonesome Dove,” or “The Alamo.” Keep in mind both are works of fiction. If it’s accuracy you’re after, crack a history book, or catch a Ken Burns documentary.
Gail Chumbley is the author of the two-part memoir River of January, and River of January: Figure Eight. Both available on Kindle.