New Birth of Freedom

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We all know the story.

On a mild April night, President and Mary Lincoln attended the final performance of the popular comedy, “Our American Cousin,” at Ford’s Theater. Lincoln, by all accounts was in a light, blissful mood. A week earlier Confederate forces commanded by Robert E. Lee had surrendered at Appomattox Courthouse, Virginia, and except for some dust ups, the Civil War had ceased. We also know that John Wilkes Booth, and fellow conspirators plotted to kill, not only the President, but the whole order of presidential succession; Vice President Andrew Johnson, Secretary of State William Seward, etc . . . but only Booth followed through with that night’s violence.

Andrew Johnson took office in a whirlwind of shifting circumstances. In the year up to President Lincoln’s death a notable power struggle had taken shape between the President and Congress. America had never before endured a civil war, and the path to reunion had never been trod. As President, Lincoln believed the power to restore the Union lay in the executive branch—through presidential pardon. But an emerging faction in the Republican Party, called the Radicals saw the issue differently. These men operated from the premise that the Confederate States had indeed left the Union—committed political suicide at secession—and had to petition Congress for readmission. (Congress approves statehood). And this new president, Andrew Johnson, was determined to follow through with Lincoln’s policies.

Unfortunately, Johnson was by temperament, nothing like Abraham Lincoln. Where Lincoln had a capacity to understand the views of his opponents, and utilize humor and political savvy, Johnson could not. Of prickly character, Andrew Johnson entered the White House possessed by deeply-held rancor against both the South’s Planter Class, and newly freed blacks. This new Chief Executive intended to restore the Union through the use of pardons, then govern through his strict interpretation of the Constitution. Johnson had no use for Radical Republicans, nor their extreme pieces of legislation. Every bill passed through the House and Senate found a veto waiting at Johnson’s desk, including the 1866 Civil Rights Act, and the adoption of the Freedmen’s Bureau. Congress promptly overrode Johnson’s vetoes.

Reconstruction began with a vicious power struggle. And much of the tumult came from Andrew Johnson’s inability to grasp the transformation Civil War had brought to America. While the new president aimed to keep government limited, the Radicals and their supporters knew the bloody struggle had to mean something more—America had fundamentally changed. Nearly 700,000 dead, the emancipation of slavery, the murder of Father Abraham, and a “New birth of Freedom” had heralded an earthquake of change.

But Johnson was blind to this reality, seeing only an overreaching Congress, (Tenure of Office Act) and Constitutional amendments that had gone too far. And so it was a rigid and stubborn Andrew Johnson who eventually found himself impeached by a fed-up House of Representatives. Johnson holding on to his broken presidency by a single Senate vote.

 

There have been other eras in America’s past that fomented rapid changes. The Revolution to the Constitutional period, the First World War into American isolation, the Vietnam War stirring up protest and social change. All concluding with reactionary presidencies. No less occurred with the 2016 election of Donald Trump.

2008 to 2016 witnessed social change of a new order. Administered by America’s first African-American President, Barack Obama, liberty reached further, bringing about change where once-closeted American’s hid. Gay marriage became the law of the land, upheld by the Supreme Court in Obergefell V Hodges. The trans community found their champion in Bruce, now Caitlin Jenner. Health care became available to those caught in relentless poverty and preexisting conditions. Undocumented young people were transformed into “Dreamers.” And though he didn’t take the Right’s guns, President Obama did successfully direct the mission to nab Osama bin Laden, America’s most wanted man.

So when former students began sending horrified texts to me, their old history teacher on election night, 2016, I gave the only explanation history provided. The Obama years introduced change to America that reactionaries could not stomach. (And yes, racism is certainly a large part of the equation).

So now we deal with a Donald Trump presidency. But, Mr. Trump would be wise to acknowledge and accept what has transpired in the last eight years. The thing about expanding the ‘blessings of liberty,’ is no one is willing to give them back. When push comes to shove, the new president may find himself facing the fate of Andrew Johnson.

Gail Chumbley is the author of River of January and River of January: Figure Eight. Also on Amazon.

Capturing War

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I grew up during the Vietnam era. This conflict in Southeast Asia officially began in 1959, and officially ended with the Paris Peace Accords in 1973. I was a four-year-old baby when Ike first sent advisers over, and a high school graduate when the boys came home under Nixon.

An opinion has grown among historians that the unpopularity of the Vietnam War came about because of particularly intense television coverage. Some claim that support for this “police action” shifted when the draft expanded to include middle class, college-bound boys. Mothers across the country grew alienated, and distressed by the relentless coverage flickering across all three networks; images of  Vietcong ambushes, exploding fire fights, and mounting body counts, soon drained any support women felt for the war.

I recall in particular doing dishes after dinner watching a little black and white Sony portable on the kitchen counter. It didn’t matter which network I switched to, the same footage blended into a mingled blur . . . jungle, fear, wounds, and an odometer-like graphic, tallying up the day’s body count.

The Vietnam War didn’t come to us through paintings, or photographs, or movie house newsreels. Instead the American public, including this growing girl from Spokane, viewed the unfolding drama as a grim reality program, years before that term was coined. And that little 10 inch window to the war told me, as young and unsophisticated as I was, that this involvement was awful. That war is an awful event.

CBS, in particular, ran special reports highlighting varying aspects of that endless nightmare. News cameras exposed the jarring horror of  surgical personnel–doctors and nurses splattered with blood–and set out with nervous reconnaissance patrols edging through deadly elephant grass, and huddled with desperate Marines battling at a stone wall in the ancient Vietnamese capitol of Hue. All of it awful.

So many years have flown by, and I find this little girl is now officially middle aged. Yet, as I type my graphic recollections from fifty years ago, I know that, at this very moment, young people in battle zones face the exact same hell as the lethal jungles of Vietnam. The human cost of war has not changed–not one bit. And though the American public isn’t quite as riled as 1970, nor as focused, the price of overseas conflicts remain the same for those beautiful young souls now in harms way.

In the spirit of comforting the disturbed, and disturbing the comfortable, I would like to finish this piece by reprinting a poem by WWI soldier and poet, Siegfried Sassoon. With words alone, Sassoon captured the true awful, using no film crew, or photographer, or painter.

Dreamers

By Siegfried Sassoon

Soldiers are citizens of death’s grey land,
Drawing no dividend from time’s to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal climax with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds and wives.
I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with balls and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
Have a safe weekend, and accent the memory in Memorial Day.
Gail Chumbley is the author of the non-fiction memoir, River of January

Capturing War

th

I grew up during the Vietnam era. This conflict in Southeast Asia officially began in 1959, and officially ended with the Paris Peace Accords in 1973. I was a four-year-old baby when Ike first sent advisers over, and a high school graduate when the boys came home under Nixon.

An opinion has grown among historians that the unpopularity of the Vietnam War came about because of particularly intense television coverage. Some claim that support for this “police action” shifted when the draft expanded to include middle class, college-bound boys. Mothers across the country grew alienated, and distressed by the relentless coverage flickering across all three networks; images of  Vietcong ambushes, exploding fire fights, and mounting body counts, soon drained any support women felt for the war.

I recall in particular doing dishes after dinner watching a little black and white Sony portable on the kitchen counter. It didn’t matter which network I switched to, the same footage blended into a mingled blur . . . jungle, fear, wounds, and an odometer-like graphic, tallying up the day’s body count.

The Vietnam War didn’t come to us through paintings, or photographs, or movie house newsreels. Instead the American public, including this growing girl from Spokane, viewed the unfolding drama as a grim reality program, years before that term was coined. And that little 10 inch window to the war told me, as young and unsophisticated as I was, that this involvement was awful. That war is an awful event.

CBS, in particular, ran special reports highlighting varying aspects of that endless nightmare. News cameras exposed the jarring horror of  surgical personnel–doctors and nurses splattered with blood–and set out with nervous reconnaissance patrols edging through deadly elephant grass, and huddled with desperate Marines battling at a stone wall in the ancient Vietnamese capitol of Hue. All of it awful.

So many years have flown by, and I find this little girl is now officially middle aged. Yet, as I type my graphic recollections from fifty years ago, I know that, at this very moment, young people in battle zones face the exact same hell as the lethal jungles of Vietnam. The human cost of war has not changed–not one bit. And though the American public isn’t quite as riled as 1970, nor as focused, the price of overseas conflicts remain the same for those beautiful young souls now in harms way.

In the spirit of comforting the disturbed, and disturbing the comfortable, I would like to finish this piece by reprinting a poem by WWI soldier and poet, Siegfried Sassoon. With words alone, Sassoon captured the true awful, using no film crew, or photographer, or painter.

Dreamers

By Siegfried Sassoon

Soldiers are citizens of death’s grey land,
Drawing no dividend from time’s to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal climax with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds and wives.
I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with balls and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
Have a safe weekend, and accent the memory in Memorial Day.
Gail Chumbley is the author of the non-fiction memoir, River of January

The Pitch

Long rows of rectangular tables, draped and decorated, filled the hall. Cellophane covered baskets, revealing festive gifts sat inches apart, attracting hopeful bids from the browsers wandering about the silent auction. Attendees seemed to understand the drill, strolling from basket to basket, pen in hand, increasing the previous bid. And the purpose behind this auction? The IEA Children’s Fund; a statewide account to help Idaho kids with food, clothing, supplies, shoes, and any other need disadvantaged students face.

I squeezed in between colorful, refugee-sewn bags and wallets, and a boxed WiFi yoga program, complete with a mat and ready-to-use internet software. My books sat displayed below eye level, requiring some adjustments to attract possible buyers.

Both “River of January,” and “River of January: Figure Eight” are rich with archival images. However, space limitations left the usual eye catchers tucked in a satchel, under my chair. Though dismayed at first, I remembered that the books have photo galleries inside, and my tactic instantly shifted. “Are you a reader?” I begin. And what’s cool about teachers is that 99.9% told me ‘yes.’ (Of course they are, we teachers are the champions of literacy.) Then I whipped out the photos in book one.

I begin . . . “River of January is a true story, a memoir, that I have written in a novelized style. Here is my main charter, a pilot, who won an air race in 1933. Here he is receiving the winning trophy from actress Helen Hayes at the premier of her newest movie, Night Flight co-starring Clark Gable.” (The listener looks mildly interested. I go on.)

helenhayes0001

 

The girl in the middle, laughing, was his girlfriend, she was a pilot too. On the left is Amelia Earhart, the president of the female flying group called The 99’s.”  (I hear an audible WOW. We’re getting somewhere.)

Image

“And this girl is the other main character, and she was a show girl, dancer, and actress. The picture is a clip from a 1931 movie she appeared in called Women of All Nations. Not much of a film, but she had a closeup. Oh, that’s Bela Lugosi in the turban.” (Now I hear a ‘that’s amazing.’)

Women0001

“Yeah,” I agree. “And it’s only the first book. In book two, he ships out to the Pacific, and she becomes a professional ice skater in a Sonja Henie Ice Show.”

helenskates0001

(I reach for the second book, “Figure Eight.”). Here he is with the head of Eastern Airlines, Captain Eddie Rickenbacker. You know, the WWI flying ace?” Now they want to know the price, and would I take a debit card?

Rickenbaker0001

“Would you like me to sign the books?” They would. And I thank the purchaser, and ask for feedback on Amazon.

What is nice is that all teachers share an innate sense of wonder. My natural fascination with the story easily connected to like-minded listeners among the professional educators circling that hall.

And that’s my pitch. I let the two main characters sell the memoir because they were nothing short of amazing.

Plus I , too, happily made a donation for each book sold to the IEA Children’s Fund.

 

Gail Chumbley is the author of the two-part memoir, “River of January” and “River of January: Figure Eight.” Both books are available at www.river-of-january.com, or on Amazon.

 

 

 

Music and Story

Happy Dr. King Day. For your viewing pleasure here is the official book trailer for River of January. Kudos to Robert Frazier of Solid Media–he did the magic.

 

River of January, and River of January: Figure Eight is available at www.river-of-january or at amazon.com/author/gailchumbley

May 23, 2004

WWIIMemPost0001

You know, that time the kids and I appeared in the Washington Post Sunday Magazine.

 

Gail Chumbley is the author of River of January, a memoir. Also available on Kindle.

Look for volume two, “River of January: The Figure Eight,” due out this Fall.

Strike Up the Band-a few more hours!

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River of January‘s Free Kindle Weekend!

Enjoy a read on the house compliments of Kindle. Available from Saturday morning through Monday night.

When you’re done tell a friend, and say something nice on Amazon Reviews!

Gail Chumbley is the author of the memoir, River of January. Also available on Kindle.