History and a Rollicking Romance

A nice review is a welcome gift for any writer. John Vogel of Preserve Old Broadway graciously published this piece today.

We were supposed to start our exploration of The Vagabond King today. It is a wonderful operetta that is based on the life of Francois Villon, a French poet who allegedly rallied the people of Paris to defend the city against the attack of the Duke of Burgundy. In saving the city, Villon also preserved the monarchy in France, in the person of Louis XI.

My plan has been interrupted by an interesting turn of events. I have just finished reading two books, River of January, Part One, and River of January, Figure Eight. If you love history and a rollicking good romance, you need to read these two books, written by Gail Olson Chumbley.

But well you may ask, how did I come to know about these books and its author?

Shortly after I started posting comments and music on this FB page, I noticed a new visitor to the page, Gail Olson Chumbley. I looked her up and found out that she was an award-winning teacher at Eagle High School, Toppenish, Washington before she retired. She met her second husband, Chad Chumbley, in 1994, and Chad regaled her with stories about his parents, Chum and Helen Chumbley. Eventually, Gail, the history teacher, became curious and dug through boxes of old correspondence and pictures and finally interviewed Chum before his death in 2006. What she found was even more impressive than Chad’s stories, because the lives of Montgomery (“Chum”) Chumbley and Helen Thompson Chumbley were intertwined with key events in American history from 1925 to 1955.

Not ever having written a book before, Gail started the arduous task of translating dead archives back into living human beings. This daunting task was made easier because of her two love affairs: she loved Chum and Helen and she loved their son, Chad. Her writing was a labor of love.

I promised I would read her books one day, but my schedule was busy and “one day” kept moving to the right. Gail ended my procrastination by mailing me both books; and at night before I went to sleep, I would read through 30 or 40 pages. Gail didn’t start to write until she wrote these two splendid books, but what comes through is a historian’s love for detail and context. Gail gives the reader both the overview of history (the big picture) and the personal details of the two people she follows. We follow both Chum and Helen separately until 1936, when they met in Rio de Janeiro and fell in love.

Chum enlisted in the Navy and eventually won a spot in Flight Training in Pensacola, FL. He stayed in the Naval Reserves, even after he left active duty, and began a career that revolved around Waco Aircraft, an early pioneer in aircraft design and manufacturing. Chum was one of the few early aviators who came after WWI but was ready to serve once WWII came into focus. He was one of a handful of pilots who started in planes made of wood and ended in the jet age.

Another pilot, who trained at the Army base at Brooks Field, Texas, was Alexis Klotz. Lex also was involved in delivering the mail, although Lex started on the West Coast. Lex ended his career with TWA and offered to show me around the cockpit of the new Constellation when they went into service. Flying the mail from west to east in the winter was hazardous, and many good but not great mail pilots went down in bad weather. In winter, forced landings almost always resulted in death.

When Chum and Lex flew airplanes, the cockpits were open (it got cold at higher altitudes), and the planes had little if any navigation or communication equipment. Many pilots learned the ground terrain, the railroad tracks and other identifying ground markers to guide them during their many hours in the air. Flying was more art than science.

One the other hand, as Gail explains to us, these pilots loved to fly and may have been more comfortable in the air than on the ground.

But that is only half of the story. The other half of the story involves Helen Thompson who, from an early age, was pushed by her mother, Bertha, into dance. Luckily, Helen learned to love to dance and to perform, in general. From ballet, Helen moved into vaudeville routines and eventually ice skating with skating stars like Sonja Henie. 

But Helen’s career is only part of her story. At each turn in her career, she met famous people and witnessed key events. Coming home from a European tour, Helen performed onboard at the Captain’s request, alongside another performer named Maurice Chevalier. What was more important was the fact that both performers sat at the Captain’s table. Helen dined with the former President of France, Edward Herriot, on his way to Washington DC to confer with FDR in the mid-1930’s.

It is this constant integration of the big picture of history (Chevalier jokingly asking Herriot if he could save the world from Hitler) with the details of Helen’s dance program that make the two books so charming and engaging. We are reading history from the bottom up, living through periods of time through the eyes of Chum and Helen. And it is a wonderful way to learn and was used successfully by Kenneth Roberts in his many books on the American revolution.

For all of you history buffs who like a good romance story, put away David McCullough for a bit and pick up River of January, Part One, and River of January, Figure Eight.

For more from John Vogel visit Preserve Old Broadway on Facebook.

Gail’s books are available at http://www.river-of-january.com, and on Kindle.

gailchumbley@gmail.com

The Archive Story

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Amelia Earhart (left)

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Video-The Family Archive

Gail Chumbley is the author of the two-part memoir “River of January,” and “River of January: Figure Eight.” www.river-of-january.com Both books are also available on Kindle.

Los Angeles 1940

The supper club was cavernous. The Cocoanut Grove’s maître d’ cordially welcomed the couple and directed them through a tropical arbor of tall potted palms, sheltered under an enormous Bedouin striped tent. Moorish archways separated a dimly lit lounge from the contrasting bustling dining area and its polished dance floor. From a raised stage, a full orchestra engaged the swaying crowd with a smooth rendition of “South of the Border (Down Mexico Way).” Those not dancing strolled among the tables—greeting friends, laughing, and sipping their cock- tails. Intrepid photographers, dodging harried waiters and pretty cigarette girls, snapped photos of the diners.

Helen shimmered, gowned in flowing black silk, easily melding into her chic surroundings. Chum found himself, once again, bowled over by her beauty. “You take the cake, Helen,” he said, as he pulled out a chair for her. She gave him a puzzled glance as she sat down. “What I mean is,” he clarified, “how does a girl pick beach sand out of her ears in the afternoon and transform into a dreamboat by eight?”

She smiled. “It’s all in the face powder—covers up sand, salt, sunburn, bird droppings . . . the works. You know, Chum, with all this flattery, I think you ought to stick around more . . . maybe reconsider this employment idea.”

Chum disagreed by a shake of his head. “Helen, there are two things in this world I love. One is escorting you to nightspots like this one. And two—”

“Flying,” she finished.

“Right-o. And now that we have cleared up that little matter, would you like to dance with your husband? You see, dancing with you is the other benefit I get from nightclubbing. And I promise I will flatter you more. That’s one of the reasons I married you.”

Chum circled the table and drew back her chair. The bandleader gently snapped his fingers in a leisurely four count, the orchestra striking up “Moonlight Serenade” on the downbeat. A rich trombone solo beckoned the couple toward the floor, quickly accompanied by a melodic blend of clarinets and saxophones.

Chum clasped Helen around the waist, holding her close, her left hand in his right.

“Now this is a box step, honey,” Helen murmured. “Just do what I showed you and keep your eyes up. Don’t look at your feet. Feel the rhythm,” she coached.

“I’ll give it my best.” His eyebrows cinched together as he concentrated. After a few steps he grumbled, “I’d like to see you fly an airplane.”

When dinner ended, Helen leaned closer to Chum, and they quietly spun idyllic visions of their future. Out of the corner of her eye, Helen noticed a well-dressed gentleman making his way toward their table. She sat up.

“Chum?” inquired a tall, dark-haired, opened-faced man.

“Russell!” exclaimed a genuinely pleased and surprised Mont Chumbley. He hopped up, stretching out his right hand. “What do you say, Russell? What brings you to Los Angeles?”

Chum’s words rushed in his surprise. “Helen, this is Russell Thaw, an old friend from my air rac- ing days. Russ, this is my wife, Helen.”

Politely shaking his hand, her mind worked to place his familiar name. Thaw . . . Thaw. Why do I know that name?

“Please join us, Russell.” Chum gestured to an empty chair. “Would you like a drink?”

“Sure, but just for a moment, buddy. I don’t want to intrude on your evening.” Thaw smiled sheepishly toward Helen. “What is it you’re doing with yourself, Chum? Last I heard you were working for Lindbergh at TWA.”

“Quit,” he declared, chuckling. “Teeny Weenie Airlines wasn’t for me.”

Thaw smiled at his friend’s candid reply. But his expression quickly shifted, growing seri- ous. “You need to get back to New York, Chum. The sooner the better. Eastern Airlines is hiring. They’ve got a lock on airmail routes from the government, and Captain Eddie’s hurting for pi- lots. You would do well for yourself. That is, if you want to live back in New York.”

Chum’s relaxed expression sharpened at once. He sat up straighter. He took a long look at Helen, trying to read her expression. Turning back toward Thaw, he replied, “I heard something about that. So Rickenbacker’s honestly hiring? I’d heard he had his choice of pilots.”

“Eastern is still throwing out their nets, and you two”—his gesture included Helen—“should get going and visit the Eastern office. See, time matters. Once you make that seniority list, you’re vested—you are in. The clock is vital, here. Take my advice, Chum—it’s time to get on board, literally.”

Chum sat still for a moment, rolling his cigar in his fingers. He remembered the twelve-hour seniority difference that sent him to San Francisco when he worked at TWA. “You going to ap- ply, Russ? You sound like a pitchman for the company.”

“Naw.” Thaw laughed. I just came from New York, and it is the talk all over Long Island. I fly Harry and the rest of the family around now. We’re heading back day after tomorrow. It’s a good job for me.”

The old friends talked over drinks. Thaw caught Chum up on his life, and the two remi- nisced about long-gone days at Roosevelt Field. Their visitor finally looked apologetically to- ward Helen as he stood up to leave. “Sorry to have interrupted your evening, but it was lovely meeting you. Chum’s a lucky fellow.”

“No, no,” she assured him. “It was my pleasure. I’ve come to realize that my husband has made some awfully nice friends along his way.”

Chum smiled, pleased with her compliment. He stood and shook his friend’s hand in farewell. “Thanks, Russell. First, for coming over to say hello, and secondly, for the job advice. Tell Harry hello.”

“Sure will. It was swell seeing you again, Chum. Helen.” Thaw nodded her way.

The couple watched Thaw as he disappeared into the crowd, swirling around the dance floor. Chum spoke first. “Well, what do you make of that?”

“Make of which that? Running into Russell Thaw or the Eastern Airlines news? And honey, who is Captain Eddie? I’m a little in the dark.”

“Eddie is Eddie Rickenbacker. He’s a pilot and he bought Eastern Airlines a couple years ago.”

“Oh, right. I know who he is. The World War One ace. And I also know who Russell Thaw is,” Helen announced coolly.

“Okay, Helen.” Chum folded his hands, amused. “I’m listening. What’s the dope?”

“Well, it’s legendary. The rumors made the rounds backstage of almost every theater I played in New York.” She moved closer, lowering her voice. “Your friend’s mother”—Helen gestured the direction Thaw left—“was a dancer named Evelyn Nesbitt. And she was quite a no- torious girl—carried a real checkered reputation.”

Chum, surprised, leaned in to hear her better as the orchestra struck up new number. Helen continued. “So this Evelyn met and married a wealthy New Yorker, Harry Thaw.” Chum auto- matically glanced around looking for Russell, intrigued.

“Unknown to Thaw, though everyone else in New York knew, Evelyn had had this torrid af- fair with the architect who designed Madison Square Garden.”

“Jiminy Crickets! Russell’s mother, you say?”

“Uh-huh. True story, cross my heart,” she declared. “So, Thaw Senior finds out his wife’s not-so-secret past of catting around, and shoots the architect, dead as a doornail. Later, at his murder trial, the jury acquitted Thaw of murder,” Helen finished, looking at her husband.

“Holy mackerel, I’d never heard any of that before. Poor Russell. I sure can’t blame him for wanting to keep that story quiet. Wonder if the Guggenheims know?”

“The Guggenheims? You mean the New York Guggenheims? You’ve lost me, Chum, how do they figure?”

“Harry Guggenheim is the guy Russell flew out here. He’s the family’s private pilot.”

“Are you trying to tell me that you know Harry Guggenheim?” Helen sat back, astounded.

“He flies too, honeybunch.” Chum patted her arm. “Harry was another regular out at the field.”

Helen paused for a moment, then asked, “Do you know President Roosevelt?” She was only half teasing.

Chum threw back his head and laughed out loud. “He is a navy man—that much is true. But he likes boats. FDR doesn’t fly airplanes, as far as I know.”

“That’s a relief.” Helen smiled. “Don’t know what Eleanor and I would talk about.”

The couple then fell into a contemplative silence, busily weighing the evening’s tidings. Af- ter a few moments, Chum dispelled the mood. “Ready to head home?”

“Sure, honey. I’m ready,” she replied, reaching for her bag.

Chum rolled down the windows in the Chrysler, the night breeze flowing smoothly inside the car. It was a quiet drive. He eased the sedan into their parking spot and hopped out, circling the car to open Helen’s door.

At their apartment, Helen could no longer contain herself. “Did your friend convince you? Are you going to try and work for Eastern? Are we going home?”

Chum sighed. His shoulders slumped slightly, understanding what she was truly asking. “I’m going to place a call to New York in the morning.”

Gail Chumbley is the author of “River of January,” and “River of January: Figure Eight.” Both books are available on Kindle, and in hard copy at http://www.river-of-january.com

gailchumbley@gmail.com

Quebec City 1939

The following is an excerpt from “River of January: Figure Eight, available at http://www.river-of-january.com and on Kindle.

Costumed in tall Hussar caps and military jackets resplendent with gold brocade, the skaters stood expectantly in their V-shape formation in the shadows. Helen, arms twined around the skaters beside her, shivered from a combination of excitement and the frigid draft wafting from the ice. Her ears thudded, inundated by the echoing din from the impatient audience. Much louder than a theater, she thought.

Vera Hruba—a Czech Olympian who was one of the three women headliners in the new production—was positioned at the apex of the V. When the last measures of the orchestra’s overture faded to a close, the house lights darkened and the expectant spectators fell silent. With a commanding flourish, the opening bars of a military march surged to all corners of the house. Spotlights swept over the glittering skate line as Helen pushed off with her left foot, in sync with the tempo. Following two more beats, Hruba burst from the crux of the and raced the circumference of the rink, spotlights holding tight to her revolutions. The audience roared their appreciation in waves of echoing applause. Helen’s first ice show had begun.

If rehearsals were any gauge, Helen was confident the show would be a success. The chorus line often lingered along the rail, chatting and stretching, as they waited for the director to call them onto the ice. “That’s Vivi-Anne Hulten. She’s Swedish,” Clara Wilkins whispered, leaning in, as she and Helen studied the soloist on the ice. “She’s been skating since she was ten,” Clara added, as Hulten executed a perfectly timed waltz jump. “Boy, that little Swedish meatball knows her footwork.” The girls standing nearby murmured in awed agreement.

Chestnut-haired Lois Dworshak sprinted past the attentive chorus line. Helen glanced again at her well-informed friend and Clara didn’t disappoint. “She, Lois there, is a bit of a prodigy. She skated a little as a kid in Minnesota, but hasn’t actually skated professionally all that long. She’s good too, huh?”

“Jeepers, you can say that again,” Helen muttered.

“But the real story in this cast is Vera Hruba.” This time, it was May Judels, the head line skater standing next to Eileen, who spoke up. All eyes shifted toward May. “Vera met Hitler, just like Sonja Henie did, at the Olympics in Berlin. She finished her freestyle routine and came in pretty high, I think. Vera didn’t medal or anything, but still skated a pretty good program.”

“So what happened?” asked another girl, Margo.

“Hitler says to her, ‘How would you like to skate for the swastika?’ And Vera—she doesn’t much like Germans—told him she’d rather skate on a swastika!” Heads turned in unison, watching as Vera completed a flying camel. “So”—May sighed—“to make a long story longer, Vera and her mother left Prague in ’37 as refugees. Then the Huns marched in, and Hitler made a public statement that Vera shouldn’t wear Czech costumes or skate to Czech folk songs. He said Czechoslovakia was gone, never to rise again. Vera responded, saying she’d always be a Czech and that Hitler could, in so many words, go fly a kite.”

“Their own little war . . . now that’s guts,” Helen said, her eyes returning to center ice. “Makes Henie seem like even more of an apple polisher.”

“A swastika polisher,” Margo corrected, as the director motioned the giggling chorus to center ice.

Gail Chumbley is the author of “River of January,” and “River of January: Figure Eight.” Available at http://www.river-of-january.com and on Kindle.

Happy Tidings

 

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An extraordinary event has come our way. River of January, then River of January:Figure Eight are to become feature films. We have signed an option agreement with Falls Park Entertainment of Greenville, South Carolina to bring Helen & Chum’s story to the silver screen. Pinch me, I must be dreaming.

Books are available at http://www.river-of-january.com, and at Amazon.com

Mont Chumbley: Night Flyer

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Sure he was far behind, Mont Chumbley pushed his Waco Cabin C through the night sky. Fresh from the Navy, the young aviator found himself wondering why in the world he’d agreed to enter this “Darkness Derby” competition in the first place.

Called “Chum” by his friends at Roosevelt Field, the pilot had begun a civilian career out of a Western Aircraft Company (Waco) hangar near Mineola, Long Island. Transporting press photographers and reporters to breaking news locations, plus teaching flight to the rich and famous, including Jaqueline Cochrane and Kathryn Hepburn, he found his niche. A 1933 flight to a horse track in Maryland set Chum’s course for the night race he now anxiously questioned.

 

Richard Ross, a financier who held a seat on the New York Stock Exchange, was the horse fancier who hired Chum. Ross needed a quick hop to Harve De Grace Track outside Baltimore, Maryland for a horse he had going on the afternoon card. Extremely impressed by the young pilot’s skill, (Chum landed his Waco in the track’s infield) Ross soon offered to pay for modifications to Chum’s Waco if the flyer would agree to enter the transcontinental Darkness Derby. Considering $1,500 in prize money that could really help him out, the young aviator agreed to enter.

Chum set off on September 29th, heading west, flying cross-country to his final destination—Glendale California’s Grand Central Terminal, the starting point for the air race.

Seeded second in a slate of seven planes, positions rated by horsepower and speed, Chum lifted into the growing dusk on October 1, 1933. Guided by a compass and tracking a full moon, the determined young pilot found conditions perfect, the clear night air permitting his Waco a smooth passage.

Before takeoff, Chum studied his competitors, becoming familiar with the pilots and aircraft he had to beat. Merle Nelson of Los Angeles flew a Stinson Cabin powered by a 200 hp Lycoming engine, and looked tough. Frank Bowman of El Paso, Texas in his 90 hp Lycoming engine Monocoupe appeared to be a contender as well. His own Waco Cabin purred with a 210 hp Continental engine, and Chum knew he could open it up to over 130 miles an hour, if necessary.

The moon as his guide, the Mojave Desert illuminated below, the little Waco pushed onward. Setting the aircraft down in Albuquerque, the pilot dutifully checked in with the ground judges, and then hurried to re-fuel. Making small talk with the teenager servicing his plane, Chum was told someone else had already landed and gone. Panic stricken, he cut the conversation short, and returned to the air as fast as he could. It was now that he pushed that plane full bore, resolved to catch up and beat any opponent.

At 9:37am, Mont Chumbley taxied onto the ground in Wichita, completing the first leg of the race in 12 hours and 17 minutes. There had been no other plane, at least not in this race. The kid in Albuquerque had been wrong. Four hours later Nelson arrived, and three other planes still in contention lagged far behind. Following a bit of rest at the field, then carefully inspecting the soundness of his equipment, the derby leader once again rolled down the runway, lifting off into the eastern sky.

Following another quick stop in Indianapolis to check in and fuel his Waco, the pilot learned he still held on to the lead. Satisfied, he returned to the darkness, fairly certain of a pending victory. However, that assurance evaporated when layers of cloud-cover compounded with darkness convinced the pilot that he had become utterly lost. Pushing on, buffeted about by worsening conditions, Chum began to worry he was squandering valuable time. Wracking his brains for deliverance, his aviator eyes suddenly spotted a break in the thick swirling mist. Not hesitating a moment, the Waco slipped through the hole that fortune had sent his way.

Underneath, clearly defined in the infinite blackness beamed a tiny, dim light. One. Chum decided to take his chances and try to figure out where he was. The landing didn’t go well. In swells of bumps, the Virginia farm boy realized his wheels were pounding on furrows of newly cleared fields. Drawing closer to that isolated light, Chum made out the side of a house, with an extended porch. Someone had to be inside.

 

He rapped on the weathered door, and waited. Sounds of scraping and thumping grew louder until the door opened revealing an equally weathered farmer, and his disheveled wife holding a candle. Chum smiled through the entryway, and in a friendly voice explained his dilemma. The farmer stared a moment, measuring the stranger’s sincerity, then decided to let him in.

As the wife poked the coals in the wood stove, and reached for the coffee pot, the farmer spread out maps on the table. Chum soon learned he had landed in western Pennsylvania, and wasn’t too far off course. Profoundly relieved, the young man stuffed cake in his mouth, downed a cup of coffee, and in a rush of heart-felt thanks again bumped over the dark fields back into the sky.

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The darkness soon transformed to early morning, and Chum wondered again where his fellow competitors were located. He knew he hadn’t lost too much time with his unexpected stop, but still fretted, uncertain about the status of the other flyers. Worried about the constant cloud cover that didn’t want to clear, he decided, as a last resort, he’d head out over the Atlantic, look for another break, and duck through. But once again luck smiled, and in the perfect light of morning, a providential clearing appeared and Chum took advantage.

On October 4, 1933 Montgomery Chumbley landed on Roosevelt Field #2, seeming the winner of the 2006 miles long Darkness Derby. However, judges and spectators rushed the plane, arms waving, and clipboards flashing to warn him he’d landed on the wrong strip! Shutting down his plane would have meant disqualification. Without a pause, Chum quickly taxied to Field #1, then turned off his engine, and in 24 hours, 12 minutes (two added for the last minute taxi) won the transcontinental air race.

 

The competition had been set as a preliminary event leading to Roosevelt Field’s National Air Pageant. The widely lauded landing launched the festivities planned for the rest of the week, including an exhibition by German stunt pilot, Ernst Udet. Mrs. Eleanor Roosevelt chaired the pageant, with proceeds earmarked for her charities, and Warner Brothers shared by premiering their newest film “Night Flight,” starring Helen Hayes and Clark Gable. On the evening of October 5, in a theater filled with flyers, Miss Hayes presented Chum with a trophy and his winnings, before screening the film. (Merle Nelson received $750 for second place, and Bowman $500 for coming in third.)

 

As for Chum in the days and weeks after the race? He became a minor New York celebrity, with aspiring students and eager press lining up for his flying services. In 1934 Waco hired him sending him to Rio de Janeiro to sell equipment to the Brazilian, and Argentine air ministries. By the time the Night Flight winner returned to the States in 1936, Mont Chumbley was the most prolific overseas salesman Waco employed.

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Gail Chumbley is the author of “River of January,” a memoir. Look for “River of January: Figure Eight” out in November, 2016. Visit “River’s: home page at http://www.river-of-january.com.   

 

Beloved #392

 

“So buddy, I was wondering if you have any plans tonight,” Fred Murphy said as the Mariner throttled to the Alameda dock. “It’s nice to head over to San Francisco when the opportunity presents.”

“What did you have in mind, Murph?” asked Chum.

“Is that a yes? Because there is this place pilots really like—but it’s a kind of a surprise, and you’re gonna have to trust me.”

“You, Fred? Trust you? Should I pack my service revolver?”

“Just trust me, Chum.” Murphy smiled.

That evening, a yellow taxi crawled up the steep incline of Telegraph Hill in the drizzling rain—Coit Tower front and center in the foreground. From his vantage point in the cab, Chum studied the illuminated monument—the raindrops and the wipers making it an abstract, streaky blur one moment, a defined structure the next. Their cabbie downshifted, doubling horsepower for the uphill climb to a line of apartment buildings stacked along Montgomery Street. The taxi stopped at a plain stucco building, the simple design a contrast from the adjoining buildings with ornate wrought iron balconies. Murphy paid the cab fare.

“This doesn’t look like much of a nightclub, Fred,” Chum remarked.

“Trust, remember? Besides, this is the best place in the Bay Area for fellas like us, pal. You just wait—she’s gonna love you.”

“You know I’m married, Fred.”

“Ha! Funny, Chum. So am I.”

The men ducked under the stoop and Fred gave a quick knock on the door. After a moment, a small Asian woman opened the door. She’s smaller than Bertha, Chum thought. The maid maybe?

“Lieutenant Murphy! Welcome back, welcome back,” The woman’s smile transformed in warm recognition. “You have escorted someone new to meet me, I see. Is he as skilled as you, my dear lieutenant?” Chum felt his jaw drop. Murphy laughed.

“Hello, Mother.” Murphy stooped and pecked the woman’s cheek.

Under her wire-framed spectacles, “Mother” shifted her appraising eyes back to Chum. “Welcome to my home, Lieutenant. And you are . . . ?”

Still unsure about why he was there, Chum stumbled over his answer. “Chumbley, ma’am. Lieu . . . Lieutenant Montgomery Chumbley. But please call me Chum.”

“Delighted to meet you, Lieutenant Chum. I can see that Fred did not prepare you for this visit.” Mother’s eyes returned to Murphy, conveying a light reprimand. To Chum she said, “I am Doctor Margaret Chung, but as you have already witnessed, all my sons refer to me as ‘Mother.’ Lieutenant Murphy has brought you here tonight to not simply meet a nice Chinese lady, but—I would guess—for your formal adoption into my family. Please come in, come in.” Dr. Chung gestured down a long, cluttered hall, and the two pilots complied.

Presented with such a confusion of artifacts, it was hard to know where to look first. Framed glossies of smiling aircrews, salvaged pieces from Nakajimas and Zeros—propellers, pieces of fuselages, wings—graffiti-strewn flags bearing the distinctive rising sun, spent torpedo casings, Hellcat and Corsair unit insignias, and hundreds of news clippings and snapshots of smiling pilots . . . her walls a chaotic collage of air war memorabilia. Dr. Chung studied Chum’s incredulous face as he absorbed the massive collection, visibly pleased with his reaction.

“Please find a seat, gentlemen, and allow me to explain my haphazard museum to our guest,” Dr. Chung said. Chum slumped into a stuffed wingback chair, his eyes still sweeping the memorabilia. “As you already know, Lieutenant Chum, China is presently suffering under the cruel occupation of the Japanese Empire. You need look no further than the barbarism that took place in the city of Nanking to understand my natural revulsion.”

Chum nodded. He had seen newsreels of the butchery in that city.

Dr. Chung’s eyes reflected both tragedy and determination. “I have made it my mission to raise not only awareness but also funds for the suffering people of China. It is men like you, our skilled pilots, who are striking most directly against the foe, and that kind of bravery has made you one of my dearest sons.”

Dr. Chung dropped her gaze and reached over to an end table, picking up a leather-bound ledger. She shuffled through the pages, passing inscribed signatures, finally chancing on a blank space. Holding her fountain pen, Mother began scribbling into the register. “There—done.” She glanced at Chum. “You, Lieutenant Chum, are now officially a member of the Fair Haired Bastards. Ah, let me see”—Dr. Chung silently calculated—“you are son number three hundred and ninety-two.”

She extracted a small card from a drawer in the end table and carefully filled in the blank lines. Finished, the surgeon rose and, with a handshake, presented the card to her new visitor. Chum read:

This is to certify that

Montgomery Chumbley

Is a member of Dr. Margaret Chung’s Fair Haired Bastard’s Club, San Francisco

                                                                                         Margaret J. Chung MD

Her intense eyes softened, her smile gentled. “Remain safe in those dangerous skies, Lieutenant Chum. I don’t want to lose any more of my sons.”

Chum glimpsed over to his co-pilot, then back to his exceptional hostess, grappling for something to say. “Thank you, ma’am. This is an unexpected honor, and I will do my best to defeat our enemy.”

At that, Dr. Chung beamed, offering the boys a beer. More relaxed, the doctor inquired about their aircraft, their primary duties, and what they had seen of the fighting.

“Doctor Chung, ma’am,” Chum said, still inspecting the cluttered walls. “I just have to ask. Who is Fair Haired Number One?

“Ah.” She nodded, producing a wry smile. “An excellent pilot, and he’s from this area—from San Francisco. You may know him, Lieutenant Chum. His name is Lieutenant Bancroft, Stevens Bancroft.”

Of course he is. Chum threw his head back and laughed. “Oh yes, I know him, ma’am.

Gail Chumbley is the author of the two-part memoir “River of January” and River of January: Figure Eight.” Books are available at www.river-of-january.com and on Kindle. 

gailchumbley@gmail.com