Peer Review #3

The military choir filed out of the Entrance Hall in a precise formation, trailed with a warm wave of applause. The President had enjoyed the evening performance, and bristled that no reporter had stayed to detail the concert for the public. “This is the kind of story real Americans would like to see on the news,” he complained, as he shook hands and chatted with departing well-wishers. 

The grand chamber soon emptied and the White House staff swept in, quickly stacking chairs, breaking down risers, and disconnecting sound equipment. The President turned from the racket, and headed toward the white Doric columns separating the hall and staircase. And it was there, beside an alabaster column, that the President stumbled upon a most unexpected visitor.

Lounging against the smooth white marble leaned a tall, lanky gentleman dressed in an antiquated silk dressing gown, white hose, and embroidered slippers. The man cooly assessed the stunned President.

“Are you familiar with the story of John Peter Zenger” the intruder murmured in a soft drawl. 

“Why are you still here? The entertainment left that way,” the President snapped, thumbing toward the side entrance.

“Zenger, a German immigrant, edited and printed a newspaper in New York,” the visitor continued, calmly shifting his position against the pillar. “Zenger had published an unflattering editorial of New York’s Colonial Governor, and the testy royal had the journalist jailed, charged with libel.”

The President, annoyed by the imposition, wanted to hurry up the stairs to his living quarters, but his legs remained stubbornly rooted in place. 

“Well, that Zenger character deserved it, he barked, unable to control his tongue. “Reporters need to watch what they write, and who they offend—like me. I’m the President, and they say terrible things about me, all lies and more lies.”

The tall figure crossed his arms and looked evenly at the President. “A jury of Zenger’s peers acquitted him, opining that if truth was stated, there is no libel,” the stranger subtly smiled. “That particular case established freedom of the press in this country, a principle I later insisted appear in the Bill of Rights.” 

“Do you understand how much I could accomplish if . . .”

The apparition spoke quietly over the President. “I, too criticized a president bent on stifling  free expression” the visitor thoughtfully paused. “President John Adams supported passage of the Sedition Act in 1798 to silence critical voices such as mine.” 

The oddly dressed gentleman began drifting through the pillars into the Entrance Hall, as if floating on a sudden breeze. Unwillingly, the President followed. “I’m particularly fond of this room,” the visitor whispered, “it was the only finished room in my time.”

“The press wants to destroy my administration,” this time the President spoke over his visitor. “With their unlimited snooping, the constant leaks, and the treasonous things they say about me on cable tv.”

The apparition appeared indifferent to the President’s complaints. “A particular writer, James Callender, cast enough aspersions upon Mr. Hamilton and Mr. Adams, that he found himself jailed under the Sedition Act. Once I moved into this House, I pardoned Callender, and hired him to again take up his poison pen.” The spirit seemed sadly amused, “when I refused to appoint Callender to a government post, his pen turned full force upon me, exposing my deepest, most safeguarded secret.”

“The Sedition Act. I like that,” the President beamed, indifferent to the visitor’s revelation. “What’s the matter with my lawyers. They never told me we have that law.”

Instantly the apparition jutted his face directly into the startled President’s. “You must not respond,” he breathed.  “You must ignore what is written and reported regarding your administration. Never, never challenge the freedom of the press, to do so diminishes the office of chief executive, exposing you as petty and small.”

“But the Sedition Act says . . .” the President squeaked, unnerved.

“Is unconstitutional,” the visitor finished the sentence. “I, too, resented what appeared in the press, besmirching my personal life, and my family. However, I resolutely remained aloof to the reports. And so must you.” 

The visitor began to sound weary, worn by the conversation. “I once stated that if I had to choose among the freedoms enumerated in the First Amendment, I would preserve Freedom of the Press. With that liberty secure, all others are assured.

As the visitor finished his statement, he lifted his eyes to some mysterious point above, and vanished. 

Dismayed by the experience, the President scrambled up the stairs.

Gail Chumbley is the author of the two-part memoir “River of January,” and “River of January: Figure Eight.” Both books available on Kindle, or at http://www.river-of-january.com.

gailchumbley@gmail.com

Quebec City 1939

The following is an excerpt from “River of January: Figure Eight, available at http://www.river-of-january.com and on Kindle.

Costumed in tall Hussar caps and military jackets resplendent with gold brocade, the skaters stood expectantly in their V-shape formation in the shadows. Helen, arms twined around the skaters beside her, shivered from a combination of excitement and the frigid draft wafting from the ice. Her ears thudded, inundated by the echoing din from the impatient audience. Much louder than a theater, she thought.

Vera Hruba—a Czech Olympian who was one of the three women headliners in the new production—was positioned at the apex of the V. When the last measures of the orchestra’s overture faded to a close, the house lights darkened and the expectant spectators fell silent. With a commanding flourish, the opening bars of a military march surged to all corners of the house. Spotlights swept over the glittering skate line as Helen pushed off with her left foot, in sync with the tempo. Following two more beats, Hruba burst from the crux of the and raced the circumference of the rink, spotlights holding tight to her revolutions. The audience roared their appreciation in waves of echoing applause. Helen’s first ice show had begun.

If rehearsals were any gauge, Helen was confident the show would be a success. The chorus line often lingered along the rail, chatting and stretching, as they waited for the director to call them onto the ice. “That’s Vivi-Anne Hulten. She’s Swedish,” Clara Wilkins whispered, leaning in, as she and Helen studied the soloist on the ice. “She’s been skating since she was ten,” Clara added, as Hulten executed a perfectly timed waltz jump. “Boy, that little Swedish meatball knows her footwork.” The girls standing nearby murmured in awed agreement.

Chestnut-haired Lois Dworshak sprinted past the attentive chorus line. Helen glanced again at her well-informed friend and Clara didn’t disappoint. “She, Lois there, is a bit of a prodigy. She skated a little as a kid in Minnesota, but hasn’t actually skated professionally all that long. She’s good too, huh?”

“Jeepers, you can say that again,” Helen muttered.

“But the real story in this cast is Vera Hruba.” This time, it was May Judels, the head line skater standing next to Eileen, who spoke up. All eyes shifted toward May. “Vera met Hitler, just like Sonja Henie did, at the Olympics in Berlin. She finished her freestyle routine and came in pretty high, I think. Vera didn’t medal or anything, but still skated a pretty good program.”

“So what happened?” asked another girl, Margo.

“Hitler says to her, ‘How would you like to skate for the swastika?’ And Vera—she doesn’t much like Germans—told him she’d rather skate on a swastika!” Heads turned in unison, watching as Vera completed a flying camel. “So”—May sighed—“to make a long story longer, Vera and her mother left Prague in ’37 as refugees. Then the Huns marched in, and Hitler made a public statement that Vera shouldn’t wear Czech costumes or skate to Czech folk songs. He said Czechoslovakia was gone, never to rise again. Vera responded, saying she’d always be a Czech and that Hitler could, in so many words, go fly a kite.”

“Their own little war . . . now that’s guts,” Helen said, her eyes returning to center ice. “Makes Henie seem like even more of an apple polisher.”

“A swastika polisher,” Margo corrected, as the director motioned the giggling chorus to center ice.

Gail Chumbley is the author of “River of January,” and “River of January: Figure Eight.” Available at http://www.river-of-january.com and on Kindle.

One Thing Leads to Another

 

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PanAm Flying Boat 

 

As many of you . . . some of you. . . well, none of you know, Jeff Bezos is out to get me. So jealous, is old Jeff, that he monkeyed with my book pricing on Amazon, charging upward to $600 for my $15.99 book, “River of January.” But I showed him. I not only took that title down, but the second part of the memoir, “River of January: Figure Eight” as well. Let him agonize that defeat. This blow could bring the company to its knees. 

But, I am not without a trace of mercy. If one, or even two of you were inclined, both books can still be found on Kindle. If a reader’s taste runs toward nonfiction, with a yearning to relive an earlier era; a time of air races, world travel, Hollywood glamour, Vaudeville productions, Sonja Henie ice shows, and World War Two, I’ve got the story for you. Even Jeff understands blockbusters, like “River of January,”  cannot be  forever muzzled.

During this long overdue separation with Bezos, I’ve dabbled in another, new to me, format—writing plays. With my script writing partner, Ray Richmond, (yeah, we have written a script) we’ve committed to highlight historical figures who are important, but lesser known. Our first effort, still in progress, covers the life of Antebellum Senator, Henry Clay, and his herculean efforts to stave off Civil War. I’m not sure that writing plays is any easier than big girl chapter books, but I like the process better. And noble Henry Clay is an inspiring muse.

If anybody out there has wondered what became of Gail, and her endless accolades of Helen and Chum, I am quite well and still preaching the gospel of “River of January.”  

Without the experience of writing these two books, playwriting would never have touched my life. Please watch for more announcements on “Clay,” and if you think “River” and “Figure Eight” is a good reading fit follow the hyperlink.

Together we will shall ‘mean girl’ Jeff Bezos. 

For hard copy books, www.river-of-january.com

On Kindle https://www.amazon.com/s?k=river+of+january&ref=nb_sb_noss_2

Gail Chumbley is the author of the two-part memoir, River of January, and River of January: Figure Eight.

Photo credit, Mary Sederstrom Smith

gailchumbley@gmail.com

 

 

 

 

 

Citizen Interview

Gail Chumbley

An avid history junkie from a young age, Gail Chumbley never meant to be a writer. She spent the first half of her life clocking in 33 years as an American History teacher before retiring from Eagle High School in 2013. Along the way, she married Chad Chumbley, who, she said, told stories about his father the pilot and his mother the showgirl, which were almost too fantastical to be true. Favorite accounts included how Montgomery “Chum” Chumbley and Helen Thompson met in Rio de Janeiro, Brazil, where Chum sent a note backstage; the time Helen acted alongside Bela Lugosi before turning her sights to ice skating; and the day when Chum, not yet a World War II pilot, shared his cockpit with Katharine Hepburn. Eventually, Helen’s dancing career and Chum’s military service disrupted their marriage.

The stories were true, confirmed by endless boxes of photographs and papers Chad had saved and an oral history Gail conducted with her father-in-law before he passed away. While Gail found the tale of star-crossed lovers compelling, it wasn’t until Chad was diagnosed with throat cancer in 2010 that she decided share it.

Sitting at the kitchen table in her Garden Valley home, Gail opened up about the eight years of writing and research that resulted in two self-published books—River of January (2014) and River of January: Figure Eight (2016)—and a movie script. Chad, largely recovered from his cancer, sat in, and her script writing partner Ray Richmond joined the conversation by phone from Los Angeles.

click to enlargeHelen Thompson sent this signed photo to Chum from Rio on one of the many occasions they were separated.  - GAIL CHUMBLEY

  • Gail Chumbley
  • Helen Thompson sent this signed photo to Chum from Rio on one of the many occasions they were separated.

Ray, let’s start with your role. What got you on board with turning Gail’s books into a script?

Ray: I could see [the story] on a screen when I was starting to read it. We have a pioneer aviator, we have a dancer from the golden age of entertainment and vaudeville and, you know, my only questions when I was reading were how [Helen] had managed to avoid murdering her mother, because I thought, this woman is just a natural, wonderful villain … and why this movie wasn’t made 20 years ago. It’s got the war as a backdrop, it’s got Hollywood, it’s got all of these great names in aviation, it’s got a little bit of Amelia Earhart, a little bit of Howard Hughes. It’s like history just jumps off the page.

Was it difficult to combine two books into one script?

Ray: Not really. It’s mostly about the second book … It’s really about their relationship and the whole backdrop [of WWII]. There’s a lot of female empowerment and disempowerment here. And there are so many different tentacles to that, because you’ve got the meddling mother-in-law who knows best, and the problem is, she really does know best, but she’s a harridan and horrible in the way she comes across while she’s conveying it. She did know that her daughter shouldn’t be with this guy who wanted a traditional life, and that [Helen] was destined to be a great dancer.

click to enlargeIn his signature, Chum wishes Helen "success and happiness always." - GAIL CHUMBLEY

  • Gail Chumbley
  • In his signature, Chum wishes Helen “success and happiness always.”

Gail, how did you make the decision to start writing your in-laws’ love story?

Gail: I’d look at [the photos and papers] and put them back and say, “I’ve got to write this book.” I meant it, and I didn’t mean it. I knew I should, but I didn’t know how. Then Chad got so sick and nearly died—he was in the ICU for eight days. I won’t let him show you his belly, but it just ran out of real estate for all the stuff they had hooked to him … it was horrible. I didn’t know what to do with any of that. Teaching worked to a point, because that’s sort of my living room, and I could really get comfortable, but when it came right down to it, I had all this unvented anxiety and fear and just PTSD. And I knew it. I knew I was crazy, and I knew I was feeling really nuts. When I got home at night, I was just a wreck. So the summer he started chemo and radiation … I was sitting up here every day going through all these letters, trying to make sense of it. [The draft] was horrible, and [my editor] fired me, but I wouldn’t give up because I couldn’t. I had no choice. I read Ron Chernow’s biography of [George] Washington, and there’s a line there he used that really resonated with me. It’s “the clarity of desperation.” I had the clarity of desperation.

You ended up writing the books.

Gail: I wanted someone else to [write Chum and Helen’s story] so badly. I tried to talk a bunch of people into doing it for me that were really good writers, but it’s like, you’re going into labor and no one else is having that baby. You’re going to do it. No one else was going to do this. It fell to me, and in a way that was wonderful, and in a way, it was a sentence.

What was it like transitioning from teaching to being a writer?

Gail: You hear about people who are in the military or the public service, and they retire and decide to teach. And I always thought, ‘Are they crazy? It’s hard work!’ Now, that’s rich. I go from one hard job, thinking writing would be a nice way to pass my job retired—and that’s hard work! I mean, there is no easy cheesy way to go into your retirement.

click to enlargeOver the course of his flying career, Chum flew everything from military planes to aerobatic aircraft for competitions. - GAIL CHUMBLEY

  • Gail Chumbley
  • Over the course of his flying career, Chum flew everything from military planes to aerobatic aircraft for competitions.

What was the research process like, going through Helen and Chum’s old papers?

Gail: The history part wasn’t hard for me. What was hard was to give voice to Helen, to give voice to Chum. Now Chum was easier, because I interviewed him. I had like 15 hours of oral history with him, and I knew him. I didn’t know Helen [who died in 1993].

But considering what happens at the end of the books, there must have been some difficulty in talking about Helen and Chum as parents.

Gail: [Chad] didn’t have a very happy childhood in that house … I think there’s something to that, sometimes really famous people are really lousy parents. Chum and Chad ended up very close though, because he died here, he died in Boise in 2006, and Chad was there every day.

Will you ever write another book?

Gail: I’ve thought about writing a book about generals who were very jealous of each other in wartime, and how those personal quirks and jealousies impeded the war effort. Like between Henry Halleck and Ulysses S. Grant … I feel like writing is the most basic form of communication that you can share without speaking, it’s as unique as a person’s fingerprint, and I think it’s really cool to do.

And Ray, what’s next for the script?

Ray: Well, what’s next is that I have some contacts at the Hallmark Channel, and I’m trying to convince them that they don’t need to make every movie about Christmas … But I really feel good about this. If it’s a great story and it’s meant to be, and it’s got so many vivid elements to it and such great characters, it’s going to be done.

The American Gentry

 

Note: My students used to ask how the planter aristocracy persuaded poor whites to fight for their interests in the Civil War. I think the answer lies in the power and position that the underclass envied and hoped to attain.

Please permit me to reintroduce these four figures from America’s antebellum period.

Thomas Jefferson Best recognized as the author of the Declaration of Independence, the third president of the U.S., and the man behind the 1803 purchase of the Louisiana Territory.

Andrew Jackson The celebrated hero of the Battle of New Orleans, noted Indian fighter, and seventh president of the U.S.

John C. Calhoun Congressman, turned Senator from South Carolina, who served two separate administrations as Vice President.

Jefferson Davis, a former soldier in the Mexican War, one-time Secretary of War, and later President of the Confederate States of America.

These four men forged political careers prior to the Civil War that fully embraced the social norms of early America. To a man, all hailed from the Old South, where each man shaped distinguished reputations, built spacious mansions, entertained illustrious guests, all on the backs of slave labor.

Ironically if one asked these men’s occupation, not one would have mentioned politics. Instead, each would have replied, “I am a farmer.”

To modern ears that answer feels a bit misleading and absurd. However, in the early nineteenth century, exercising dominion over large tracts of land, and cultivating crops as far as the eye could see, was viewed the most noble and honorable of pursuits. But a gnawing truth lay behind the practiced manners and broad, fertile fields. A profound self deception had also taken root, sowing an overblown sense of racial superiority, and human oppression of nightmarish proportions.

That these “farmers” were all slave masters is the cruel truth–Lords of the Lash, who derived a living “wringing their bread from the sweat of other men’s faces,” (As Lincoln so eloquently phrased).

These four planters also minimized the brutal underpinnings which sustained each man’s fiefdom. Jefferson, Jackson, Calhoun, and Davis capably hijacked, and sheltered behind “republican virtues,” including freedom and the social contract to suit their own interests.No higher authority held any sway over these planters–they were marked as privileged.

The patriarch of this sophistry was Thomas Jefferson.

Esteemed as the “Sage of Monticello,” Jefferson brilliantly articulated a vision of America where all lived freely upon private land, untroubled by outside interests. Residing upon acres of personal liberty, this master managed his estate immune from any overreaching government. For Jefferson, he and his fellow planters were the “natural aristocrats,” of the new nation, meaning they held the only legitimate claim to power. Only the elite of the community, like Jefferson, knew what was best for all.

The Sedition Act, passed by Congress in 1798, moved Thomas Jefferson to show his true political colors. President John Adams had wanted to silence political critics of his administration, and jammed this dubious legislation through Congress. In reply Jefferson authored a protest titled the “Kentucky Resolution.” In his tract, submitted to the Kentucky Legislature, Jefferson introduced the concept of ‘nullifying’ Federal law. Specifically, when a majority of state delegates, assembled in special convention, renounced a Federal statute, the law was rendered null and void within that state.

For the first time, in one pivotal moment, Jefferson’s insidious principle found its way into the bloodstream of American politics.

Ironically Andrew Jackson didn’t care for the intellectual, and philosophical Jefferson. Still, despite temperamental differences, Jackson did share Jefferson’s world view of complete dominion over his land and “people.” A ferocious master, Jackson answered to no civil law, but his own. Dabbling in both horse and slave trading, Old Hickory frequentlyoften challenged any man who questioned his conduct or honor.

To his credit Jackson did not pretend to care about high brow thinking or civic virtue. His philosophy was simple; the master was never wrong.

Before Senator John C. Calhoun of South Carolina soured into a states’ right’s militant, his political outlook had been national in scope. With unusual candor a very young Congressman Calhoun self-consciously confessed that slavery was a “necessary evil,” vital to South Carolina’s prosperity. But his marriage to a wealthy Charleston cousin elevated his social status, which in turn, adjusted Calhoun’s thinking. Assuming the role of a gentleman, while cultivating a prominent political reputation, Calhoun also became a slave master. Much like Jefferson’s Monticello, or Jackson’s Hermitage, Calhoun’s plantation, Fort Hill, was an ever-expanding operation, endlessly renovated using teams of slaves who also tended his fields.

In 1829, as Jackson’s new Vice President, Calhoun quickly butted heads with America’s new President. Steadily embittered by Jackson’s arbitrary, monarchial style, and indifference to law, Calhoun resigned the vice presidency and returned to Fort Hill an angry man. His stance on slavery hardened as well, leaving him a vitriolic defender of the practice. Under increasing pressure from Northern abolitionist, Calhoun, picked up his pen and insisted that slavery was not evil after all, but a ‘positive good.’

When Congress passed a protective tariff for northern goods, this former Vice President organized a state convention to fully resist the new Federal law. Calling his defiance “nullification,” Calhoun put into action Jefferson’s “resolution” that refused obedience to Washington.

Fortunately this particular crisis was averted by cooler heads in Congress, delaying the curse of fraternal bloodshed for a later generation.

By 1860 nullification had bloomed into full secession. No longer would the planter class tolerate insults or challenges to their natural superiority and authority.

It came as no surprise when South Carolina became the first of the eleven states to secede from the Union. Delegates attending a state convention in Columbia did not wait for the final electoral results to reject the election of Abraham Lincoln. So enraged were these aristocrats that Lincoln’s name had not even appeared on the ballot in most southern states.

I’ve added Confederate President Jefferson Davis to this piece because of his later role in perpetuating the genteel myth of the South. After four years of bloody battle and countless bullets finally settled the issue of Federal authority, Davis, released from jail began a writing career. He first penned, The Rise and Fall of the Confederate Government, followed later by A Short History of the Confederate States of America. In both of these works, Davis invented a romantic world of gentlemen, belles, and contented slaves in the fields. The fantasy was bunk, but Davis, the onetime master of of Belvoir, and Brierfield, Mississippi, somehow got in the last word.

Davis’s fanciful yarn was only concocted as a charming fable to disguise a legacy of hubris, power, greed, hate, racial exploitation, and violence.

In answer to the question posed by my history students, poor whites defended the southern gentry because they wished to live just like them.

Gail Chumbey is the author of the two-part memoir,  “River of January,” and “River of January: Figure Eight,” available on Kindle.

gailchumbley@gmail.com

Always On My Mind

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Had a six-plus hour drive today; Salt Lake City to my mountain cabin in Idaho. Lengthy car-time, for this Indie writer, always results in exploring fresh ideas for book marketing. I don’t say much to my family, but promoting the two-part memoir, “River of January,” and “River of January: Figure Eight,” is never far from my thoughts, and I’m pretty sure this is true of fellow writers.

Finally made it home, chatted with the husband, did a little of this and that, then idly picked up today’s newspaper. Now, I’m not an avid follower of the mystic, but being an Aquarian, (there’s a song about us, you know) I sometimes do indulge. And, as you can see the cosmos told me to do this, so by damn, I am.

Dear reader, if you enjoy a true American story, set in the American Century, get River of January and River of January: Figure Eight. In the pages, you will experience adventure, travel, glamour, and romance. Aviation enthusiasts relive the thrills and peril of early flight, theater fanciers follow an aspiring dancer as she performs across international stages, and takes her chances in Hollywood.

Take it from the author–in peacetime and in war–this two-part memoir is richly entertaining.

http://www.river-of-january.com. Also available on Amazon.com

Gail Chumbley is an award winning instructor of American history and the author of the two-part memoir, “River of January.”

 

New Birth of Freedom

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We all know the story.

On a mild April night, President and Mary Lincoln attended the final performance of the popular comedy, “Our American Cousin,” at Ford’s Theater. Lincoln, by all accounts was in a light, blissful mood. A week earlier Confederate forces commanded by Robert E. Lee had surrendered at Appomattox Courthouse, Virginia, and except for some dust ups, the Civil War had ceased. We also know that John Wilkes Booth, and fellow conspirators plotted to kill, not only the President, but the whole order of presidential succession; Vice President Andrew Johnson, Secretary of State William Seward, etc . . . but only Booth followed through with that night’s violence.

Andrew Johnson took office in a whirlwind of shifting circumstances. In the year up to President Lincoln’s death a notable power struggle had taken shape between the President and Congress. America had never before endured a civil war, and the path to reunion had never been trod. As President, Lincoln believed the power to restore the Union lay in the executive branch—through presidential pardon. But an emerging faction in the Republican Party, called the Radicals saw the issue differently. These men operated from the premise that the Confederate States had indeed left the Union—committed political suicide at secession—and had to petition Congress for readmission. (Congress approves statehood). And this new president, Andrew Johnson, was determined to follow through with Lincoln’s policies.

Unfortunately, Johnson was by temperament, nothing like Abraham Lincoln. Where Lincoln had a capacity to understand the views of his opponents, and utilize humor and political savvy, Johnson could not. Of prickly character, Andrew Johnson entered the White House possessed by deeply-held rancor against both the South’s Planter Class, and newly freed blacks. This new Chief Executive intended to restore the Union through the use of pardons, then govern through his strict interpretation of the Constitution. Johnson had no use for Radical Republicans, nor their extreme pieces of legislation. Every bill passed through the House and Senate found a veto waiting at Johnson’s desk, including the 1866 Civil Rights Act, and the adoption of the Freedmen’s Bureau. Congress promptly overrode Johnson’s vetoes.

Reconstruction began with a vicious power struggle. And much of the tumult came from Andrew Johnson’s inability to grasp the transformation Civil War had brought to America. While the new president aimed to keep government limited, the Radicals and their supporters knew the bloody struggle had to mean something more—America had fundamentally changed. Nearly 700,000 dead, the emancipation of slavery, the murder of Father Abraham, and a “New birth of Freedom” had heralded an earthquake of change.

But Johnson was blind to this reality, seeing only an overreaching Congress, (Tenure of Office Act) and Constitutional amendments that had gone too far. And so it was a rigid and stubborn Andrew Johnson who eventually found himself impeached by a fed-up House of Representatives. Johnson holding on to his broken presidency by a single Senate vote.

 

There have been other eras in America’s past that fomented rapid changes. The Revolution to the Constitutional period, the First World War into American isolation, the Vietnam War stirring up protest and social change. All concluding with reactionary presidencies. No less occurred with the 2016 election of Donald Trump.

2008 to 2016 witnessed social change of a new order. Administered by America’s first African-American President, Barack Obama, liberty reached further, bringing about change where once-closeted American’s hid. Gay marriage became the law of the land, upheld by the Supreme Court in Obergefell V Hodges. The trans community found their champion in Bruce, now Caitlin Jenner. Health care became available to those caught in relentless poverty and preexisting conditions. Undocumented young people were transformed into “Dreamers.” And though he didn’t take the Right’s guns, President Obama did successfully direct the mission to nab Osama bin Laden, America’s most wanted man.

So when former students began sending horrified texts to me, their old history teacher on election night, 2016, I gave the only explanation history provided. The Obama years introduced change to America that reactionaries could not stomach. (And yes, racism is certainly a large part of the equation).

So now we deal with a Donald Trump presidency. But, Mr. Trump would be wise to acknowledge and accept what has transpired in the last eight years. The thing about expanding the ‘blessings of liberty,’ is no one is willing to give them back. When push comes to shove, the new president may find himself facing the fate of Andrew Johnson.

Gail Chumbley is the author of River of January and River of January: Figure Eight. Also on Amazon.