I Want My GOP

This post originally appeared in early 2016. Cassandra award?

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A divided national party . . . voices of extreme rhetoric . . . an ugly, contentious primary season. Does this spell doom for two-party system?

Sounds modern, doesn’t it? But the year was 1860, and the party in question was founded by Thomas Jefferson, and shaped in the image of Andrew Jackson: The antebellum Democratic Party.

On the eve of Civil War, the future of the Union appeared in fatal doubt. Political leaders in the Deep South: South Carolina, Georgia, Alabama, Mississippi, and Florida had all but washed their hands of the centrally powerful United States. Adding to the precarious atmosphere, a faction of Democrats in the North promoted a policy to permit slavery into the western territories under the principle of Popular Sovereignty, or direct vote. Others voices in the northern branch of the Democratic Party believed the Southern States should depart the Union in peace. And these pro-secession advocates became the most worrisome threat for Senate leader, Stephen A. Douglas of Illinois, the leading Democratic candidate for the presidency in 1860.

Douglas found himself in a hell of a spot. He fervently burned to lead his party to the White House and save his nation, dangerously poised on the verge of civil war. As the principal heir to Senate leadership, Douglas had spent over twenty years in Congress working to stave off Southern secession, taking over when Kentucky Senator, Henry Clay, the “Great Compromiser” died. Clay had also spent most of his earlier career drawing up one concession after another in a noble attempt to preserve the nation. Eventually the effort wore him out, and Senator Douglas pick up the cause.

As far as Douglas was concerned, slavery wasn’t a moral issue, but a bump in the road. The issue could easily be decided by the good folks migrating west. Douglas believed if settlers didn’t want slavery, they would decline to establish laws necessary for supporting the “peculiar institution.” He was wrong—dead wrong. Slavery had, by 1860 become an issue impossible to solve. And it was here, underestimating the power of the slave issue, that the Illinois Senator imploded his party and his career.

The new Republican Party had formed six years earlier in Wisconsin, established on one central principle—slavery would not extend into the western territories, period. And this new party grew fast. Composed of splinter groups, this now fully unified party maintained that free labor was an integral component of free market capitalism. The presence of slavery in growing regions of the West would devalue free labor, and undermine future economic growth.

Now, don’t get me wrong, these Republicans did not sing Kumbaya or braid their hair. These men did not believe in equality between the races—they were not abolitionists. Economic principles drove their political platform, (Emancipation came later with the transformation of President Lincoln in the fire of war).

For Stephen Douglas the approaching 1860 election meant vindication for his support of popular sovereignty, and reward for his faithful political service. And Douglas was no political hack. He fully understood the solvency of the Union lay in the delicate art of sectional balance, and his ascendancy to the White House as a Democrat would go a long way to placate the Southern hotheads. But this Illinois Senator failed, once again, to fully comprehend the temper of the nation, or of his own party. The era of seeking middle ground had passed—America’s course had been set toward industrial modernity with no place for an antiquated, barbaric labor system.

Charleston, South Carolina, was selected as the site of the 1860 Democratic convention. Chaos immediately broke loose on the convention floor. While Southern Democrats demanded strict, exact language guaranteeing the extension of slavery in the territories, Northern Democrats and those from California and Oregon pushed for Douglas’ popular sovereignty. This tense deadlock forced the latter faction to walk out and reconvene in Baltimore where party business could move forward.

Southern Democrats moved on as well. In a separate Richmond, Virginia convention Southern Democrats nominated Kentuckian John C. Breckinridge.

In Baltimore, Douglas indeed gained the Democratic nomination, preserving his precious principle of local elections determining the western expansion of slavery. Bolting Democrats in Richmond went further adding an absolute protection of slavery to their platform. Middle ground vanished.

Though a long shot, a third faction of the Democratic Party broke ranks calling themselves the “Constitutional Union Party.” I’m not sure what they stood for, but clearly it wasn’t support for Douglas or Breckinridge. Convening in Baltimore as well, in May of 1860, this coalition nominated John Bell of Tennessee.

So what can we make of this 1860 fiasco today, in 2016? If I could attempt a bit of divination I would suggest that the political party that can present the most united front will prevail in the general election. If current Republican candidates continue to employ such wide-ranging, and scorching tones to their rhetoric, and stubbornly defend the innocence of their loose talk, the party may run head long into oblivion, as did the Democrats of 1860. If the roaring factions, so loudly represented by each GOP aspirant goes too far, the fabric of unity will shred, crippling the Republican’s ability to field serious candidates in the future.

Looking at the past as prelude much is at stake for the unity of the GOP. In 1860 party divisions nearly destroyed the Democratic Party, and launched the nation into a bloody civil war. And though Republicans at that time elected our greatest Chief Executive, Abraham Lincoln, the Democrats suffered for decades, marginalized as the party of rebellion. And even the best lessons left by the past are still forgotten in the heat of passion by those who know better. The Democrats shattered their party unity once again a hundred years later, splintered by the Vietnam War, social unrest, and racial strife. This is truly a cautionary tale for today’s splintering Republican Party.

Zealots do not compromise, and leading GOP candidates are spouting some pretty divisive vitriol. Southern Democrats self righteously rejected the national party certain it no longer represented them, and ultimately silenced the party of Jefferson and Jackson for decades. The lesson is clear for today’s Republicans. By tolerating demagoguery, extremism, and reckless fear-mongering in their field of contenders, the RNC may indeed face a similar demise. Now its true that no party can be all things to all citizens, nor should hardened splinter groups run away with the party.

The American public demands measured and thoughtful candidates—and both parties are expected to provide candidates of merit and substance.

We deserve leaders worth following.

As Senator Stephen Douglas refused to recognize that the political skies were falling around him, and his party, the modern Republican Party must not.

Gail Chumbley is the author of River of January, and River of January: Figure Eight a two-part memoir. Available on Kindle

Capturing War

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I grew up during the Vietnam era. This conflict in Southeast Asia officially began in 1959, and officially ended with the Paris Peace Accords in 1973. I was a four-year-old baby when Ike first sent advisers over, and a high school graduate when the boys came home under Nixon.

An opinion has grown among historians that the unpopularity of the Vietnam War came about because of particularly intense television coverage. Some claim that support for this “police action” shifted when the draft expanded to include middle class, college-bound boys. Mothers across the country grew alienated, and distressed by the relentless coverage flickering across all three networks; images of  Vietcong ambushes, exploding fire fights, and mounting body counts, soon drained any support women felt for the war.

I recall in particular doing dishes after dinner watching a little black and white Sony portable on the kitchen counter. It didn’t matter which network I switched to, the same footage blended into a mingled blur . . . jungle, fear, wounds, and an odometer-like graphic, tallying up the day’s body count.

The Vietnam War didn’t come to us through paintings, or photographs, or movie house newsreels. Instead the American public, including this growing girl from Spokane, viewed the unfolding drama as a grim reality program, years before that term was coined. And that little 10 inch window to the war told me, as young and unsophisticated as I was, that this involvement was awful. That war is an awful event.

CBS, in particular, ran special reports highlighting varying aspects of that endless nightmare. News cameras exposed the jarring horror of  surgical personnel–doctors and nurses splattered with blood–and set out with nervous reconnaissance patrols edging through deadly elephant grass, and huddled with desperate Marines battling at a stone wall in the ancient Vietnamese capitol of Hue. All of it awful.

So many years have flown by, and I find this little girl is now officially middle aged. Yet, as I type my graphic recollections from fifty years ago, I know that, at this very moment, young people in battle zones face the exact same hell as the lethal jungles of Vietnam. The human cost of war has not changed–not one bit. And though the American public isn’t quite as riled as 1970, nor as focused, the price of overseas conflicts remain the same for those beautiful young souls now in harms way.

In the spirit of comforting the disturbed, and disturbing the comfortable, I would like to finish this piece by reprinting a poem by WWI soldier and poet, Siegfried Sassoon. With words alone, Sassoon captured the true awful, using no film crew, or photographer, or painter.

Dreamers

By Siegfried Sassoon

Soldiers are citizens of death’s grey land,
Drawing no dividend from time’s to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal climax with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds and wives.
I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with balls and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
Have a safe weekend, and accent the memory in Memorial Day.
Gail Chumbley is the author of the non-fiction memoir, River of January

Capturing War

th

I grew up during the Vietnam era. This conflict in Southeast Asia officially began in 1959, and officially ended with the Paris Peace Accords in 1973. I was a four-year-old baby when Ike first sent advisers over, and a high school graduate when the boys came home under Nixon.

An opinion has grown among historians that the unpopularity of the Vietnam War came about because of particularly intense television coverage. Some claim that support for this “police action” shifted when the draft expanded to include middle class, college-bound boys. Mothers across the country grew alienated, and distressed by the relentless coverage flickering across all three networks; images of  Vietcong ambushes, exploding fire fights, and mounting body counts, soon drained any support women felt for the war.

I recall in particular doing dishes after dinner watching a little black and white Sony portable on the kitchen counter. It didn’t matter which network I switched to, the same footage blended into a mingled blur . . . jungle, fear, wounds, and an odometer-like graphic, tallying up the day’s body count.

The Vietnam War didn’t come to us through paintings, or photographs, or movie house newsreels. Instead the American public, including this growing girl from Spokane, viewed the unfolding drama as a grim reality program, years before that term was coined. And that little 10 inch window to the war told me, as young and unsophisticated as I was, that this involvement was awful. That war is an awful event.

CBS, in particular, ran special reports highlighting varying aspects of that endless nightmare. News cameras exposed the jarring horror of  surgical personnel–doctors and nurses splattered with blood–and set out with nervous reconnaissance patrols edging through deadly elephant grass, and huddled with desperate Marines battling at a stone wall in the ancient Vietnamese capitol of Hue. All of it awful.

So many years have flown by, and I find this little girl is now officially middle aged. Yet, as I type my graphic recollections from fifty years ago, I know that, at this very moment, young people in battle zones face the exact same hell as the lethal jungles of Vietnam. The human cost of war has not changed–not one bit. And though the American public isn’t quite as riled as 1970, nor as focused, the price of overseas conflicts remain the same for those beautiful young souls now in harms way.

In the spirit of comforting the disturbed, and disturbing the comfortable, I would like to finish this piece by reprinting a poem by WWI soldier and poet, Siegfried Sassoon. With words alone, Sassoon captured the true awful, using no film crew, or photographer, or painter.

Dreamers

By Siegfried Sassoon

Soldiers are citizens of death’s grey land,
Drawing no dividend from time’s to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal climax with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds and wives.
I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with balls and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
Have a safe weekend, and accent the memory in Memorial Day.
Gail Chumbley is the author of the non-fiction memoir, River of January

Premier Sunday

Ladies and gentleman! Today, October 2, 2016 I proudly present the cover art for book two of River of January.

Please welcome River of January: Figure Eight, available for purchase one month from today, November 2, 2016.

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Huge thanks go out to the talented Brooke Rousseau, and her brilliant mother, Yvonne at Point Rider Publishing.

Perorders available at gailchumbley@gmail.com.

To catch up with book one, River of January is available at www.river-of-january.com or at Amazon.com. Also found on Kindle.

Author Gail Chumbley can be found at gailchumbley@gmail.com or at http://www.river-of-january.com

An American Girl Abroad, 1932

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Read River of January for the story behind the pictures.

Gail Chumbley is the author of River of January, a memoir, also available on Kindle. Watch for the sequel, “River of January: Figure Eight” out in November.

A Story in Three Pictures

Eighty-three years ago.

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wichita20001Wichita

airclip0001 New York

Gail Chumbley is the author of River of January, a memoir. Also available on Kindle.

Watch for River of January: Figure Eight in November.

A Wave of Enthusiasm

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A visitor with the “Darkness Derby” trophy

 

Reno is situated in a golden bowl below mountains that separate Nevada from California. This enormous basin pulsates with life; upscale strip malls, flashy casinos, and relentless traffic following endless suburban growth.

To the north, off the beltway circling the “Biggest Little City,” sits Stead, Nevada, a locale clearly not touched by the same affluence as the rest of the region. A boarded up Catholic church, a Title-I elementary school and a Job Corps Center secured behind a grim, chain link fence, indicate that the very poor live world’s away from the prosperous south.

But at the end of this impoverished section of road, the world changes. Parachutists drift overhead in swatches of white, zigzagging through a deep blue autumn sky. Aircraft of every model and engine size wait, tied down on the asphalt, wing to wing. Vintage bi-planes, silvery jets, oddly shaped experimental aircraft, and muscly aerobatic planes flash in the brilliant sunlight. Thrilled attendees weave through the rows, admiring and discussing these miracles of flight. The owners relax inside the shade of hangars–a protective eye on their aircraft, monitoring visitors with a mixture of casual diligence and satisfied pride.

We, my husband and I, watch the action from inside a tented gift shop in the pits. How the gods of fortune placed us among the elite of the Reno Air Races, in the pits, is a miracle of another kind. In waves, the chosen, carrying pit passes, ebb and flow from our tent. When the Blue Angels blast down the runway, rising in a series deafening concussions, the tent empties. As the spectacle comes to a roaring close, and these seraphs return to earth, the shop once again fills with customers.

These pilots can’t seem to keep themselves from staring at our table. The oversized trophy Chum won in 1933, placed at the center of our book display, captivates these Twenty-first Century flyers. “Can I get a picture of this?” one man asks. “How much would you take for the trophy?” asks another. “They don’t make them like this anymore,” says another. “You need to take care of this one.”

Conversations soon turn to the race itself, 1933’s “Darkness Derby.” For this Depression-era contest pilots flew, one by one, into the eastern twilight. Beginning in Glendale California, nearly twenty intrepid aviators ascended, stopping first in Albuquerque, then north to Wichita, then sprinting to the finish at Roosevelt Field, Long Island. This event celebrated both “Roosevelt Field Days,” and a new Helen Hayes, Clark Gable film titled, “Night Flight.”

Beside the tarnished trophy, we display a framed glossy of Miss Hayes presenting Derby winner, Mont Chumbley, with the very same trophy, at her movie’s premier.

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Reactions varied. One pilot gushed that my father-in-law was a bonafide aviation pioneer. Enthused the admirer added, that your father-in-law managed to find his way through the blackness and win the race was incredible–he had no flight instruments. I smile because I already know, and this visitor’s wonder matches my own. I also smile because for the first time, since publishing “River of January,” I’m with people who understand the profound significance of his victory.

Another visitor tells us he edits an aviation magazine out of Ohio, and would like me to submit a piece regarding the “Darkness Derby.” This editor promises us that he will see to it that the race is officially recorded for posterity. My husband and I are very pleased with this assurance, as well. We’d always hoped to get Chum’s accomplishment recognized by fellow aviators and officially recorded.

Happily, Chum isn’t the only recipient of accolades. Equal attention and interest are directed to Chum’s future wife, a lovely girl also named Helen, Helen Thompson. Her photograph lights up our table with timeless beauty and glamor. She smiles from a vintage, Hollywood glossy emitting a radiance that seems to add to Chum’s luster. I quickly add that this girl’s glamor masked her own courage and ambition in the world of entertainment. Helen Thompson too, took enormous professional risks, performing across three continents during the tumult of the early 1930’s. It was in Rio de Janeiro, in 1936, while dancing at the Copacabana Casino, she met her dashing aviator.

In Reno my husband and I stepped into the world of avid flyers, and they understood our purpose in sharing “River of January.” With all the adulation paid to our exhibit, all the books we sold and signed, Chum and Helen’s story is carried on to inspire future generations of adventurers.

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Gail Chumbley is the author of the memoir, River of January and River of January: Figure Eight. Book one is available on Kindle.