My secret weapon.
Gail Chumbley is the author of River of January, a memoir. Also available on Kindle
My secret weapon.
Gail Chumbley is the author of River of January, a memoir. Also available on Kindle
President Andrew Jackson has stopped spinning in his grave. Finally. He hated paper money with all the fiber in his being, and now thankfully for him, no longer tacitly endorses its use. Jackson was a sound money man and believed gold the only genuine medium of exchange . . . weigh-able, bite-able gold; good ole “cash on the barrel-head.” In fact, the President believed so passionately in the principle of gold bullion that he banned any use of paper money for any transaction whatsoever. This same policy, in the end, torpedoed the US economy and triggered the Panic of 1837.
That financial disaster held on for over five chilly years.
But the day has arrived, America has finally heard Jackson’s cries of anguish from the great beyond, and removed his likeness from that raggedy heresy of ersatz value. Still, one has to wonder. What would General Jackson make of runaway slave, Harriet Tubman taking his place on legal tender?
Ms. Tubman, as a woman, and as a slave, lived invisibly in Jackson’s world. The only notice a planter like Jackson would have made was Tubman’s incorrigible practice of stealing another master’s property. For a man of deep passions, of violent loves and hates, her offense would have pissed this president off, and sent him into a dangerous rage. In his world of master and slave, her offenses allowed no mercy, no reprieve.
As for Tubman? She understood a truth that Jackson could never, ever have comprehended—that justice was a force that bore no designation to color, gender, or appraised value. A mighty truth reigned far above the limited aspirations of General Andrew Jackson, killer of banks, Natives, and the hopes of the hundreds he held in bondage.
Tubman’s idea of honorable behavior had nothing to do with white men firing pistols on dueling grounds, and that white social conventions which condemned her to servitude were wholesome and noble. The human condition, as Tubman understood the meaning, held a deeper significance, an importance that required a profounder appreciation. The world of plantations, race hatred, whip wielding overseers, and economic injustice held no real sway, and certainly possessed no honor.
Jackson’s opinions truly hued in only black and white, and that outlook wasn’t limited to skin color. Abstract ideas like ‘humanity’ didn’t resonate in his mind, too ethereal for a man who loved gold coins. Banks were bad, women were ornaments, Indians were fair game, and blacks were slaves. That simple. Of course at the same time, this limited world view gave a figure with Tubman’s vision the edge. If a man of Jackson’s time and station caught a glimpse inside the real thoughts of his “family” members living over in the slave quarters, his mind would have been blown.
So it is with some satisfaction that Harriet Tubman replaces Andrew Jackson on the twenty-dollar bill. But not only because she’s a woman, nor only because she’s black. The star she followed may have literally sparkled in the northern sky, but every footstep she trod signified progress on the road to realizing the immeasurable value in us all.
Gail Chumbley is the author of the memoir River of January
River of January sets off tonight in Salt Lake City’s Trolley Square!
Join author, Gail Chumbley at Weller Book Works
See you at 7:00pm!
April 14, 1865 fell on Good Friday. It had been five days since General Lee’s surrender to General Grant at Appomattox Courthouse, and a good, Good Friday for President Lincoln. In high spirits, the President escorted his wife, Mary Todd Lincoln to Ford’s Theater for the final curtain of the comedy, “Our American Cousin,” starring Laura Keene. From his seat in the presidential viewing box, Lincoln was murdered at point blank range by an assassin sneaking from behind.
This famous scenario provides quite the ironic twist considering the high opinion Lincoln held for actors and plays. In a cruel irony, President Lincoln sought refuge from his storm of troubles in Washington theaters, a setting where he could lay down his burdens.
From his earliest days in the White House, Lincoln avidly sought out the Capitol’s many stages. An enthusiast, he fell into the dangerous habit of sneaking out of the mansion, without his wife, without any protection detail, determined to take in any new production advertised in Washington papers. Members in various audiences, who spied the President playing hooky, reported that Lincoln watched these plays transfixed, as absorbed as if he was alone rather than seated in a crowd. Apparently his determination in attending Washington City theaters seemed to eclipse even concern for his own safety and in a city ripe with rebel sympathizers looking to inflict harm on the President.
What could impel a Chief Executive to take such risks in wartime, when many wished him ill? Why would Lincoln place himself in such peril?
Neither a drinking man, nor much interested in other vices, the President instead relished stories, either written or dramatized, where he found the distraction and solace he so desperately needed. A prolific story-teller himself, Lincoln appreciated a well turned tale, either in the books he voraciously consumed, or the yarns regaled on a late night near a warm wood stove. This president hungered for diversions to ease his troubled mind weighted by his intractable problems.
And Lincoln’s burdens, both personal and those of the presidency reached far beyond terrible. A protracted and bloody Civil War, the pain-in-the-neck generals who consistently failed in their duty, his difficult wife, Mary, the tragic loss of two young sons, and an unending flow of reverses from irascible members of Congress. That a well-crafted drama or comedy seemed to salve Mr. Lincoln’s soul must have made the temptation of escaping the White House irresistible, and a nightmare for those Pennsylvania troopers assigned to protect him.
Wilkes Booth knew Lincoln would attend the closing night at Ford’s Theater. The owner of Ford’s Theater had advertised that fact earlier in the day. Booth had, in fact, visited the site to prepare for his ‘greatest’ performance. The narrative in the actor’s deranged thoughts, screamed vengeance and duty to the lost cause of the Confederacy.
But I would like to offer another perspective on those same last moments in President Lincoln’s life.
The narrative Lincoln likely played touched more upon hope and delight. Slavery that April night, existed no more in America, and the battlefields had grown quiet. Much work lay ahead for the nation, but Lincoln knew he would attend to those matters as they emerged. For that one night the President did what he loved most—attended a theatrical production, and even better for his rising spirits, a comedy.
At the moment Booth pulled that derringer’s trigger, Lincoln was laughing. The whole audience, in fact, had erupted in guffaws, at an expertly delivered punch line. Perhaps that is how we ought to frame the horrific murder of our greatest commander in chief. While the murderer fumed in hate and revenge, Lincoln over flowed with concentrated joy, reveling in all that was good.
Gail Chumbley is the author of River of January, also available on Kindle
April 9th, today marks the 151st anniversary of General Lee’s surrender to General Grant at Appomattox Courthouse, Virginia, ending the Civil War.
Lee didn’t want to to do it. He remarked to his aides that he’d rather ride his horse, Traveler, into a meadow and be shot by the Yankees, than surrender. But the General didn’t relinquish his burden that way, instead he did his duty.
Even General Grant sat in awe of his most worthy foe. Poor Grant seemed to have felt his social inferiority even in the midst of his greatest military victory. Grant informed Lee he had seen him once in the Mexican War, almost stalling, avoiding the business at hand. The Ohio-born Grant came from humble beginnings becoming one of the most unlikely warrior-heroes in history. Graciousness and duty impelled the Union Commander to receive General Lee with quiet, somber respect.
I would bet that though all participants ardently desired peace, no one exactly wanted to be in that room on that April 9th. The war had cost too much, more than any nation should have to bear. So many losses, so much blood; the cream of the Confederate command only memories to the bowed Lee. Grant, musing the thousands he ordered into the murderous fire of Rebel cannon and shot. The deadly dance, just ended, between two worthy foes, from the Wilderness, to Cold Harbor, to Yellow Tavern, to Petersburg, and finally to the quiet crossroads of Appomattox, and peace.
These two generals, and the loyal armies they commanded had set aside all personal concerns, steeled themselves and did their duty, in Lee’s words, faithfully.
Gail Chumbley is the author of the memoir, River of January Also available on Kindle.
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Right now, in classrooms across America, and overseas, thousands 17-year-olds are preparing for the AP US History exam. They, and their instructors are obsessed with cause and effect, analyzing, and determining the impact of events on the course of America’s story. Moreover, they are crazed beyond their usual teen-angst, buried deep in prep books, on-line quizzes, and flashcards. As a recovering AP teacher, myself, I can admit that I was as nuts as my students, my thin lank hair shot upward from constant fussing.
My hair fell out too, embedding in combs and brushes, as I speculated on essay prompts, that one ringer multiple choice question, and wracking my brains for review strategies. The only significance the month of April held was driving intensity, drilling kids on historic dates; Lexington and Concord, the firing on Fort Sumter, the surrender at Appomattox Courthouse, President Wilson’s Declaration of War in 1917, the…
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