To Capture War

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I came of age during the lengthy era of the Vietnam War.

This so called “police action” began quietly as a post-WWII policy challenging Communist expansion. Vietnam had been divided as had Germany, China, and Korea, leaving a divide of western leaning democracies pitted against Communist dominated systems. America’s commitment to the Vietnam conflict officially began in 1959, with US aid to the South, and officially ended with the Paris Peace Accords in 1973. Said another way, I was a preschooler when Ike dispatched advisers, and in my first year of college when Nixon ordered troops home.

Though almost moot today, opinions vary on why this war became so universally unpopular. One assessment claims the intense media coverage, particularly on American television, soured the public on the war, while others claim support declined when the draft expanded to middle class, college-bound sons. Not that it matters. In retrospect, whether soldiers were poor or affluent, the draft sent them hell in Southeast Asia.

The view that more affluent Americans across the country grew alienated, does hold some merit. the days, weeks, months, and years of guerrilla assaults, deadly fire fights in the jungle, and the daily tally of “body counts,”* drained public support for this sweltering nightmare.

I recall many evenings washing dishes from dinner, watching a little black and white Sony portable tv. The network didn’t seem to matter; Cronkite, Huntley-Brinkley, or Frank Reynolds, all showed the same harrowing footage. Sweating soldiers slogging through a blur of elephant grass, the wounded medevaced onto thundering Huey’s, then wrapping up with an updated casualty count.

The Vietnam War was not presented through paintings, photographs, or sanitized movie newsreels. Instead the American public, including this growing girl from Spokane, Washington, absorbed the unfolding drama as a grim reality program, years before that term was coined. And that little 10 inch window to the world told me, as young and unsophisticated as I was, that this war was awful. That war is altogether an awful ordeal.

Film crews exposed the jarring horror of  surgical personnel splattered with blood, fighting their own war to save lives. The desperate Marines being interviewed while under assault at a stone wall in the ancient Vietnamese capitol of Hue; the massacre at My Lai, all of it awful. Americans watched firsthand their native sons give what Lincoln called “the last full measure.”

So many years have passed, and this “little girl” is now officially a graying Grandmother. Yet, as I type, my  recollections of fifty years ago remains vivid. And I know that, at this very moment, young people in battle zones face the exact same hell as the lethal jungles of Vietnam. And current American commitments have dragged on far longer than my childhood.

Still, the human cost of war has not changed–not one bit. And though the the draft is inactive, and the American public distracted, the price of conflict remains the same for those young souls presently in harms way.

In the spirit of comforting the disturbed, and disturbing the comfortable, I would like to finish this piece by reprinting a poem by WWI soldier and poet, Siegfried Sassoon. With words alone, Sassoon captures the true degree of awful, using no film crew, photographer, or painter.

Dreamers

By Siegfried Sassoon

Soldiers are citizens of death’s grey land,
Drawing no dividend from time’s to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal climax with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds and wives.
I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with balls and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
 
*Covid 19 deaths are currently presented in the same visual manner. Grim statistics take a toll.
Gail Chumbley is the author of the two-part memoir, “River of January,” and “River of January: Figure Eight.” Both titles are available on Kindle.

Fighting Joe

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His name was Joseph Andrew Tucker, and he was my grandpa–my mom’s biological father. We didn’t see him very often growing up, as he had remarried and devoted himself to his new wife’s family. I can’t say that I ever felt particularly close to this grandparent, though he was always kind to me.

Looking back, I came to realize that I did respect him. There seemed to be an aura of purpose and certainty around Grandpa Joe, along with a perpetual cloud of cherry tobacco, curling from his pipe. Yet, other than that youthful impression, I honestly knew very little about Joe.

The following is what I’ve pieced together since his death.

Joe Tucker arrived in Spokane, Washington in 1937. He came west from Arkansas following his five-year-old daughter, (as his ex-wife had settled in the Pacific Northwest). Joe found work with the Great Northern Railroad, because Spokane was, and still is, bisected with busy, screeching rail lines. At about the same time he found work, Joe met and married a local widow, a woman named Velma, who brought three children of her own into the marriage.

In and out of the US Army since initially enlisting in 1929; he was discharged after a second hitch in 1938. However, following the Pearl Harbor attack, and America’s entry into World War Two, Joe realized he’d surely be called back for active duty. Not anxious to leave his young daughter, or his new family, he requested a deferment of some kind, due to his previous service, and current domestic responsibilities. He was promptly denied. And, once again, Joe found himself in uniform.

Part of the XIX Corps, Joe Tucker and his new outfit underwent infantry training in support of an armored division. (When he departed Spokane, his new wife, Velma, switched on a kitchen radio, and didn’t turn it off for the next four years).

After six months at Camp Polk, Louisiana, the entire Corps shipped out for England as part of the buildup for the D-Day invasion. Joe and his company was stationed in the south of England, in Wiltshire, adjacent to Southampton, the primary staging area for Operation Overlord. In a letter to Velma on eve of the June invasion he cautioned her that Your’e going to see a lot of frightening news, but really, it’s not as bad as they say.

On June 6th, the first Allied wave crossed the English Channel, securing a beachhead in Normandy in exchange for thousands of American soldiers. Days later, Joe’s infantry unit, and accompanying tanks, rolled onto those same blood-soaked beaches; members of the XIX Corps bracing for their own European crusade.

For the next five months the XIX slugged their way from Castilly, to St. Lo, battling their way through the storied Siegfried Line, crossing the Meuse River in Holland. However, by mid-December, the slog to Germany came to a violent halt with an unexpected push-back in the Ardennes Forest, later called “The Battle of the Bulge.” During the darkest days of this German counter offensive, Joe and his buddies switched to defensive warfare, retreating back into Belgium.

My grandfather’s utter surprise at this sudden German attack is evidenced by an optimistic Christmas card he mailed to my mother’s elementary school in early December, 1944.

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Late one night, Joe found himself on guard duty in the worst of the stalemate. His Sergeant voiced concern that my grandfather might have fallen asleep at his post. “Go check on Tucker, make sure he’s awake,” the Sarge ordered one of Joe’s buddies. But the fellow soldier came to his friend’s defense. “Sir, you can bet Tucker’s eyes are open.” And they were, Joe heard the whole exchange from his post.

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Joe Tucker, second from left.

When Hitler’s last gamble failed in early 1945, the XIX Corps turned toward the east, battling their way into the Rhineland. Near Katzenfurt, Germany, an exhausted Joe Tucker, stumbled across an abandoned American tank left by a roadside. Weary, he crawled inside the hatch, falling asleep almost at once. Waking hours later, uncertain of where he was, or the time, Joe bolted awake to the sound of men shouting. He realized at once that the language was German, and that some kind of patrol was approaching his armored sanctuary. Alert, Joe sat up and seized the 50 calibre machine gun mounted on the tank. He opened up on the German patrol, saving his, and probably other GI lives. For this action, Tucker was awarded the Bronze Star.

German resistance began to noticeably give way the deeper into Germany the XIX Corps marched. Reaching the Elbe River, in Southern Germany, the Army encountered the Red Army for the first time. When the German surrender came, and the war officially ended,  Joe Tucker received his orders to head home.

Finally back in Spokane by September, 1945, Sergeant Joseph Tucker was formally discharged. His wife, Velma switched off that kitchen radio. Her Joe had come home.

Once again, my grandfather resumed his job as a switchman at the Great Northern Railroad. And despite his earlier reluctance to activate in 1942, Joe Tucker volunteered for duty with the Washington National Guard.

In the years following the war, Grandpa became an active member of the Spokane Democratic Party. Influenced by his deep Arkansas roots, Joe carried New Deal sensibilities to Eastern Washington politics. His tireless work canvassing neighborhoods for local, state, and national candidates, eventually earned notice across the Cascades, in Olympia, and from gubernatorial candidate Albert Rosellini in Seattle.

By the late 1950’s, Joe Tucker’s modest home on Boone Avenue became the center of vital party planning. Velma later remarked on one occasion when Governor Rosellini, Senators Henry Jackson, and Warren Magnusson all conferred among her couch pillows and crocheted afghans consulting with my grandfather on major strategy. Joe was an esteemed asset, working city precincts with the same determination that carried him from Normandy to Germany. And the party counted him a senior operative.

All Joe wanted was a level playing field–that those with power and money would have to follow the rules everyone else did. The powerful could not exploit those who lacked position and privilege. He saw firsthand the power that every day American’s brought to enormous obstacles–he fought along side them in Europe. Joe believed that the rest of us were as worthy as the richest people in the country. His wartime experiences reinforced the curse of tyranny, and the absence of democracy.

You see, Joe Tucker was a foot soldier, nothing more, nothing less. In war, he committed himself to serve his country–an enlisted guy who lugged a rifle for the rest of us. In peace he poured that same devotion to his family, his job, and his wider community. There was work to do for America in all three spheres, and my grandfather never shirked away from doing his bit.

Have a safe and thoughtful Veterans Day.

Gail Chumbley is the author of the two-part memoir, River of January and River of January: Figure Eight. http://www.river-of-january.com. Also available on Kindle.

gailchumbley@gmail.com

Mixed Emotions

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It’s been uncomfortable to watch the media coverage from Louisiana about the removal of General Robert E Lee’s statue in New Orleans. As a life-long student of the Civil War the idea of removing reminders of our nation’s past somehow feels misguided. At the same time, with a strong background in African American history, I fully grasp the righteous indignation of having to see that relic in the middle of my city. Robert E. Lee’s prominence as the Confederate commander, and the South’s aim to make war rather than risk Yankee abolitionism places the General right in the crosshairs of modern sensibilities. Still, appropriating the past to wage modern political warfare feels equally amiss.

Robert Edward Lee was a consummate gentlemen, a Virginia Cavalier of the highest order. So reserved and deliberate in his life and career, that he was one of a very few who graduated West Point without a single demerit. Married to a descendent of Martha Washington, Mary Custis, Lee had American stature added to his already esteemed pedigree. (The Lee-Custis Mansion, “Arlington House” is situated at the top of Arlington National Cemetery. And yes, this General was a slave holder, however he appears to have found the institution distasteful).

When hostilities opened in April of 1861, the War Department tapped Lee first to lead Union forces, so prized were his qualities. But the General declined, stating he could never fire a gun in anger against his fellow countryman, meaning Virginians.

On the battlefield Lee was tough to whip, but he also wasn’t perfect, despite his army’s adoration. Eventually, after four years of bloody fighting, low on fighting men and supplies–facing insurmountable odds against General Grant, the Confederate Commander surrendered at Appomattox Courthouse, Virginia.

Meeting Lee face-to-face for the first time to negotiate surrender terms, Ulysses Grant became a little star-struck himself in the presence of the General, blurting out something about seeing Lee once during the Mexican War.

In a letter to his surrendering troops Lee instructed, By the terms of the agreement Officers and men can return to their homes. . .

But Robert E. Lee’s story doesn’t end there.

Despite outraged Northern cries to arrest and jail all Confederate leaders, no one had the nerve to apprehend Lee. And that’s saying a lot considering the hysteria following Lincoln’s assassination, and John Wilkes Booth’s Southern roots. The former general remained a free man, taking an administrative position at Washington College, now Washington and Lee University, in Lexington, Virginia. It was in Lexington that the General died in 1870, and was  buried.

Lee led by example, consciously moving on with his life after the surrender at Appomattox. He had performed his duty, as he saw it, and when it was no longer feasible, acquiesced. He was a man of honor. And from what I have learned regarding General Lee, he would have no problem with the removal of a statue he never wanted. Moreover, I don’t believe he would have any patience with the vulgar extremists usurping his name and reputation for their hateful agenda.

This controversy isn’t about Robert E Lee. It’s about America in 2017.

Gail Chumbley is the author of the two part memoir, River of January and River of January: Figure Eight. Also available on Amazon.

Indie Everyday

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With apologies to Nathanial Hawthorne, this shirt is my version of the Scarlett Letter.  “Hello, my name is Gail, and I’m an Indie author . . . the process is hard, but very gratifying (even while pulling weeds in the garden).

This weekend I invite you to pick up River of January, and the sequel, River of January: Figure Eight.  If in Boise, check out Rediscovered Books, in Salt Lake, Sam Weller’s in Trolley Square, and Spokane’s Aunties Books. Also available on Amazon.com.

Gail Chumbley is the author of the two-part memoir, River of January.

Ouch?

bonvoyagecard10001So I just read a scathing review of my first book, “River of January.” This reader really hated it, and made a real effort to express her distaste. To say she went out of her way to revile the story doesn’t do justice to the term ‘condemnation,’ and continued to blast me as the author.

So how exactly does a writer react to such a scorcher of a reprimand?

I’d like to get upset and obsess over the two measly stars and every berating word in the post. But I can’t seem to throw myself on that grenade. And much as I’d like to feel mortified and humiliated, I don’t. All that reacting is just too much work–takes too much energy. Besides, if the aim of a book is to elicit an emotional response, then, I suppose, my book has found a kind of success.

Three years ago this review would have destroyed me, almost as if someone had pointed out that my beautiful new baby is actually ugly, and that I’m a blind fool. But as a writer I’ve let go of that kind of perfectionism, and any illusion that I fart roses.

This true story is what it is, and I happen to think it’s damn good, and count myself lucky that it came into my life.

So what now?

I turn on my laptop and compose this blog. Writing is what I do. And some will connect to my  voice and identify with this quandary. Others have already clicked cancel.

I suppose that’s why cars come in different colors.

Gail Chumbley is the author of the two-part memoir River of January and River of January: Figure Eight.