A Plan of Action

The Republican Party and televised journalism have clashed since the early days of the small screen (The 1950’s). GOP politicians, and some Democrats too (see Gary Hart, Bill Clinton, and John Edwards) condemn the scrutiny of television news as it exposes the raw ambition, and ‘win at any cost,’ antics of political figures. Television, for the first time provided the public the opportunity to judge up close, political figures.

Angry with forty years of negative coverage the right wing movement left mainstream media behind and established their own outlet, Fox News. Fox has provided a safe haven to posture, misdirect, lie, and spin their way to electoral success.

Senator Joseph McCarthy, elected after WWII exploited America’s growing fear of Communist expansion. On his path to prominence he waved papers before adoring crowds recklessly accusing the US government of harboring Soviet sympathizers. McCarthy became a forceful favorite of the Right. 

But then came the household tv set and McCarthy’s rise came to a screeching halt.

His aggressive tactics faithfully reported in print media had now switched to the small screen. This time McCarthy accused the US Army of harboring Communists. He browbeat witnesses on live tv while bulldozing through hearing procedures. His belligerence did not play well with people watching at home, and shortly after, for this, and other misconduct the Senate voted to censure McCarthy. Still howling about the Communist menace the disgraced Senator died four years later from alcoholism.

Another case in point was Richard Nixon. 

His rise to high office came about quickly. Utilizing the dirty tricks that later brought him down Nixon served in the House, the Senate, as Vice President, and by 1960 the Republican nominee for President. Like McCarthy, he too held a hardline against the spread of Soviet Communism. But Nixon’s promising career hit a bump when he appeared with handsome, polished, Democrat John F Kennedy. In the very first of its kind televised debate Nixon stumbled before the viewing audience, appearing ill at ease and perspiring heavily. With questions from the debate moderator, and his unflattering appearance Nixon’s performance and candidacy flopped. 

Two-years later Richard Nixon ran for and lost the governorship of California. Defeated, and appearing before the cameras, barely controlling his frustration, Nixon snapped at the press they “didn’t have Nixon to kick around anymore.”

Senator Barry Goldwater was the GOP’s 1964 hardliner nominee. Goldwater’s extreme rhetoric such as advocating use of nuclear weapons in Vietnam did not play well on broadcast airwaves, and he too lost his bid. 

But unlike Nixon, this time the Party’s loss translated into a plan of action. A Republican marketer, Richard Viguerie turned to a strategy to dispense with televised press coverage. Viguerie initiated a direct mailing campaign to wealthy Republican donors. Energizing the Far Right, and absent from television coverage, the GOP began to change their luck. 

In 1964 Republican candidate Ronald Reagan was elected Governor of California. Four years later Nixon, too, enjoyed a comeback, and in the tumult of the Vietnam War Nixon succeeded to the White House. However, the lengthy televised war in Southeast Asia, coupled with domestic upheaval stateside put great pressure on the Nixon Administration. Reporters, with cameramen in tow, generated a steady diet of unfavorable coverage. By his second term the 37th President had initiated his Enemies List, a list that included prominent television journalists. 

As the Watergate scandal and subsequent hearings consumed the country, Nixon’s illegal behavior, backed by audio tapes, eroded his support. To make matters worse for the President his Vice President, Spiro Agnew, no friend of the free press, had to resign his office following revelations of accepting bribes and evading taxes while governor of Maryland. 

The public saw nothing but rot oozing from the Nixon Administration.

In the twilight of Vietnam, hyperinflation, and the 1970’s Oil Embargo, Ronald Reagan won the 1980 election in a landslide. Unlike Richard Nixon, or Barry Goldwater, Reagan could handle the tv cameras. Still Reagan also recognized the scrutiny of the small screen didn’t favor conservative politicians. Toward the end of his second term Congress dutifully ended the “Fairness Doctrine,” the FCC’s requirement of presenting both sides of an issue. 

Reagan left office in scandal as well, in a sensational episode of secret arms sales to Iran to fund Nicaraguan soldiers in overthrowing a regime in Central America. These Iran-Contra hearings were televised as well.

Conservatives had had enough.

Inside of ten years, in 1996, Fox News began broadcasting under the watchful eye of CEO Roger Ailes. Back when Ailes had been Nixon’s media consultant he experienced first hand the optics problem of the Right. Free to operate with no constraints, Fox News successfully supplied distorted stories that incited viewer outrage presenting “alternative facts” to borrow a phrase from Kellyanne Conway.

So here we are today. The man in the White House presides over lies, misinformation and other lawless abuses while insisting that main stream news is fake. He grifts and riffs nonsense to his devoted, gullible, base. Like Richard Viguerie’s message to wealthy donors, followers want to be validated without the complication of exposure on the small screen. 

Sean Hannity of Fox, when asked, explained his network was not news, but entertainment. Sure.

Thoroughly brainwashed by distorted “news” now including OAN, Newsmax, and other outlets, MAGA faithful tolerate, or worse celebrate a convicted rapist and pedophile in the White House. 

Ultimately, the GOP couldn’t take the heat, so they found a way to avoid the truth. It’s time to reinstate the Fairness Doctrine because an open democracy lives and dies by an informed electorate.

Gail Chumbley is the author of the two-part memoir “River of January,” and “River of January: Figure Eight,” co-writer of the screenplay, “Dancing On Air” based on those books. She has penned three stage plays on history topics, “Clay” on the life of Senator Henry Clay, “Wolf By The Ears” examining the beginnings of American slavery, and “Peer Review” where 47 is confronted by specters of four past presidents.

Distraction By Design

On October 30, 1938, radio listeners tuned into Mercury Theater on the Air, a CBS radio program.  The broadcast, scripted and narrated by actor Orson Welles, dramatically detailed a moment by moment invasion of Earth by Martians. To the folks who tuned in late to the program the events were construed as real, that indeed the planet had been attacked, followed with authentic panic erupting onto American streets.

Welles, and Mercury Theater producers intended the script to sound like breaking news, and real it had been received. Bedlam broke out, threaded through with stories of injury, and of suicides. The whole episode left Welles and his producers with a lot of explaining to do.

The following day, CBS Radio and young Welles, (23 at the time) made an on-air apology for the chaos. Eventually the story died down, relegated to an interesting moment of Depression-era America.

Much like October, 1938, mass hysteria has again let-loose upon the country. Only this time the  alarm, and distraction is by design, jolting anew on a 24-hour news cycle. Cannibals, sex trafficking politicians, lizard people among royal families of Europe, and poisonous contrails find gullible believers who hang on every fearful word. 

And the heaviest assault is lobbed directly at main stream media.

How? Don’t believe any of what you see and hear, unless endorsed by the Right-wing echo chamber. In a real world of Covid, climate change, and other pressing issues, the blaring noise of the propaganda machine has sabotaged progress creating more avoidable problems.

Unlike Orson Welles, the profitable rot pumped continually through cable, books, and the internet is disseminated without a self conscience blush, let alone any apologies for damages done and lives lost. American consumption of news has degraded far below any sort of accuracy or structured analysis.

Sadly, a large segment of society cannot separate the wheat from the chaff. Consider those who died consuming ivermectin, hydroxychloroquine, and even bleach. Misinformation and fear is lethal.

As the unvaccinated “do their own research,” and die, the insanity refuels every second across media platforms. Makes one long again for a time when truth and responsibility mattered, and mass-hysteria with all its dangers was to be avoided. 

Gail Chumbley is the author of the two-part memoir, “River of January,” and “River of January: Figure Eight.” Both titles are available on Kindle. In addition Gail has also penned two stage plays, “Clay” on the life of Senator Henry Clay, and “Wolf By The Ears,” examining the normalization of racism in America.

gailchumbley@gmail.com

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To Capture War

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I came of age during the lengthy era of the Vietnam War.

This so called “police action” began quietly as a post-WWII policy challenging Communist expansion. Vietnam had been divided as had Germany, China, and Korea, leaving a divide of western leaning democracies pitted against Communist dominated systems. America’s commitment to the Vietnam conflict officially began in 1959, with US aid to the South, and officially ended with the Paris Peace Accords in 1973. Said another way, I was a preschooler when Ike dispatched advisers, and in my first year of college when Nixon ordered troops home.

Though almost moot today, opinions vary on why this war became so universally unpopular. One assessment claims the intense media coverage, particularly on American television, soured the public on the war, while others claim support declined when the draft expanded to middle class, college-bound sons. Not that it matters. In retrospect, whether soldiers were poor or affluent, the draft sent them hell in Southeast Asia.

The view that more affluent Americans across the country grew alienated, does hold some merit. the days, weeks, months, and years of guerrilla assaults, deadly fire fights in the jungle, and the daily tally of “body counts,”* drained public support for this sweltering nightmare.

I recall many evenings washing dishes from dinner, watching a little black and white Sony portable tv. The network didn’t seem to matter; Cronkite, Huntley-Brinkley, or Frank Reynolds, all showed the same harrowing footage. Sweating soldiers slogging through a blur of elephant grass, the wounded medevaced onto thundering Huey’s, then wrapping up with an updated casualty count.

The Vietnam War was not presented through paintings, photographs, or sanitized movie newsreels. Instead the American public, including this growing girl from Spokane, Washington, absorbed the unfolding drama as a grim reality program, years before that term was coined. And that little 10 inch window to the world told me, as young and unsophisticated as I was, that this war was awful. That war is altogether an awful ordeal.

Film crews exposed the jarring horror of  surgical personnel splattered with blood, fighting their own war to save lives. The desperate Marines being interviewed while under assault at a stone wall in the ancient Vietnamese capitol of Hue; the massacre at My Lai, all of it awful. Americans watched firsthand their native sons give what Lincoln called “the last full measure.”

So many years have passed, and this “little girl” is now officially a graying Grandmother. Yet, as I type, my  recollections of fifty years ago remains vivid. And I know that, at this very moment, young people in battle zones face the exact same hell as the lethal jungles of Vietnam. And current American commitments have dragged on far longer than my childhood.

Still, the human cost of war has not changed–not one bit. And though the the draft is inactive, and the American public distracted, the price of conflict remains the same for those young souls presently in harms way.

In the spirit of comforting the disturbed, and disturbing the comfortable, I would like to finish this piece by reprinting a poem by WWI soldier and poet, Siegfried Sassoon. With words alone, Sassoon captures the true degree of awful, using no film crew, photographer, or painter.

Dreamers

By Siegfried Sassoon

Soldiers are citizens of death’s grey land,
Drawing no dividend from time’s to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal climax with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds and wives.
I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with balls and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
 
*Covid 19 deaths are currently presented in the same visual manner. Grim statistics take a toll.
Gail Chumbley is the author of the two-part memoir, “River of January,” and “River of January: Figure Eight.” Both titles are available on Kindle.