Amelia Earhart?

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Piecing this story together didn’t come easily.  Though I have had the benefit of volumes of letters, telegrams, and pictures, among other sources, I still have struggled to get the story right.  The picture posted today provides an example of the most exciting finds I’ve made, but still shrouded with some doubt.

The girl in the center, in front of the Waco airplane, is Francis Marsalis Harrell.  From Chum’s thick scrapbook and an interview I conducted with him, I know her to have been his girlfriend.  They dated for a about a year after he left the Navy, and I believe he cared deeply for this young lady.  What brought me to that conclusion was piecework and conjecture.  First, during my interview sessions with Chum he lightly mentioned that his girlfriend used to time his trips into Manhattan from Long Island, but only when he drove female flight students into the city.  Second, when he looked through his ancient scrapbook, coming across her picture, he had to get up and walk around on his old legs, getting water from the kitchen and using the bathroom, before we could begin taping again.  I remember that clearly.

While researching my book, River of January, I gained a brief education in early aviation history.  I learned that there was a group of women who closely gathered in a league known as the “Ninety-Nines.”  This association of female aviators was a tight-knit assemblage, drawn together to survive in the male dominated world of flight.  These women resolutely broke ground for future generations of women to find their place in the cockpit.   These girls were enthusiastic and fearless pioneers.

Returning to the picture again, I found that three of these women pilots, all horsing around on roller-skates signed the photo.  Francis signed it “To Navy,” her pet name for Chum. The girl on her belly and the other one on her rear end are Betty Gilles and Elvy Kalep, other Ninety-Niners.  So the question for me has been, who is the fourth girl wearing her mechanic’s togs?

One morning, staring at this picture for the millionth time, the scales fell from my eyes and I saw Amelia Earhart.  You might see her clearly too and wonder how I missed the obvious, or think I’m nuts for believing it’s her.  So I ask myself, “Is the time right?  Is the place right? Are there other pictures from this publicity shot?”

The answers are all yeses.

This picture came from a google search of Elvy Kalep.

In the effort to reconstruct the past there exists uncertainty and conjecture.  However, thank goodness, also there exists logic and probability.

Boy, this has been fun.

Gail Chumbley is the author of the memoir, River of January. Also available on Kindle

Horizons

I was waiting for a flight to Portland yesterday, at the airport.  Watching my surroundings at the gate, I began to muse about the flight aspect of my book, River of January.  In the narrative, Chum left the Navy in 1933 finding there were only a handful of disparate companies that handled air cargo.  These businesses had  tried their hand at passenger travel in the 20’s, but costly overhead expenses put an end to that option.

Then Congress stepped in, underwriting airmail flights, and consolidating routes, that ended in the creation of the Federal Aviation Administration by the late 1950’s.  Travel after that boost, was best characterized by glamor and style.  People enjoyed spacious seating, formal dining on small white tablecloths, glass plates and silverware.  The food was fresh and hot–served by attentive stewardesses.

Now, I watch an over sized middle aged biker, sporting a wormy little ponytail pounding a pinball machine in an alcove.  He is clad in a loose, black t-shirt with the sleeves cut off, and his jeans riding on his butt crack.  Another woman is chattering loudly on her cell phone with great enthusiasm.  She’s clearly an open, affable lady.  Most of the other few folks booked on this flight are eating cold food, purchased from overpriced vendors dotted beyond the security gate.  The area feels more like a bus depot.

Then abruptly, out of the floor to ceiling windows, a small canary yellow biplane soars across the glass, piloted by a loan aviator.

It’s nice to know that for some, like Mont Chumbley, the wonder of flight has remained timeless.

Women-Relying on the Kindness of Others

Sifting through the stacks of Chumbley mementos, especially scrapbooks and journals, I sensed a distinct female flavor to the materials.  Women, arms around each other, posed in front of fences, on steps, on porches, at the beach, waiting it seems for a man to lead them home. 

In my book, River of January, a California relative married a physician, presiding over a grand home.  The rootless women in her family gravitated west to live with her, and it appears there were no questions asked.  Women without husbands found sanctuary with married family members, as a matter of course. 

Helen, the protagonist in River supported her mother from childhood on, performing across stages in North America, South America, and Europe.  This reverse support system, the daughter financially carrying her parent raised no eyebrows.  The mother expected care.  

Once Helen married, the arrangement became a problem for her new husband. 

Times were changing.