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So it’s only four minutes of fame. I’ll take it.
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Peppered through the vast family archive used in the writing of River of January, exist three special sets of letters. Though largely filled with conventional chatter and sentimental superlatives, these documents also provide a fascinating peek into another time and place–of a nation suffering through economic free fall, and perched on the threshold of war.
The letters frequently mention the turbulent state of international affairs, from fascist Italy, to the Spanish Civil War; episodes that eventually and inevitably led to the Second World War. Even more ink is expended discussing the difficult economic situation stemming from the fallout of the Stock Market Crash–securing theater bookings, closing business contracts, and aviation training in a downsized Navy. Still, aside from the monumental, most of the content reported simple day to day life, shared with humor and concise observations. From their correspondence these men clearly promoted themselves, vibrantly rising from the faded and yellowing paper.
The first are a series of letters mailed from a Hollywood address, composed by comedy writer, Grant Garrett. (See above). The second collection, posted almost exclusively from Europe, came from the hand of a 28-year-old Belgian entrepreneur, Elie Gelaki. Serious and painfully formal, Elie’s letter reveal a methodical mind, clearly continental in manner with a determined nature. Finally, the last, and largest collection came from Mont Chumbley, Virginia farm boy turned aviator, who looms largest in the memoir. His writing reveals a practical, warm, and straightforward young man who expressed himself in plain language.
Despite definite differences in style, these three writers did share many qualities. All were deeply ambitious, establishing successful careers in the particularly difficult years of the Great Depression. They were clearly literate and educated, in a time when many (at least in America) did not regularly attend nor graduate from secondary school. These letters rise from the ordinary, written with distinctive originality, candor, and technical accuracy.
The link that tied this portion of the archive together was the beautiful New York dancer who received each letter, and preserved them all, Helen Thompson.
Grant Garrett became Helen’s first heartthrob. A native of Los Angeles, Garrett was a regular script contributor to radio shows and vaudeville acts. A talented singer and dancer in his own right, he interviewed Helen to partner with him for an upcoming tour across the country in 1931. After their junket ended, she returned to New York, and he returned to Hollywood. Now in love, the couple exchanged a series of clandestine letters, (her mother forbade Helen to see him again) with only Grant’s compositions still surviving today.
For a nineteen-year-old girl, Grant was hard to resist. Moody, smart, and funny . . . he was the essence of the tortured poet, a perfect combination of beauty, pain and passion. Of her suitors, Grant was the only one who shared her profession, and their time together forged a strong, and influential bond. Helen’s association with Grant provided something of a professional finishing school for her. From Grant she learned to laugh through tough times, and push through adversity because “the show must go on.”
Grant’s whimsical map of a planned Garrett & Thompson reunion tour.
Next time, Belgian, Elie Gelaki.
Read more about Grant Garrett, Elie, and Mont Chumbley in River of January, available in hard copy and on Kindle.
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Book Two, “The Figure Eight” is in progress.
101 years ago today, Serb teenager, Gavrilo Princip shot and killed the heir to the Austro-Hungarian throne, on the heir’s fateful visit to Sarajevo. That one deadly act, carried out over a century ago, set into motion a series of events which ultimately resulted in the unimaginable bloodbath of World War One.
Last Wednesday while presenting my memoir, “River of January,” to a library group, an unexpected gasp came from a listener in the seats. My brain flew into immediate damage control “What I had said, (did I cuss?) Was the projector working behind me? Were my pants zipped? After only a heartbeat the cause dawned on me.
It was a 1928 snapshot of Mont Chumbley, the story’s central figure, beaming across the screen. He was uniformed in the garb of a Navy Seaman Recruit, proudly shouldering his rifle. He looks dignified in his pose, pleased at successfully becoming a part of the United States Navy—but his achievement had also left his family back on the Virginia farm in deep crisis.
Young Mont, “Chum” had required his father’s permission to join up, and the father had adamantly refused to go along with the idea. To modern ears, such as the listener Wednesday night, this obstruction seemed unpatriotic, a father ought to be proud; a military career today is considered noble and honorable. But not back in 1928.
The line that earned that unexpected gasp came after a direct quote from Chum. “Back then, in Norfolk there were signs in the parks saying, ‘Dogs And Sailors Keep Off The Grass’.”
We forget, but after the 1918 Armistice, America was truly sorry it had committed to war against Germany. The universal feeling was fighting in Europe had been a monumental mistake, and one that would never, ever be repeated. The country doggedly pursued isolation for twenty years until Japanese Zeros hit the Pacific fleet at Pearl Harbor in 1941. Between 1919 and 1941 military budgets were annually slashed, recruitment limited, and the military faced near elimination by a nation and Congress bent on going it alone.
The Treaty of Versailles that officially ended the war, along with its League of Nations was soundly defeated by a non cooperative US Senate. The Washington Naval Treaty of 1921 strictly limited the number of ships each maritime nation could possess, and the Kellogg-Briand Pact, an agreement between the US and France literally outlawed war. The public also grew convinced that American bankers and arms producers had only pushed for war to increase their profits. Companies like Dupont Chemical, and the banking House of Morgan were dubbed “Merchants of Death.”
Internationalism was dead, Fortress America was born.
That was the political climate surrounding Mont Chumbley’s ambition to join the Navy and learn to fly airplanes. Understandably his family fervently opposed this decision, and his father did all he could to block his son’s hopes for a military career. Mont’s aunt said it best, “The military is a refuge for scoundrels.”
And even after enlisting, young Mont learned his chances of getting into a cockpit were slim to none in light of draconian budget cuts inflicted on the Navy.
America’s enthusiasm for foreign involvement, the military, and war had fallen into fanatical disfavor. The meat grinder that had been World War One left our nation outraged and remorseful . . . America would never make that same mistake again.

Right now, in classrooms across America, and overseas, thousands 17-year-olds are preparing for the AP US History exam. They, and their instructors are obsessed with cause and effect, analyzing, and determining the impact of events on the course of America’s story. Moreover, they are crazed beyond their usual teen-angst, buried deep in prep books, on-line quizzes, and flashcards. As a recovering AP teacher, myself, I can admit that I was as nuts as my students, my thin lank hair shot upward from constant fussing.
My hair fell out too, embedding in combs and brushes, as I speculated on essay prompts, that one ringer multiple choice question, and wracking my brains for review strategies. The only significance the month of April held was driving intensity, drilling kids on historic dates; Lexington and Concord, the firing on Fort Sumter, the surrender at Appomattox Courthouse, President Wilson’s Declaration of War in 1917, the battle of Okinawa, MLK’s murder, and the Oklahoma City bombing, That was what April meant in April.
To quote John Lennon, “and now my life has changed, in oh so many ways.” Today April holds a whole new definition. My husband rises first in the morning, putters in the kitchen, fetches coffee, tends to the dog, and is back in bed, back to sleep. Big plans for my morning include writing this blog, making some calls related to book talks, a three mile walk through the Idaho mountains, then working on Figure Eight, the second installment of River of January. What a difference! Nowadays, getting manic and crazy is optional. My hair has grown back in, standing up only in the morning, and the only brush with AP US History occurs in my dreams; the responsibility passed on into other capable hands.
This month, at least here in the high country, has been especially beautiful. We have already enjoyed a few 70 plus degree days, and the green is returning to the flora. Our sweet deer neighbors are no longer a mangy grey, emerging from the trees wearing a warm honey coat. With a little snow still on the peaks, the sky an ultra blue, and the pines deep green and rugged, I think sometimes this must be Eden.
My years as a possessed, percolating history instructor provided a gift of passionate purpose that enriched me more than depleted. But, now . . . I wouldn’t trade this new phase of my life for all the historic dates in April.
Gail Chumbley is the author of River of January also available on Kindle.
It was the night of February 9, 1964, a Sunday, when my older brother and I had to make a crucial decision. We were both over stimulated, frantic, not one of our four feet remaining long on the floor. The house vibrated with our excitement and the weight of our impossible dilemma. For starters our birthday was the following day–the 10th, (though we’re not twins–he’s a year older). Still, that pre-birthday fuse had already ignited and by the 9th the two of us were banking off the walls.
The quandary we faced that Sunday night was whether to watch “Davy Crockett at the Alamo,” starring Fess Parker on Disney (The Alamo!), or the Beatles on Ed Sullivan. This was that first historic Beatles broadcast, live on American television, and we agonized between the two choices.
In 1964 there were no video players, no DVD players, no home computers, or dvr’s, in fact televisions were the size of Volkswagen’s and transmitted in glorious, flickering black and white. This difficult decision counted because there was no rewind, there were no do-overs. One gain meant one loss.
We liked Davy Crockett an awful lot. We had watched all the previous episodes, and Davy biting the dust in San Antonio was the much anticipated grand finale. But, oh, the Beatles! And the adoration was real, palpable, an injection of adrenaline without the needle. We worshiped at the warmth of our bedroom radios, perpetually tuned in to our local AM radio station. Reverent silence accompanied replays of “She Loves You,” and “I Want To Hold Your Hand.”
What could two grade schoolers, sick with anticipation do with such a weighty conundrum? It was 1964 and we had to choose.
Before the proliferation of electronic media, this little girl of the 1960’s viewed momentous events as they beamed across the screen. MLK’s elocution at the Lincoln Memorial, President Kennedy’s inaugural address, his assassination, and the escalating war in Southeast Asia–all experienced as reported at that moment.
In an earlier era, when Chum flew in his air race, and Helen danced in Rio at the Copacabana, there were no camcorders or Iphones. His signature landing and Helen’s near disastrous opening night grew silent as the applause subsided, then faded in time. Much like my brother and myself in 1964, they lived life forward, one opportunity at a time.
Silent photos and written records are all that remain verifying Chum’s aerial dash through darkened skies, and Helen’s energetic dance routines. They lived life forward, embracing events as they unfolded–experienced once, then gone. I would love to see footage of Chum’s Waco airplane lifting off at dusk, or watch Helen spring across the stage. But those wishes are pipe dreams, never to happen. No vintage film or recording, (except one I found by accident) exist in the historic record. The best I can do for myself, and for readers, is try to recreate the magic of the first time around in the pages of my River of January.
Oh, by the way, I’ve never seen “Davy Crockett at the Alamo.”
Gail Chumbley is the author of the memoir, River of January. Also available on Kindle.