Tag Archives: Washington

Beyond The Symbols

Patriotic symbols, music, and the Pledge of Allegiance recited at a solemn ceremony can be deeply moving. A simple presentation of the flag at a formal function can be awe-inspiring. The lone, austere notes of Taps played at a military funeral elevates a moment into sacred reverence.

The sounds and symbols of American devotion are powerful.

Still, as commanding as recitations, patriotic colors, and America the Beautiful can feel, deeper symbols in our shared history can reveal so much more.

In his book, Washington’s Crossing, historian David Hackett Fischer introduces his volume with a discussion of Emmanuel Leutze’s famous painting of the same name. Fischer guides the reader through elements in the painting, noting passengers figure by figure as they frantically navigate the frozen Delaware River on that long ago Christmas night. 

Why is this particular work especially moving? Because at that juncture, December 25, 1776, the Revolutionary War looked to be flaming out after barely a start. Defeat had dogged Washington’s Continentals after being chased off of Long Island, and driven out of New York City the previous summer. As Washington planned his surprise Christmas attack, victorious Redcoats had settled into winter camp in New York City.

Humiliated, Washington knew he had to strike hard and he had to win.

Viewing his situation with the “clarity of desperation” the General ordered an assault on Hessian (German mercenary) held Trenton, New Jersey. The Continental army would have to use the element of surprise fighting against a better armed and better fed opponent. Risky to the extreme, Washington knew we, meaning America, for all time, was dependent upon his actions that night.

As for the painting, the artist depicts freezing soldiers huddled in a boat with more watercraft in the backdrop. From the starboard side, (to the right of General Washington) sits an oars-man, distinctly Black, putting his back into his strokes, ploughing through dangerous ice floes. Behind him, facing forward at the bow, is another swarthy figure, perhaps a Native American. He is desperately kicking ice with his left boot while handling a sharpened pole to break open a passage through the impossible crust. To the foreground an immigrant (a Scot by the look of his hat) studies the river’s surface closely as he pulls forward to port, while another behind him, in fisherman gear, studies the treacherous water. Others are made up of rustics, one at the tiller, along with a wounded passenger.

General Washington centers the painting as he is the central figure of the drama. Behind the General is Major James Monroe, and another rugged frontiersman by the looks of his garb. Both men are grasping a 13-star (Betsy Ross) flag, in a grip that elicits an attitude of determination and desperation, with perhaps a bit of warmth. Below both flag bearers sits a WOMAN, yes, a woman pulling her oar with an analytic eye upon the clotting water.

Black, Native, white, immigrant, the highborn, the humble, men and women, yesterday, today, and the future: all of our American lives balanced on the gamble played that night in 1776.

The point I believe Leutze is trying to convey is that we all don’t have to be the same. No one has to agree on the details of our beliefs to ride on that boat. The truth is Americans all have and had different realities and ambitions: differing views of liberty. Still, all onboard had to carefully respect each other’s space and not overturn that fragile vessel, Liberty, for we must stay afloat and row in the same direction. It is in all our interests to do so.

And that metaphor of America, that boat, tested our resolve on one of the nation’s most critical nights. Inspiration doesn’t come any better than from Leutze’s allegorical Washington’s Crossing.

Gail Chumbley is the author of the two-part memoir, River of January, and River of January: Figure Eight. Chumbley has also penned two stage plays, Clay, and Wolf By The Ears, concerning the life of Senator Henry Clay, and an in-depth examination of the beginnings of American slavery. Gail is currently working on another piece, Peer Review, best described as Dickens A Christmas Carol meets presidential history.

Rhythm in My Nursery Rhymes sung by Dinah Miller

Another Song Helen performed in Rio.
Merry Christmas
(lyrics vary in this version)
(IF I HAD) RHYTHM IN MY NURSERY RHYMES
——————————————–
I could learn my ABC’s, Bring home A’s instead of D’s
And my Mom and Dad I’d please if I had rhythm in my nursery rhyme

In the corner on a stool I sat ’cause I broke a rule
But I’d show them that I’m no fool If I had rhythm in my nursery rhyme

Tra-la-la-la-la won’t get me far — Lately I’ve been thinkin’
If I had a little bit of rhythm, I’d could be a Washington or a Lincoln

Simple Simon at the fair Met a Pie man who was there
About those two guys I don’t care
‘Cause I need rhythm in my nursery rhyme
__________________________________________________

Lullabies were all OK, when my Mama sang ‘em in her day
But I’d rather hear them in a swingin’ way
‘Cause I need rhythm in my nursery, rhythm in my nursery,
Rhythm in my nursery rhymes – boo dah beep

Support Our Troops?

Image

The armistice ending World War One, also known as the “Great War” was signed on this day in 1918.  The idea behind Armistice turned Veterans Day, was to remember the price paid by servicemen living and dead.  A visit to Arlington Cemetery provides a sobering, powerful lesson in the extraordinary price paid by those who gave ‘Their Last Full Measure’, to quote President Lincoln.

Row after  exact row, rank and file marble headstones arc the green, rolling acreage of Mary Custis Lee’s childhood plantation. Surveying this overwhelming vista, proof of the price paid by those in arms raises a difficult, perhaps unanswerable question. How can Americans best provide solace, comfort and justice for our fighting men and women?

One option is pictured above.  While I was still in the classroom, my History Club provided Christmas gifts for those on duty overseas. We wrapped, labeled, and itemized customs slips–mailing the boxes to APO addresses nearly everywhere.  The soldiers pictured expressed their appreciation by sending this group photo, letting us know the packages had made it on time. Oddly enough, I don’t think they even cared what the boxes contained, it was simply being remembered while serving so far away. One soldier thanked us for adding a hometown newspaper sports section. It was the link to home that meant so much.

“Support Our Troops,” bumper stickers scold incessantly next to exhaust pipes. Do gift packages overseas meet that test?  What about promised services, and psychiatric aid from the Veterans Administration to those returned?  Is it enough to purchase artificial poppies from elderly veterans planted in front of grocery stores on this day?  Honestly how can we best “Support Our Troops?”

A former student visited my classroom after serving a double tour in Iraq.  He bore that “Five Hundred Foot Stare,” so common to soldiers scarred by the horror of battle.  In an earnest voice he explained, “We build schools for them (the Iraqis) during the day, and they try to kills us at night.”  This sweet, insulated, middle class boy, born in Idaho, raised on John Wayne movies, could not comprehend the absence of welcome from the Iraqi people.  They not only failed to show gratitude, but lashed out in lethal hostility. How do I support him?

I am reminded of two messages that resonate from two memorable episodes in my career.  The first came from the Chaplain of the House of Representatives in his opening prayer at the World War Two Memorial dedication in Washington. This minister reminded the gathering “that peace is not the absence of war, but the nearness of God.”  I felt not only wise calm in his words, but a new truth in his prayer.

Then there was the sage Chinese philosopher of war, Sun Tzu who has offered his own advice from ancient times. This brilliant military strategist observed that “the best wars are those not fought.”

Gail Chumbley is a historian and author of River of January, her new memoir.