Always On My Mind

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Had a six-plus hour drive today; Salt Lake City to my mountain cabin in Idaho. Lengthy car-time, for this Indie writer, always results in exploring fresh ideas for book marketing. I don’t say much to my family, but promoting the two-part memoir, “River of January,” and “River of January: Figure Eight,” is never far from my thoughts, and I’m pretty sure this is true of fellow writers.

Finally made it home, chatted with the husband, did a little of this and that, then idly picked up today’s newspaper. Now, I’m not an avid follower of the mystic, but being an Aquarian, (there’s a song about us, you know) I sometimes do indulge. And, as you can see the cosmos told me to do this, so by damn, I am.

Dear reader, if you enjoy a true American story, set in the American Century, get River of January and River of January: Figure Eight. In the pages, you will experience adventure, travel, glamour, and romance. Aviation enthusiasts relive the thrills and peril of early flight, theater fanciers follow an aspiring dancer as she performs across international stages, and takes her chances in Hollywood.

Take it from the author–in peacetime and in war–this two-part memoir is richly entertaining.

http://www.river-of-january.com. Also available on Amazon.com

Gail Chumbley is an award winning instructor of American history and the author of the two-part memoir, “River of January.”

 

Tagwords

World War One, The Great Depression, Vaudeville, Golden Age of Aviation, Amelia Earhart, Golden Age of Hollywood, Rise of Fascism, Waco Aircraft, Professional Ice Skating, Sonja Henie, World War Two, Battle of the Atlantic, Pearl Harbor, War in the Pacific, Cold War, Sun Belt, America as a World Power.

Get the two-part Memoir, River of January and River of January: Figure Eight and connect these fascinating dots. Also available on Amazon.com

If you’ve enjoyed this adventure, leave a review on Amazon.com. Thanks, Gail.

 

 

 

 

 

 

 

 

Indie Everyday

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With apologies to Nathanial Hawthorne, this shirt is my version of the Scarlett Letter.  “Hello, my name is Gail, and I’m an Indie author . . . the process is hard, but very gratifying (even while pulling weeds in the garden).

This weekend I invite you to pick up River of January, and the sequel, River of January: Figure Eight.  If in Boise, check out Rediscovered Books, in Salt Lake, Sam Weller’s in Trolley Square, and Spokane’s Aunties Books. Also available on Amazon.com.

Gail Chumbley is the author of the two-part memoir, River of January.

Ouch?

bonvoyagecard10001So I just read a scathing review of my first book, “River of January.” This reader really hated it, and made a real effort to express her distaste. To say she went out of her way to revile the story doesn’t do justice to the term ‘condemnation,’ and continued to blast me as the author.

So how exactly does a writer react to such a scorcher of a reprimand?

I’d like to get upset and obsess over the two measly stars and every berating word in the post. But I can’t seem to throw myself on that grenade. And much as I’d like to feel mortified and humiliated, I don’t. All that reacting is just too much work–takes too much energy. Besides, if the aim of a book is to elicit an emotional response, then, I suppose, my book has found a kind of success.

Three years ago this review would have destroyed me, almost as if someone had pointed out that my beautiful new baby is actually ugly, and that I’m a blind fool. But as a writer I’ve let go of that kind of perfectionism, and any illusion that I fart roses.

This true story is what it is, and I happen to think it’s damn good, and count myself lucky that it came into my life.

So what now?

I turn on my laptop and compose this blog. Writing is what I do. And some will connect to my  voice and identify with this quandary. Others have already clicked cancel.

I suppose that’s why cars come in different colors.

Gail Chumbley is the author of the two-part memoir River of January and River of January: Figure Eight.

 

 

Freddie Trenkler, War Refugee

Comic skater, Austrian Freddie Trenkler, a cast member in the Sonja Henie Ice Shows, drew countless laughs, and more than a few gasps with his slapstick and death-defying style. This young man, only 27 years old, his identity concealed behind grease paint and rags, ironically shared much in common with his vagabond alter ego.

It was early in the Second World War, and the German war machine blazed across Europe; blitzkrieg overwhelming the Low Countries and France. Freddie’s homeland had fallen much earlier–Nazi occupation of Austria bloodlessly completed in 1938 (think “Sound of Music”). It appears that the Jewish Trenkler had escaped to America, tragically leaving his family to suffer a calamitous fate.

The investigation of papers, pictures, letters, and other mementoes I used in writing River of January, and River of January: Figure Eight, revealed that many of the talented skaters who performed in the Henie productions arrived in America desperate war refugees, who had escaped certain death at the hands of the Nazi’s.

Enjoy this clip of Henie, Trenkler, and the company of ice skaters, (one of whom is Helen Thompson, a subject in both books). However, keep in mind the desperation and harrowing narrative that Trenkler and many others carried to the ice.

 

 

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Goody Goody

 

In the memoir, “River of January,” Helen, a beautiful and talented dancer, set sail in 1936 to Rio de Janeiro, Brazil. She eagerly  looked forward to a two week performance at the famed Copacabana Hotel, with an additional two week option to play in Buenos Aires.

On her sheet music for the number, Goody Goody–one of the many songs prepared for this engagement–Helen penciled in her dance steps among the musical notes and rests.

No film survives of Helen Thompson’s April, 1936 performances in South America, but I found this little gem from the same year. (Personal point . . . I think Helen was a better dancer than the girl in this clip).

Happy Friday.

 

 

Gail Chumbley is the author of River of January and River of January: Figure Eight and on Amazon.com.

The Pitch

Long rows of rectangular tables, draped and decorated, filled the hall. Cellophane covered baskets, revealing festive gifts sat inches apart, attracting hopeful bids from the browsers wandering about the silent auction. Attendees seemed to understand the drill, strolling from basket to basket, pen in hand, increasing the previous bid. And the purpose behind this auction? The IEA Children’s Fund; a statewide account to help Idaho kids with food, clothing, supplies, shoes, and any other need disadvantaged students face.

I squeezed in between colorful, refugee-sewn bags and wallets, and a boxed WiFi yoga program, complete with a mat and ready-to-use internet software. My books sat displayed below eye level, requiring some adjustments to attract possible buyers.

Both “River of January,” and “River of January: Figure Eight” are rich with archival images. However, space limitations left the usual eye catchers tucked in a satchel, under my chair. Though dismayed at first, I remembered that the books have photo galleries inside, and my tactic instantly shifted. “Are you a reader?” I begin. And what’s cool about teachers is that 99.9% told me ‘yes.’ (Of course they are, we teachers are the champions of literacy.) Then I whipped out the photos in book one.

I begin . . . “River of January is a true story, a memoir, that I have written in a novelized style. Here is my main charter, a pilot, who won an air race in 1933. Here he is receiving the winning trophy from actress Helen Hayes at the premier of her newest movie, Night Flight co-starring Clark Gable.” (The listener looks mildly interested. I go on.)

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The girl in the middle, laughing, was his girlfriend, she was a pilot too. On the left is Amelia Earhart, the president of the female flying group called The 99’s.”  (I hear an audible WOW. We’re getting somewhere.)

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“And this girl is the other main character, and she was a show girl, dancer, and actress. The picture is a clip from a 1931 movie she appeared in called Women of All Nations. Not much of a film, but she had a closeup. Oh, that’s Bela Lugosi in the turban.” (Now I hear a ‘that’s amazing.’)

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“Yeah,” I agree. “And it’s only the first book. In book two, he ships out to the Pacific, and she becomes a professional ice skater in a Sonja Henie Ice Show.”

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(I reach for the second book, “Figure Eight.”). Here he is with the head of Eastern Airlines, Captain Eddie Rickenbacker. You know, the WWI flying ace?” Now they want to know the price, and would I take a debit card?

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“Would you like me to sign the books?” They would. And I thank the purchaser, and ask for feedback on Amazon.

What is nice is that all teachers share an innate sense of wonder. My natural fascination with the story easily connected to like-minded listeners among the professional educators circling that hall.

And that’s my pitch. I let the two main characters sell the memoir because they were nothing short of amazing.

Plus I , too, happily made a donation for each book sold to the IEA Children’s Fund.

 

Gail Chumbley is the author of the two-part memoir, “River of January” and “River of January: Figure Eight.” Both books are available at www.river-of-january.com, or on Amazon.

 

 

 

Tell Me a Story

 

Drawing inferences; the ability to examine evidence and attach meaning, was the bedrock of my history classes. Believe it or not, forming conclusions from documents isn’t intuitive for everyone, and more often than not, an acquired assessment skill.

Context is huge . . . the medium, (photo, painting, film clip, political poster, diary entry, news story) allows a document to fit into a broader story. And that same critical thinking skill is what I had to use in my books, “River of January,” and “River of January: Figure Eight.”

Please examine the following images from the archive and make them fit into a narrative.

Happy Friday

 

 

 

Gail Chumbley is the author of the two-part memoir, River of January, and River of January: Figure Eight. Visit her website at www.river-of-january.com or order on Amazon.com

We All Do

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Sitting in on a writing seminar a while back, the keynote speaker, finishing his remarks on the business of publishing, opened the floor for questions. A young lady, seated at the end of my row grew visibly nervous and asked, “But, I don’t want to have to market my books, I just want to write them.”

In a gentle voice, the guest speaker replied, “We all do, but that’s no longer how the book business works.”

And, readers, that no longer is how the book business works.

Agents and publishers today are far more concerned with a writers social media platform, then any content wedged between a book’s jacket. Even traditionally published authors must carry the heaviest burden of getting their works into the public arena. For example, I’ve been watching a news commentator on one of the cable networks handling the publication of his new book. He still does his broadcast every night, but goes on air from the various venues where he is presenting–like the parking lot of Barnes & Noble the other night. At the end of each program, this correspondent plugs his title and where his next appearance is scheduled. He has quite the platform, and his publisher loves it.

Now some everyday folks are pretty savvy at this platform game, too. Utilizing electronic media, many writers successfully finesse Facebook analytics, embed advertisements on search engines, as well as on Nook Press, Kobo, Amazon, and a multitude of other outlets.  And I must add that I am in awe of this style of enterprise and business outreach. Many of these electronic resources are way out of my skill set–cultivating an online following one of my most daunting challenges.

Plainly history education and story telling is my forte; Selling–shilling my name and image about, leaves me a bit overwhelmed and self conscious. Like the young lady at the seminar, I just want to write my books, too.

Sometimes I wonder if I would have written anything, knowing what I know now about the media game. But then I remember some particular episode, his heart-pounding night flight in 1933, or her dance tour of Europe during the rise of Hitler, and I realize writing River of January, and Figure Eight was never a choice: life handed the task to me, and I am responsible.

So I switched on my laptop and wrote this blog.

Gail Chumbley is the author of River of January and River of January: Figure Eight

Also available on Amazon. River of January is on sale this weekend on Kindle.

 

Oh, To Be Young

Kindle patrons! River of January is on sale this weekend! From Friday through Sunday night, the adventure is yours for 99 cents. What a barg! Download the book, give it a read, and leave a short review.

Enjoy this sneak peek.

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“Hello, Chumbley here—hello?”

“Morning Chum,” flashed an urgent voice. “This is Richard Ross, and I am awfully glad I caught you at the office! We have a horse posted in the third race and need to get to Baltimore, fast.”

“Havre de Grace Race Track?”

“A horse in the third.”

“Wait, where are you calling from?” the young man asked.

“Newark. We’ll be waiting at the airfield for you to arrive.”

“Horse track, huh?  Roger that. I’ll gas up the Waco and be over soon.”  Jogging to the hangar

“Hello, Chumbley here—hello?”

“Morning Chum,” flashed an urgent voice. “This is Richard Ross, and I am awfully glad I caught you at the office! We have a horse posted in the third race and need to get to Baltimore, fast.”

“Havre de Grace Race Track?”

“A horse in the third.”

“Wait, where are you calling from?” the young man asked.

“Newark. We’ll be waiting at the airfield for you to arrive.”

“Horse track, huh?  Roger that. I’ll gas up the Waco and be over soon.”  Jogging to the hangar Chum reflected, “This trip sounds like fun, especially if I make a couple of bucks.”

Taxiing down the runway, the flyer lifted off—his trip was just a short hop west—and Chum presently approached the New Jersey landing strip. From his windshield he could see three figures moving outside an office building near the tarmac.

“Must be Ross,” Chum mumbled. Touching down, the pilot slowed and turned the plane toward his passengers. But he noticed they were running toward the Waco. Ross was shouting something and waving his arms.

“We need to go, now, Chum!” the pilot finally heard above his roaring engine. Chuckling, as they clambered aboard, the flyer again turned and taxied down the same airstrip, quickly lifting off toward the southeast. His three passengers breathlessly discussed the upcoming race card. Thoroughly entertained by their excitement, Chum listened.

“That number six will be tough to beat,” and “I paid a call to those stables and I wasn’t that impressed.”

This flight wasn’t long either, but apparently too lengthy for the impatient stockbrokers. As Chum circled the county airfield, Ross reached up and patted his shoulder. “Not here, Chum. It’s too far from Havre de Grace. Land the plane at the track, put it down on the infield!”

Stunned, the pilot clarified, “At the horse track?”

“Yes sir! There’s no one better than you to pull off a landing like this one!”

As he doubtfully turned his plane around, dangerous images passed through Chum’s mind—in particular, the incident in Elmira. He understood, as every pilot understood, that potential disaster rode along with him on every flight.

Chum worried:  What are the chances of cart-wheeling the plane? Can I regain lift if I come too close to the viewer stands? Will I be arrested?

Ross read Chum’s alarm and assured the pilot, “I trust you. The field is long enough for a good flyboy like you to manage. And we’ll pay for any mishap or damage.”

“How ’bout my broken neck?” the pilot half-joked.

The broker snickered.

Chum shrugged, lowered the nose of his Waco, and touched down firmly, bouncing on the grass, and smoothing out as the plane slowed. By the end of the infield, the Waco stopped, facing the viewing stands. Safe. No snags. Leaning over the yoke, he inhaled deeply realizing he’d held his breath through the approach, the landing, and the braking.

Movement in his peripheral vision caught his notice. Four race officials were rushing from under the track’s white railing. The men waved their clipboards and arms over their heads, rushing toward his Waco.

Chum caught the crowd’s mixed responses to his sudden appearance. Some in the crowd stood stunned, mouths hanging open, while others cheered, jumping and clapping as though his arrival was scheduled entertainment.

The pilot burst into laughter. “Now, there’s the sensible crowd!” he chortled, watching as the panicked stampeded out the exits. Chum turned to tell his passengers to look at the stands, but saw that Ross had popped open the cabin door, and was dropping down from the plane.

“Take it easy, fellas. Take it easy,” Ross shouted to the officials. “This pilot is the best. He does this kind of landing all the time!”

The police quickly arrived and Ross, now joined by his two associates, stood outside, as if guarding the plane. The broker talked fast, and to Chum it appeared as if the authorities were calming down, physically stepping back from the wealthy New Yorker.

Maybe they realize he’s a big shot, the pilot concluded. After some tense moments the police, track managers, and officials unexpectedly shook hands with the New York businessmen, and strolled off the grass.

Hoisting himself back up into the cabin, Ross smiled. “No jail for us today, Chumbley. The track manager—the palooka in the blue blazer—only asked that you move your plane to the center of the infield, and that we stay until today’s race card is finished.”

Finally unhooking his safety harness, Chum stretched, climbed out of the Waco and shook his head in disbelief. He mumbled, “Tough treatment for men who live for horses.”

Chum reflected, “This trip sounds like fun, especially if I make a couple of bucks.”

Taxiing down the runway, the flyer lifted off—his trip was just a short hop west—and Chum presently approached the New Jersey landing strip. From his windshield he could see three figures moving outside an office building near the tarmac.

“Must be Ross,” Chum mumbled. Touching down, the pilot slowed and turned the plane toward his passengers. But he noticed they were running toward the Waco. Ross was shouting something and waving his arms.

“We need to go, now, Chum!” the pilot finally heard above his roaring engine. Chuckling, as they clambered aboard, the flyer again turned and taxied down the same airstrip, quickly lifting off toward the southeast. His three passengers breathlessly discussed the upcoming race card. Thoroughly entertained by their excitement, Chum listened.

“That number six will be tough to beat,” and “I paid a call to those stables and I wasn’t that impressed.”

This flight wasn’t long either, but apparently too lengthy for the impatient stockbrokers. As Chum circled the county airfield, Ross reached up and patted his shoulder. “Not here, Chum. It’s too far from Havre de Grace. Land the plane at the track, put it down on the infield!”

Stunned, the pilot clarified, “At the horse track?”

“Yes sir! There’s no one better than you to pull off a landing like this one!”

As he doubtfully turned his plane around, dangerous images passed through Chum’s mind—in particular, the incident in Elmira. He understood, as every pilot understood, that potential disaster rode along with him on every flight.

Chum worried:  What are the chances of cart-wheeling the plane? Can I regain lift if I come too close to the viewer stands? Will I be arrested?

Ross read Chum’s alarm and assured the pilot, “I trust you. The field is long enough for a good flyboy like you to manage. And we’ll pay for any mishap or damage.”

“How ’bout my broken neck?” the pilot half-joked.

The broker snickered.

Chum shrugged, lowered the nose of his Waco, and touched down firmly, bouncing on the grass, and smoothing out as the plane slowed. By the end of the infield, the Waco stopped, facing the viewing stands. Safe. No snags. Leaning over the yoke, he inhaled deeply realizing he’d held his breath through the approach, the landing, and the braking.

Movement in his peripheral vision caught his notice. Four race officials were rushing from under the track’s white railing. The men waved their clipboards and arms over their heads, rushing toward his Waco.

Chum caught the crowd’s mixed responses to his sudden appearance. Some in the crowd stood stunned, mouths hanging open, while others cheered, jumping and clapping as though his arrival was scheduled entertainment.

The pilot burst into laughter. “Now, there’s the sensible crowd!” he chortled, watching as the panicked stampeded out the exits. Chum turned to tell his passengers to look at the stands, but saw that Ross had popped open the cabin door, and was dropping down from the plane.

“Take it easy, fellas. Take it easy,” Ross shouted to the officials. “This pilot is the best. He does this kind of landing all the time!”

The police quickly arrived and Ross, now joined by his two associates, stood outside, as if guarding the plane. The broker talked fast, and to Chum it appeared as if the authorities were calming down, physically stepping back from the wealthy New Yorker.

Maybe they realize he’s a big shot, the pilot concluded. After some tense moments the police, track managers, and officials unexpectedly shook hands with the New York businessmen, and strolled off the grass.

Hoisting himself back up into the cabin, Ross smiled. “No jail for us today, Chumbley. The track manager—the palooka in the blue blazer—only asked that you move your plane to the center of the infield, and that we stay until today’s race card is finished.”

Finally unhooking his safety harness, Chum stretched, climbed out of the Waco and shook his head in disbelief. He mumbled, “Tough treatment for men who live for horses.”

 

Book Two, River of January: Figure Eight is available at http://www.river-of-january.com or at Amazon.com