Travel the globe on Labor Day Weekend!
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The Oregon City Library is a beautiful building. A legacy of Andrew Carnegie’s committment to philanthropy, the library looks as it did a hundred years ago. All in all a perfect spot for a talk on “River of January.” The best part was seeing former students from way back, and friends from home. Big Thanks to Maureen Cole, and the staff of the old OC Library. And a thanks to my boys for the help and cheering section.
Remember Ed Sullivan’s promise for his Sunday night broadcast? I am shamelessly stealing it for tonight’s book presentation about “River of January.” Join me at the Oregon City Library, 7:00 sharp, where we will travel back to the glamorous past.
606 John Adams St.
This is part of a snapshot taken in Rome in 1932. Helen, the subject of my book, River of January stands above wearing the white fur-collared coat. Posing next to her, in the white cap is dancer, Carmen Morales, another member of the “American Beauties,” an American ballet company. The two girls met when both were cast in this troupe booked to dance across the cities of Europe. They remained the closest of friends until Helen’s death in 1993.
I have perused countless pictures of Helen’s European tour, closely, (close as with a magnifying glass) the faces of her fellow dancers. And I have decided that of all the girls in the show Carmen, next to Helen of course, was a classic American Beauty.
From the little I could find on the internet Carmen was born in the Spanish Canary Islands around 1914, and came to the US where…
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“Night Flight,” an MGM drama premiered October 6, 1933 at New York’s Capitol Theater.
Star Helen Hayes presented Chum his hard-won first place trophy as a part of the evening’s program.
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“Rumor has it that Mistinguett served as a spy for the French government during the Great War while she was dancing across the continent. They may be watching her again because of that new leader in Germany,” Lillian remarked as the company sunned themselves on exclusive Larvotto Beach.
“Who told you such a thing, Lillian?” Una, another dancer, asked skeptically.
“Didier, the older stage manager at the Terminus—he seems to know all about Miss.”
Charlotte’s eyes grew large. “How thrilling!”
“And she’s had many affairs with younger men,” Lillian continued, enjoying the attention. “You’re familiar with Maurice Chevalier?”
“Of course.”
“Supposedly they shared a passionate, very public romance. Miss launched his career when she plucked him from a music hall chorus line and cast him into his first film, La Valse Renversante.”
“No!” Charlotte blurted.
“Oh, yes!”
“Isn’t he a lot younger?”
“Thirteen years, according to Didier.”
“Lucky woman!” Charlotte said. The rest of the girl’s laughed at her response.
Page 75, River of January
There are folks out there in America who object to the term bellicose when describing Ronald Reagan’s foreign policy. The Texas State School Board a few years ago objected to the term “capitalism,” deeming it too loaded with negative meaning. Okay, play with terminology, putty up and pretty up the image of the past on state standards and guides, because it really makes no difference in the classroom.
Recently the College Board acquiesced to political pressure on AP US History curriculum objectives. I can understand the thinking behind this move by those who design and correct the yearly three hour exam. Those designers simply don’t need the controversy, nor do they need states to eliminate AP US from American classrooms. But the compromise actually actuates few modifications in day to day lessons, speedily delivered by harried AP teachers. Reality dictates the content of the course, and limited by time and the massive content, most are lucky to reach bellicose Ronald Reagan before the annual May exam.
The painting above depicts General Washington’s Farewell to his Officers at Fraunces Tavern in New York. The work was the creation of artist Alonzo Chappel, and commemorates a party hosted by the victorious, but solemn Washington. This same picture, over a century later, was viewed by teetotalers with dismay. Prohibitionists, concerned by the tavern setting, especially with the wine carafe and goblet resting the table simply scrubbed the image out. Easy enough. Adjust the past to fit today’s present.

D7XFTA Washington taking command of the Army and Washington’s farewell to his officers – two scenes from George Washington’s Military life
Yet, resurfacing the past, doesn’t actually change anything. Alcohol played a huge role in Colonial America. It just did. In fact, with reference to the 1980’s, all an instructor has to do is produce a couple of line graphs of military spending from 1981 to 1989. Any kid can deduce the trend in military expenditures. Read a couple of speeches in class–Ike’s Farewell Address to the country for example, and students certainly understand the deafness of the Reagan Administration to General Eisenhower’s cautionary words on the perils of the military-industrial complex.
And all those critics who scorn the notion of teaching higher level thinking haven’t spent a moment working with high school students. You can’t fool these young people, they are a lot smarter than you think. Any examination at primary materials, aside from textbooks, or any other ancillary stuff reveals a truth sans any political spin.
So go ahead and bleach the course objectives. Go ahead and whitewash topics such as the genocide of Native peoples, or the insider manipulation that has torpedoed the stock market over and over. It doesn’t matter really. I always told my students that the greatest thing about American History is that we examine it, warts and all, with eyes bravely open. That’s is the source and the strength of our nation’s greatness.
Gail Chumbley is the author of the memoir, River of January