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River of January Cyber Sale

Monday 8:00 AM to Tuesday 10:00 PM

Only .99 cents on Kindle!

“A Modell of Christian Charity”

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“We must entertain each other in brotherly affection. We must be willing to abridge ourselves of our superfluities, for the supply of others necessities. We must uphold a familiar  commerce together in all meekness, gentleness, patience, and liberality. We must delight in each other; make others conditions our own; rejoice together, mourn together, labor and suffer together, always having before our eyes our commission and community in the work of the same body.  So shall we keep the unity of the spirit in the bond of peace.”

Governor John Winthrop, Massachusetts Bay Colony 1630

Happy Thanksgiving.

Gail Chumbley is the author of River of January available on Kindle and at River of January

“It’s A Beautiful Cover”

So it’s only four minutes of fame. I’ll take it.

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Excerpt Saturday: A Cultured Gentleman

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Europe
1932

After Brussels, Elie visited nearly every town Helen played, frequently heralding his arrival with a spray of flowers waiting for her at each hotel.
“Please, please invite your friends to join us on our outing,” Elie cheerfully encouraged Helen.
In Paris, where Voila was performing, Elie motored a carload of Beauties to the countryside, stopping at the Bourbon Palace of Versailles. The American girls strolled amid the recovering gardens, the graceful flowing fountains, and grand buildings that had been severely neglected during the Great War, not so long before.
“Elie, this place is magical!” Helen exclaimed. “Have you been here before?”
“Only once,” the young man replied. “We—my mother, two sisters and I, traveled to Paris after the funeral of my father in northwest France. Perhaps I will take you up there another time.”
They toured the ornate grand salons including Marie Antoinette’s Petit Trianon, the queen’s palace. Helen lost herself, dazzled with the elaborate ivory and gold friezes along the walls and ceilings, and the gold-framed paintings hung in arched cornices.
Later, standing before a vast mirror in the Hall of Mirrors, the couple caught their reflection together—Elie smiling tenderly while Helen felt an inexplicable pang of regret.
In Strasbourg, on another day trip, the pair enjoyed a 12:00 tour of the town’s beautiful Gothic cathedral.
“Oh!” Helen exclaimed, captivated by the cathedral’s ornate astronomical clock inside the transept.
Elie whispered, “Wait my dear, it gets better.”
After only a few moments, small figurines emerged from above the blue and gold clock, within a square opening of the sandstone wall. The carvings represented the phases of life, holy saints, and culminated with statuettes of Jesus and his twelve apostles. While absorbed in the intricacy of the synchronized whirring, Helen felt a touch on her hand, as Elie took her arm. Together, the two silently contemplated this majestic tribute to the Almighty’s dominion over time.
On another stop Elie caught up with Helen by driving to Geneva. In the morning, before rehearsals, the Belgian escorted the dancer on a visit to the League of Nations.
“How did you manage passes, Elie? Charlotte and Grace were told they needed a sponsor to attend,” Helen whispered in the vast paneled halls, watching Elie retrieve the official cards from his pocket.
“I have a business contact here in the city who agreed to endorse us,” Elie quietly responded.
Finding their seats in the public gallery, Helen listened as one prominent gentleman after another eloquently spoke of a peaceful world. Moved by the solemn atmosphere in the chamber, the dignified proceedings, and the sincerity of all the delegates’ remarks, she whispered to her new friend, “These men sound determined to spare the world from another war.”
“My dearest girl, I truly hope they are successful,” Elie answered emotionally, gazing at the proceedings with brimming eyes.

*

Elie was in London on business, unable to attend Helen’s ballet performance in Erba, a town in northern Italy which was a holdover obligation from the Gambarelli contract. Mistinguett permitted the rest of the cast time off while the girls rehearsed for the somber ballet—Goethe’s Faust. This dark saga, a morality tale of the man who sold his soul to the devil for worldly power, puzzled the ballerinas.
“Ballet is a serious dance form, it’s true,” complained Una, “but this performance is so grim, I’ll bet there’s no belly laughs, or knee slappers in the aisles tonight.”
A murmur of assent echoed in the dressing room.

*

The cast party after the program proved to be anything but grim or serious. Accompanied by two Italian boys, Eddie and Nikko—young men the dancers had met earlier—the crowd left the theater in a cacophony of chatter and laughter.
Parading to a nearby café, the American girls swarmed around small tables on the stone terrace. Under a garland of dim light bulbs strung around the courtyard, clouds of rising blue cigarette smoke, laughter, and chinking glasses animated the softly lit oasis, the celebration flowing easily against the night.
“Have you tasted cognac, Miss Helene?” Nikko asked, in an innocent tone.
“No, Nikko. It’s bourbon for this girl.”
“My dear, cognac is the nectar of the heavens. You must try a sip.”
Helen reluctantly stared at the cognac the Italian pushed in front of her. She cautiously raised the snifter, appraised the aroma warily, and sipped. Choking a bit, she concluded, “This isn’t bad.”
Nikko, grinning, ordered another. The more cognac she consumed, the more earnestly the dancer explained how she was properly instructed to perform Ballet spotters back in New York.
Eddie sat, enchanted, listening to the pretty American girl. He suddenly asked, “Lovely Helene, would you permit me the privilege of observing your spotters?”
Nikko winked at his friend, and then added, “I have never seen a New York spotter.”
“Go on, Helen, show us how your Mr. Evans says it should be done,” egged on Grace, weaving unsteadily around the table to watch.
“New York spotters!” demanded several voices. Looking blearily around at her audience, Helen wobbled to her feet. The little crowd applauded.
“Hop up on the table, Helen. We can’t see your footwork from here,” shouted Carmen. Helen warily looked at the tabletop. She carefully placed her knee onto the edge, testing its strength, and satisfied it wouldn’t tip or collapse, awkwardly clambered up.
She clumsily rose to her toes. Lightheaded from the alcohol, the dancer tried to focus on a fixed spot, but just couldn’t pinpoint one. One rotation she turned, then another, and Helen began to gather speed. Inevitably, and all too soon, the girl tottered, losing her footing and equilibrium. Luckily for her, spectators surrounded the table and as she listed at a dangerous angle, the boys caught her before she hit the unforgiving flagstones.
Sick and sore the next morning, the no-longer-graceful ballerina retching in the bathroom, gasped, “Nectar for the gods? Tasted more like lighter fluid. I—hate—everyone.”

*

Elie caught up with the Mistinguett Company when Helen and her friends returned to Paris. Pleased to be reunited with the lovely American girl, he offered the group another afternoon tour in his Packard.
“I have my automobile, and you can decide our destination,” he invited.
“We’ve been to The Louvre.” Carmen mentioned.
“I loved the Mona Lisa, remember, Helen?” added Charlotte.
“The Winged Victory was wonderful, too. Plus we have visited the Arch de Triomphe and the Eiffel Tower,” Helen finished. “I think that today it’s your choice, Elie.”
The Belgian looked the girls over, gazing mostly at Helen. “I believe I have an idea. Climb in. We will motor north.”
The party journeyed under a cloudless blue sky to the northeast. Eventually, after passing through some small villages, Elie veered onto a narrow road, parking his Packard in a field.
“This is the battle area known as the Marne,” he announced soberly.
The girls quietly climbed out of his vehicle almost reverently at the familiar name of the legendary site. The young man guided the group over the ribbons of scarred landscape left by the many futile attacks that made up the Marne Campaign in the Great War.
“Was your father killed here, Elie?” Helen whispered.
“No, Helen, he died later, further northwest near the Somme River. That is where he is buried.”
It wasn’t a topic she gushed over in her letters to New York. That afternoon excursion made the wreckage of war too real for a dancer from faraway America.

*

Back in Paris Helen was astonished to find a letter postmarked from Los Angeles, California. Grant’s letter seemed from another world, another lifetime. Helen slowly opened the envelope and read,

My Dearest Little Nell
As you can see I am still residing in the City of Angels. Your silence took the starch out of a booking to South America and I took a pass. I am waiting patiently for my partner to return from her world travels. Shall play nary a date till you arrive… will continue to play my hunches instead… and never doubt me even when I am not with you.

Below his note, Grant had sketched a whimsical map of the routes he planned to book for her return.
He cleverly illustrated the stops with leaning snowy mountains in Denver, oversized, smiling cactus in Phoenix, and swaying skyscrapers back in New York.
“Oh Grant Garrett, you are a charmer, and I do miss you,” she murmured, feeling a little sentimental.
“Helen, did you say something?” Grace asked, glancing up from her bed.
“Oh—no. Sorry, Grace. I didn’t mean to wake you,” the girl murmered.
Lying back on her pillow she mused, I can hardly believe it, but Grant hasn’t crossed my mind since I sailed in April. The tour has been so fast and so thrilling. For now, she yawned, I’m just glad to be here. I’m far enough away from those who spend all of their time planning my life.

Gail Chumbley is the author of River of January

A French Legend

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“Rumor has it that Mistinguett served as a spy for the French government during the Great War while she was dancing across the continent. They may be watching her again because of that new leader in Germany,” Lillian remarked as the company sunned themselves on exclusive Larvotto Beach.
“Who told you such a thing, Lillian?” Una, another dancer, asked skeptically.
“Didier, the older stage manager at the Terminus—he seems to know all about Miss.”
Charlotte’s eyes grew large. “How thrilling!”
“And she’s had many affairs with younger men,” Lillian continued, enjoying the attention. “You’re familiar with Maurice Chevalier?”
“Of course.”
“Supposedly they shared a passionate, very public romance. Miss launched his career when she plucked him from a music hall chorus line and cast him into his first film, La Valse Renversante.”
“No!” Charlotte blurted.
“Oh, yes!”
“Isn’t he a lot younger?”
“Thirteen years, according to Didier.”
“Lucky woman!” Charlotte said. The rest of the girl’s laughed at her response.

Page 75, River of January

La marchande de frites

la marchande de fritesThe time was August, 1932. The place was Monte Carlo. This little gem is a menu from an eatery patronized by Helen and her fellow ballerinas, the “American Beauties.” Though the cover is a print, the interior meal selections were meticulously   penned in an ultraviolet flourish.

Helen collected a dozen or so such menus on her year-long excursion; pocketed from bistro’s, pubs, and cafe’s across Europe.  It is hard to say if management frowned upon this custom, or offered menus willingly for advertising purposes. Regardless, the simple beauty of the artwork and flowing cursive recalls a commitment to elegance and style long since abandoned.

 

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Gail Chumbley is the author of River of January, a non-fiction memoir.

 

Brussels, November, 1932

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From the new memoir, River of January . . .

Booked at the Palace Hotel in Brussels, the show’s new variety lineup fused seamlessly. First the star, Mistinguett, with the ballet troupe opened the evening program. Helen, unable to dance both with her friends and in her solo, chose the latter. Happily, it became a crowd favorite. Though she would have liked to dance with the company, Helen knew the ovations she garnered were well worth watching the opening from the wings. Next on the bill was synchronized dancing from American Earl Leslie and his line of hoofers, followed by the other company entertainers and their specialties.
The program closed with the full cast in a colorful, peacock-inspired, extravaganza. It featured Mistinguett center-stage, supporting a headdress of colossal feathered plumes of blue, turquoise, and purple, shimmering above her blonde hair. Her “Beauties” were costumed in silvery tutus, sequined halters, and tight, sparkling caps, each sprouting over sized silver feathers, flanking their star from both sides.
The male dancers, in black tuxedos, peeked out between each feathered girl. Under the dazzling lights, the symmetrical tableau moved patrons to their feet, applauding and shouting for more.
For a second night more flowers appeared, and this time a note accompanied the gift on Lillian’s dressing room table. As she again picked up the vase and turned toward the trash bin, Carmen stopped her, “At least read the note first, Lillian.”
“Yeah Lil, c’mon!” the other dancers chanted.
“Who wrote it?” asked Grace.
“Is it signed?” wondered Carmen.
Rolling her eyes, the dancer huffed dramatically, then slit open the note with a nail file and read in a flat, monotone:

You were really wonderful in your solo specialty and all through the review and I do want once again to ask you if you will let me pilot you through town in my car when and for as long as you may care. Should you not care to see or know me, please allow these flowers to tell you of my admiration, and remember that you have a person who cares for you in the little city of Brussels.

“But I didn’t have a solo,” Lillian exclaimed. “The only one who had a solo was…”
The girls stood silently, and then all eyes shifted to Helen. Lillian laughed once—a bit annoyed, and handed the vase to her friend, saying, “I believe these belong to you.”
Banter erupted again, now aimed at Helen.
“Jeepers girl, he admires you!” and “Wonder who it is that cares for you in this little city, kid?”
Helen took their teasing in stride, curtsying and blowing kisses. But when the dancers began chatting about the imminent cast party, Helen lowered herself onto a rickety stool and read on. “I feel I must say that I am not an ‘old butter and egg man’ … I am just twenty-eight and not too ugly … My only fault is that I think you are my ideal.”
Her eyes lingered on the words “my ideal.” Unexpectedly charmed, Helen appraised this communiqué with new eyes, and decided to follow the mysterious sender’s written instructions on how and where to meet him.
She dressed quickly and quietly to avoid any friendly needling. Helen hurried out the dressing room, heaving open the steel stage door into the quiet alley behind the theater.
Stepping to the corner of the building, she peeked around to the snow-lined, busy street. Helen carefully studied the faces of the bundled up after-theatre crowd crunching by, and scrutinized moving and parked automobiles. From her vantage point, She soon spied a grey Packard, emitting white-blue exhaust from a quietly idling engine. Scanning the note again, Helen felt certain that the young man would be waiting in that car. Her stomach faintly roiling, she stepped forward, trying to distinguish the driver through his frosty door window.
Helen realized, “Oh, he looks nice,” and shyly continued to approach his vehicle. The driver stepped out of his door, all smiles.
“You must be Lillian,” he beamed, “I am Elie. Elie Gelaki,” he added, bowing to kiss Helen’s gloved hand. She noticed that the young man’s voice formally articulated his clear English.
She bashfully smiled and felt her face grow warm. “Actually, I’m Helen,” she clarified. “I do hope that I am the one the message was meant for…”
Elie Gelaki unexpectedly gazed at her forcefully. “I meant you.”
The two stood self-consciously beside the running automobile.
“Why don’t I take you inside this café? It is quite cold tonight.”
“That would be lovely, Mr. Gelaki,” Helen smiled, more relaxed.
The young man gently took hold of her arm, explaining, “I’m Elie, and this street is quite icy.” He courteously escorted the dancer into a nearby coffee house.
“So you are the Helen Thompson on the bill, not Lillian Ward,” he said after they were seated. “I am sorry about the confusion. I hope it was of no embarrassment to you.”
“No more than usual,” the dancer laughed. “My friends spend more time teasing each other than dancing.” She paused, changing the subject. “Tell me about yourself, Elie.”
“I am a native of Palestine. But now I live here, in Brussels, with my mother and two sisters. My dear father has been for dead for some time.” He noticed Helen suddenly frown. “Did I say something offensive?”
“No. I’m sorry. My father died some years ago, too.” Helen’s own grief abruptly gripped her heart. After Floyd Thompson died, after his funeral, she knew something truly good had vanished forever from her world.
Her frown turned into a sympathetic smile. His face glowed in reply
Elie changed the subject. “I have recently founded a new photo company. I call it Polyfoto International,” he stated proudly. “At this time I am expanding my interests in Europe, across North America, and on into Asia.
“What type of photography do you specialize in?” Helen politely asked.
“ I will accompany you into my studio and photograph your lovely face. Then you will know,” Elie responded.
While he chatted about his life and work, Helen studied the Belgian. He wasn’t terribly tall, and had a clear complexion, subtly suggesting a childhood of freckles. His thick hair ranged from light brown to dark blonde and he combed it back off of his forehead. Elie gazed at her from olive green eyes speckled with glints of brown and gold. Though he seemed a serious man, he smiled broadly as he spoke in his appealing English, and his laughter was deep and friendly.
“Would you consider joining me for lunch tomorrow?” he asked. “I would be happy to guide you on a personal sightseeing tour of the city afterward.”
“Love to,” she answered promptly, drawn toward this young man. Elie thanked her with a happy grin.
The troublesome doubt dawned on her later, as she tiptoed into her dark hotel room.
“He’s Jewish,” she whispered to herself. “My mother would just die if she knew I was seeing a Jew.”
Yet, despite all the prejudice against Jewish people, she liked Elie and decided to give the young man a chance. He seemed nice, and she wanted to see the sights around Brussels.

River of January is available on Amazon and at www.river-of-january.com

A New April

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Right now, in classrooms across America, and overseas, thousands 17-year-olds are preparing for the AP US History exam. They, and their instructors are obsessed with cause and effect, analyzing, and determining the impact of events on the course of America’s story.  Moreover, they are crazed beyond their usual teen-angst, buried deep in prep books, on-line quizzes, and flashcards. As a recovering AP teacher, myself, I can admit that I was as nuts as my students, my thin lank hair shot upward from constant fussing.

My hair fell out too, embedding in combs and brushes, as I speculated on essay prompts, that one ringer multiple choice question, and wracking my brains for review strategies. The only significance the month of April held was driving intensity, drilling kids on historic dates; Lexington and Concord, the firing on Fort Sumter, the surrender at Appomattox Courthouse, President Wilson’s Declaration of War in 1917, the battle of Okinawa, MLK’s murder, and the Oklahoma City bombing, That was what April meant in April.

To quote John Lennon, “and now my life has changed, in oh so many ways.”  Today April holds a whole new definition. My husband rises first in the morning, putters in the kitchen, fetches coffee, tends to the dog, and is back in bed, back to sleep. Big plans for my morning include writing this blog, making some calls related to book talks, a three mile walk through the Idaho mountains, then working on Figure Eight, the second installment of River of January. What a difference!  Nowadays, getting manic and crazy is optional. My hair has grown back in, standing up only in the morning, and the only brush with AP US History occurs in my dreams; the responsibility passed on into other capable hands.

This month, at least here in the high country, has been especially beautiful. We have already enjoyed a few 70 plus degree days, and the green is returning to the flora. Our sweet deer neighbors are no longer a mangy grey, emerging from the trees wearing a warm honey coat. With a little snow still on the peaks, the sky an ultra blue, and the pines deep green and rugged, I think sometimes this must be Eden.

My years as a possessed, percolating history instructor provided a gift of passionate purpose that enriched me more than depleted.  But, now . . . I wouldn’t trade this new phase of my life for all the historic dates in April.

Gail Chumbley is the author of River of January also available on Kindle.