I Said YES!

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Hi Gail,

To start, I want to congratulate you on having your book River of January chosen by Library Journal for inclusion in SELF-e Select.


Since your book has been chosen to be a part of SELF-e Select, Meridian Library would like to invite you to be a featured author at an event they are hosting as a part of Indie Author Day on October 8th. During this event, the local writing community will be coming together in the library to celebrate local authorship and will then join the larger indie community through a digital presentation of industry leaders that will take place at 2 pm EST.


The event will be taking place in Meridian, ID. If you are interested in attending and speaking on a panel about indie publishing, please let me know and I will get you in touch with the librarian who is coordinating the event.

Best,

Allie
Allie McKinney
Content Project Operations Manager
BiblioLabs
100 Calhoun Street, Suite 200
Charleston, SC 29401

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Gail Chumbley is the author of River of January. Also available on Kindle

Strike Up the Band-a few more hours!

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River of January‘s Free Kindle Weekend!

Enjoy a read on the house compliments of Kindle. Available from Saturday morning through Monday night.

When you’re done tell a friend, and say something nice on Amazon Reviews!

Gail Chumbley is the author of the memoir, River of January. Also available on Kindle.

River of January, Boise Library Edition

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Thursday, May 12th River of January meets the Boise Public Library.

Join Gail for a lively, multimedia look at the archive that became the memoir,

River of January

The program begins at 7pm in the third floor’s Marion Bingham Room.

“This history could be lost” had she not known the story. Janet Juroch~The Idaho World

Roxy’s Friend

Maria GambarelliThis lovely lady is Maria Gambarelli, prima ballerina. Miss Gambarelli was well known to New York audiences in the 1930’s for her dazzling performances at the Roxy Theater. In addition, she regularly appeared on Roxy Rothafel’s popular radio program, “Roxy’s Friends.” In 1932 the dancer organized a troupe of New York ballerinas for a grand tour of European cities, to promote America’s cultural image. Helen auditioned for Miss Gambarelli and won a part in the production.

Arriving in Paris the company, christened the “American Beauties,” opened at the exclusive “Le Ambassadeurs” dinner theater to favorable reviews. However, in a contract dispute with the William Morris Agency in New York, in association with the Lartique Agency in Paris, Miss Gambarelli abruptly quit. The eleven American ballerinas were left abandoned, facing an uncertain future on the continent.

For more of the story read River of January, available at www.river-of-january.com

Another New York Story

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So caught up in the process of writing River of January I didn’t see much beyond my keyboard and monitor. Focusing intensely on grammar, style, punctuation, research, and every other detail, I failed to see a beautiful New York story take shape before my eyes.

A New York story. The New York of Vaudeville, Tin Pan Alley, Jimmy Walker, and silent films. The New York of Roosevelt Field–Lindbergh lifting off eastward toward Paris, achieving legendary status, and where Amelia Earhart later trundled down that same runway only to meet her mysterious end in the South Pacific.

Mont Chumbley, one of two central figures in River worked at that same storied airfield, braking down runway #1, arriving first in the 1933 Darkness Derby. He had braved inky night skies in his quest, worsened by wind gusts and growing cloud cover.  Pushing through from Los Angeles to New York, Chum prevailed, victorious, He received honors for his achievement at the Capitol Theater, 1645 Broadway, when Actress Helen Hayes presented him with his cash winnings, and an over sized silver trophy. Becoming something of a local celebrity himself, many from the city sought him out for passenger transport or flying lessons. On one instruction flight,Chum found actress Katharine Hepburn in the cabin of his plane, joining her boyfriend, Broadway producer, Leland Hayward.

 Helen’s New York consisted of auditions and productions from the Boulevard Theater, to the Roxy, performing for Billy Rose, finally dancing in “The Harry Carroll Revue.” As if a scene from an old movie, she set sail in April, 1932 on the SS Ille de France. This transatlantic voyage carried the girl from New York Harbor for an extended tour across Europe. Two years later, in 1936 she stepped up the passage way of The American Legion, a steamer on the Munson Line destined for Rio de Janeiro. Joining throngs on the top deck Helen gleefully waved goodbye to her family, smiling back from the Brooklyn docks. And speaking of family, Helen’s home address, 325 West 45th Street, was the third floor of the Whitby Hotel smack-dab in the middle of the Theater District. And though refreshed and remodeled today, that apartment building still stands–a direct link to an earlier era, an earlier New York.

Helen and Chum both lived in Manhattan at the same time. But he had his New York story to fulfill, and so did his future bride. That they crossed paths on the sidewalks, subways, theaters, restaurants, and trains before exchanging their first hello is certain. But as proper New Yorkers the two finally met elsewhere, at the Club Copacabana in Rio, a hemisphere away. There these two New Yorkers finally locked eyes, and fell in love.

Eventually, when circumstances allowed, Helen and Chum returned home to exchanged vows at the Church of the Transfiguration, on East 29th and 5th Avenue. This location is better known to New Yorkers as The Little Church Around the Corner.

I’ve finally come to recognize that River of January has become more than the narrative of two lives in the early days of aviation and show business. This story takes place in the magical metropolis of New York–where Helen and Chum found magic of their own.

 

The Diva?

ImageAt the risk of sounding too teacher-ish, I’d like to write a bit on the woman pictured above.  However, before I discuss Maria Gambarelli, it is fitting to mention that she is just one of many interesting characters I ran across researching River of January.  It is also fair to say that Helen’s audition for Miss Gambarelli altered the course of Helen’s early career.

Born in the US to Italian parents , Miss Gambarelli began classical training at a young age.   Crossing the Atlantic she studied ballet under famed Russian dancer, Anna Pavlova.  Once back in New York, Miss Gambarelli performed with acclaim on American stages.  After an appearance on a New York radio show, Gambarelli grew to be a celebrity among audiences not interested in ballet.  In her interviews she shared stories of Italian origin, along with related folk songs.  The host, Roxy Rothafel soon made Miss Gambarelli a regular on his program, raising her profile as a dancer.

Rothafel was the man behind the construction of the Roxy Theater, which opened in New York in the late 1920’s.  Miss Gambarelli began a long term contract at the theater, performing for audiences with her company of principal ballerina’s called the Roxy-ettes.  As you may have guessed, that dance line most likely evolved into the famed Radio City Rockettes.  At least that’s the story I found.  Nailing down the past is a dicey proposition, competing with numerous other theories.  However, it does seem to flow.

This ties into my book because Helen danced for Miss Gambarelli in 1932.  The soloist had been engaged by investors to lead a dance company on a tour of European cities.  The company titled “The American Beauties,” was slated to perform first in Paris, then to Brussels, Monte Carlo, and ending in Erba, Italy.  I found in Helen’s papers that the backers worked through the William Morris Agency in New York, in conjunction with the Lartique Agency on the Champs Elysee in Paris.

Helen successfully won a spot with the troupe, and began rehearsals with ten other girls in New York.  Then the dancers experienced a near mythical crossing on the SS Ile de France to Le Havre, and by rail to Paris–all in Miss Gambarelli care.

After the endless training, all of the traveling, all of the money spent in promotion–the tour faced failure.  After only two weeks of performing at the “Le Ambassadeurs” club in Paris, Miss Gambarelli quit the tour.  And not only did she quit, she turned around and sued Lartique for breech of contract.  Miss Gambarelli wasn’t being treated up to her expectations, nor was she allowed to maintain control over the music, or the  choreography of the production.  So she quit.

When I wrote about this episode in the book I needed to find the right word to describe Miss Gambarelli’s behavior.  I couldn’t use diva, because that’s a term that didn’t become a pejorative until today.  Prima-donna is a tough one too.  In fact spell-check doesn’t even recognized Prima-donna, let alone touch on its meaning.

But, if anyone fitted the term, it was Maria Gambarelli.

In the end the tour carried on without it’s star, and evolved over time into a broader variety program.  A new headliner re-tooled the production adding more song and dance, enjoying great success by the time Helen left for New York in 1933.

The show must go on.