Saddle Shoes, Florida, & Rosalie Sorrels

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I never imagined a living legend would grace my home.

The weather had finally turned at the cabin; brief, chilly showers shifting into warm sunny intervals–golden debris blowing across the deck. I had given up clearing away leaves and pine needles, settling instead for mopping rainwater off of plastic chairs. In our cabin for less than a year, my husband and I had volunteered our small place to host a fund raiser for two local candidates running for county offices.

Guests began arriving in late afternoon, carting in plates of finger food and bags of chips. Visitors commandeered my little kitchen, quickly producing cheese & meat trays, while toasting garlic bread in the oven. Shuffling knives and serving spoons, I glanced up to an opening door to greet one of the arriving candidates. Her husband followed her bearing a big smile and carrying an old fashioned squeeze box—a melodeon. I sensed a forthcoming singalong.

I vaguely recognized the third visitor passing through the threshold. After introductions were made, the mystery cleared; the lady was legendary folk singer, Rosalie Sorrels. She had driven over with the candidate and her husband, as they were friends from the other side of the county. I had seen Sorrels before in concert, and honestly grew tongue-tied meeting her in person.

The room filled and the evening warmed–mellowed by good wine and friendly camaraderie. Ms Sorrels drifted around the room, chatting here and there, while perusing our limited artwork. She admired, in particular, a panel of over-sized Florida scenes, soon sharing tales of chauffeuring her children through the Sunshine State many years earlier. At one point, she and I shared a moment out on that leaf-strewn deck, agreeing that cutting down a tree, even as a safety measure, was still a shame. But the big conversation that memorable night centered on my footwear, a pair of vintage saddle shoes.

One woman told us that at her California high school everyone called these shoes Oxfords, and were acceptable only in white. Ms. Sorrels happily joined in with a story of her trusty black and white pair. Mine were coffee and cream, the same as I wore when I attended grade school. Odd, but in that moment we all seemed to channel our long ago girlhoods; guarded adult caution melting away in the banter. Animated with a gentle, expressive smile, Rosalie, too, swapped memories, chuckling along with the rest of us.

As dusk fell, and lamp light filled the house, our company began to depart. There were long drives ahead, and people needed to get going. My husband and I waved goodbye, pleased we had opened up our home for the event. And in the following days we shared with anyone who would listen that Rosalie Sorrels visited our cabin. If they didn’t recognize the name, they did after we were through singing her praises.

That was nearly ten years ago.

When it came across the news last week that Sorrels had passed away in Reno, my mind traveled back to that singular Fall evening. I recognized then, and I still believe, that the cosmos handed us a mighty gift in that visit, of a luminary who had once driven to Florida with her kids and, like the rest of us wore saddle shoes.

Gail Chumbley is a nationally recognized history instructor, and the author of the two-part memoir, River of January and River of January: Figure Eight. Also on Amazon.

Always On My Mind

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Had a six-plus hour drive today; Salt Lake City to my mountain cabin in Idaho. Lengthy car-time, for this Indie writer, always results in exploring fresh ideas for book marketing. I don’t say much to my family, but promoting the two-part memoir, “River of January,” and “River of January: Figure Eight,” is never far from my thoughts, and I’m pretty sure this is true of fellow writers.

Finally made it home, chatted with the husband, did a little of this and that, then idly picked up today’s newspaper. Now, I’m not an avid follower of the mystic, but being an Aquarian, (there’s a song about us, you know) I sometimes do indulge. And, as you can see the cosmos told me to do this, so by damn, I am.

Dear reader, if you enjoy a true American story, set in the American Century, get River of January and River of January: Figure Eight. In the pages, you will experience adventure, travel, glamour, and romance. Aviation enthusiasts relive the thrills and peril of early flight, theater fanciers follow an aspiring dancer as she performs across international stages, and takes her chances in Hollywood.

Take it from the author–in peacetime and in war–this two-part memoir is richly entertaining.

http://www.river-of-january.com. Also available on Amazon.com

Gail Chumbley is an award winning instructor of American history and the author of the two-part memoir, “River of January.”

 

Tagwords

World War One, The Great Depression, Vaudeville, Golden Age of Aviation, Amelia Earhart, Golden Age of Hollywood, Rise of Fascism, Waco Aircraft, Professional Ice Skating, Sonja Henie, World War Two, Battle of the Atlantic, Pearl Harbor, War in the Pacific, Cold War, Sun Belt, America as a World Power.

Get the two-part Memoir, River of January and River of January: Figure Eight and connect these fascinating dots. Also available on Amazon.com

If you’ve enjoyed this adventure, leave a review on Amazon.com. Thanks, Gail.

 

 

 

 

 

 

 

 

New Birth of Freedom

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We all know the story.

On a mild April night, President and Mary Lincoln attended the final performance of the popular comedy, “Our American Cousin,” at Ford’s Theater. Lincoln, by all accounts was in a light, blissful mood. A week earlier Confederate forces commanded by Robert E. Lee had surrendered at Appomattox Courthouse, Virginia, and except for some dust ups, the Civil War had ceased. We also know that John Wilkes Booth, and fellow conspirators plotted to kill, not only the President, but the whole order of presidential succession; Vice President Andrew Johnson, Secretary of State William Seward, etc . . . but only Booth followed through with that night’s violence.

Andrew Johnson took office in a whirlwind of shifting circumstances. In the year up to President Lincoln’s death a notable power struggle had taken shape between the President and Congress. America had never before endured a civil war, and the path to reunion had never been trod. As President, Lincoln believed the power to restore the Union lay in the executive branch—through presidential pardon. But an emerging faction in the Republican Party, called the Radicals saw the issue differently. These men operated from the premise that the Confederate States had indeed left the Union—committed political suicide at secession—and had to petition Congress for readmission. (Congress approves statehood). And this new president, Andrew Johnson, was determined to follow through with Lincoln’s policies.

Unfortunately, Johnson was by temperament, nothing like Abraham Lincoln. Where Lincoln had a capacity to understand the views of his opponents, and utilize humor and political savvy, Johnson could not. Of prickly character, Andrew Johnson entered the White House possessed by deeply-held rancor against both the South’s Planter Class, and newly freed blacks. This new Chief Executive intended to restore the Union through the use of pardons, then govern through his strict interpretation of the Constitution. Johnson had no use for Radical Republicans, nor their extreme pieces of legislation. Every bill passed through the House and Senate found a veto waiting at Johnson’s desk, including the 1866 Civil Rights Act, and the adoption of the Freedmen’s Bureau. Congress promptly overrode Johnson’s vetoes.

Reconstruction began with a vicious power struggle. And much of the tumult came from Andrew Johnson’s inability to grasp the transformation Civil War had brought to America. While the new president aimed to keep government limited, the Radicals and their supporters knew the bloody struggle had to mean something more—America had fundamentally changed. Nearly 700,000 dead, the emancipation of slavery, the murder of Father Abraham, and a “New birth of Freedom” had heralded an earthquake of change.

But Johnson was blind to this reality, seeing only an overreaching Congress, (Tenure of Office Act) and Constitutional amendments that had gone too far. And so it was a rigid and stubborn Andrew Johnson who eventually found himself impeached by a fed-up House of Representatives. Johnson holding on to his broken presidency by a single Senate vote.

 

There have been other eras in America’s past that fomented rapid changes. The Revolution to the Constitutional period, the First World War into American isolation, the Vietnam War stirring up protest and social change. All concluding with reactionary presidencies. No less occurred with the 2016 election of Donald Trump.

2008 to 2016 witnessed social change of a new order. Administered by America’s first African-American President, Barack Obama, liberty reached further, bringing about change where once-closeted American’s hid. Gay marriage became the law of the land, upheld by the Supreme Court in Obergefell V Hodges. The trans community found their champion in Bruce, now Caitlin Jenner. Health care became available to those caught in relentless poverty and preexisting conditions. Undocumented young people were transformed into “Dreamers.” And though he didn’t take the Right’s guns, President Obama did successfully direct the mission to nab Osama bin Laden, America’s most wanted man.

So when former students began sending horrified texts to me, their old history teacher on election night, 2016, I gave the only explanation history provided. The Obama years introduced change to America that reactionaries could not stomach. (And yes, racism is certainly a large part of the equation).

So now we deal with a Donald Trump presidency. But, Mr. Trump would be wise to acknowledge and accept what has transpired in the last eight years. The thing about expanding the ‘blessings of liberty,’ is no one is willing to give them back. When push comes to shove, the new president may find himself facing the fate of Andrew Johnson.

Gail Chumbley is the author of River of January and River of January: Figure Eight. Also on Amazon.

Capturing War

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I grew up during the Vietnam era. This conflict in Southeast Asia officially began in 1959, and officially ended with the Paris Peace Accords in 1973. I was a four-year-old baby when Ike first sent advisers over, and a high school graduate when the boys came home under Nixon.

An opinion has grown among historians that the unpopularity of the Vietnam War came about because of particularly intense television coverage. Some claim that support for this “police action” shifted when the draft expanded to include middle class, college-bound boys. Mothers across the country grew alienated, and distressed by the relentless coverage flickering across all three networks; images of  Vietcong ambushes, exploding fire fights, and mounting body counts, soon drained any support women felt for the war.

I recall in particular doing dishes after dinner watching a little black and white Sony portable on the kitchen counter. It didn’t matter which network I switched to, the same footage blended into a mingled blur . . . jungle, fear, wounds, and an odometer-like graphic, tallying up the day’s body count.

The Vietnam War didn’t come to us through paintings, or photographs, or movie house newsreels. Instead the American public, including this growing girl from Spokane, viewed the unfolding drama as a grim reality program, years before that term was coined. And that little 10 inch window to the war told me, as young and unsophisticated as I was, that this involvement was awful. That war is an awful event.

CBS, in particular, ran special reports highlighting varying aspects of that endless nightmare. News cameras exposed the jarring horror of  surgical personnel–doctors and nurses splattered with blood–and set out with nervous reconnaissance patrols edging through deadly elephant grass, and huddled with desperate Marines battling at a stone wall in the ancient Vietnamese capitol of Hue. All of it awful.

So many years have flown by, and I find this little girl is now officially middle aged. Yet, as I type my graphic recollections from fifty years ago, I know that, at this very moment, young people in battle zones face the exact same hell as the lethal jungles of Vietnam. The human cost of war has not changed–not one bit. And though the American public isn’t quite as riled as 1970, nor as focused, the price of overseas conflicts remain the same for those beautiful young souls now in harms way.

In the spirit of comforting the disturbed, and disturbing the comfortable, I would like to finish this piece by reprinting a poem by WWI soldier and poet, Siegfried Sassoon. With words alone, Sassoon captured the true awful, using no film crew, or photographer, or painter.

Dreamers

By Siegfried Sassoon

Soldiers are citizens of death’s grey land,
Drawing no dividend from time’s to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal climax with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds and wives.
I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with balls and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
Have a safe weekend, and accent the memory in Memorial Day.
Gail Chumbley is the author of the non-fiction memoir, River of January

Capturing War

th

I grew up during the Vietnam era. This conflict in Southeast Asia officially began in 1959, and officially ended with the Paris Peace Accords in 1973. I was a four-year-old baby when Ike first sent advisers over, and a high school graduate when the boys came home under Nixon.

An opinion has grown among historians that the unpopularity of the Vietnam War came about because of particularly intense television coverage. Some claim that support for this “police action” shifted when the draft expanded to include middle class, college-bound boys. Mothers across the country grew alienated, and distressed by the relentless coverage flickering across all three networks; images of  Vietcong ambushes, exploding fire fights, and mounting body counts, soon drained any support women felt for the war.

I recall in particular doing dishes after dinner watching a little black and white Sony portable on the kitchen counter. It didn’t matter which network I switched to, the same footage blended into a mingled blur . . . jungle, fear, wounds, and an odometer-like graphic, tallying up the day’s body count.

The Vietnam War didn’t come to us through paintings, or photographs, or movie house newsreels. Instead the American public, including this growing girl from Spokane, viewed the unfolding drama as a grim reality program, years before that term was coined. And that little 10 inch window to the war told me, as young and unsophisticated as I was, that this involvement was awful. That war is an awful event.

CBS, in particular, ran special reports highlighting varying aspects of that endless nightmare. News cameras exposed the jarring horror of  surgical personnel–doctors and nurses splattered with blood–and set out with nervous reconnaissance patrols edging through deadly elephant grass, and huddled with desperate Marines battling at a stone wall in the ancient Vietnamese capitol of Hue. All of it awful.

So many years have flown by, and I find this little girl is now officially middle aged. Yet, as I type my graphic recollections from fifty years ago, I know that, at this very moment, young people in battle zones face the exact same hell as the lethal jungles of Vietnam. The human cost of war has not changed–not one bit. And though the American public isn’t quite as riled as 1970, nor as focused, the price of overseas conflicts remain the same for those beautiful young souls now in harms way.

In the spirit of comforting the disturbed, and disturbing the comfortable, I would like to finish this piece by reprinting a poem by WWI soldier and poet, Siegfried Sassoon. With words alone, Sassoon captured the true awful, using no film crew, or photographer, or painter.

Dreamers

By Siegfried Sassoon

Soldiers are citizens of death’s grey land,
Drawing no dividend from time’s to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal climax with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds and wives.
I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with balls and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
Have a safe weekend, and accent the memory in Memorial Day.
Gail Chumbley is the author of the non-fiction memoir, River of January